A woman struggles to find a way to live her life after the death of her husband and child.A woman struggles to find a way to live her life after the death of her husband and child.A woman struggles to find a way to live her life after the death of her husband and child.
- Awards
- 21 wins & 19 nominations total
Benoît Régent
- Olivier
- (as Benoit Regent)
Charlotte Véry
- Lucille
- (as Charlotte Very)
Hélène Vincent
- La journaliste
- (as Helene Vincent)
Yann Trégouët
- Antoine
- (as Yann Tregouet)
Storyline
Did you know
- TriviaAt the 2018 Visegrad Film Forum, cinematographer Slawomir Idziak claimed that the script and initial cut of this film focused on the journalist character (played by Hélène Vincent) and her efforts to investigate the authorship of the unfinished musical composition that drives the plot. It was only during the editing process that director Krzysztof Kieslowski re-structured the film to focus on Julie (played by Juliette Binoche).
- GoofsWhen Oliver tells Julie he will not incorporate her changes into the musical score, a boom mic is visible briefly as Julie puts down the phone.
- Quotes
Julie Vignon: Now I have just one thing left to do: nothing. I want no possessions, no memories, no friends, no lovers -- they're all traps.
- Crazy creditsThe final credit says in French, "We thank Alfa Romeo who allowed the scene of the accident to the Alfa 164 whose dynamics are of course purely imaginary."
- ConnectionsFeatured in The 51st Annual Golden Globe Awards (1994)
Featured review
Often times when viewing an intelligent film like this I have to really contemplate what the implications the film maker making mean to me. This film was no exception. Kieslowski, with his background in non-fiction film making, is applying the french political value of liberty to a personal situation. He is, in essence, studying the human condition through fiction. The meaning of "liberty" takes on a very different meaning for Julie in this film. She tries to gain liberty from her memories and her emotions only to find that it is an impossible task. This is not a film to casually throw on after supper. This film requires a commitment by the audience to really consider Kieslowski's implications, for he is telling us (throughout this trilogy) what he thinks makes a "good" person. The score is beautiful and has a character of its own in the plot. A must see for true film lovers but perhaps a little too much for someone expecting a casual encounter.
- clintswift
- Apr 28, 2004
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Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Ba Sắc Màu: Xanh
- Filming locations
- Palais de Justice, Paris 1, Paris, France(hall of justice)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,324,974
- Opening weekend US & Canada
- $6,413
- Dec 5, 1993
- Gross worldwide
- $1,523,336
- Runtime1 hour 34 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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