Dr. Richard Kimble, unjustly accused of murdering his wife, must find the real killer while being the target of a nationwide manhunt led by a seasoned U.S. Marshal.Dr. Richard Kimble, unjustly accused of murdering his wife, must find the real killer while being the target of a nationwide manhunt led by a seasoned U.S. Marshal.Dr. Richard Kimble, unjustly accused of murdering his wife, must find the real killer while being the target of a nationwide manhunt led by a seasoned U.S. Marshal.
- Won 1 Oscar
- 13 wins & 37 nominations total
Jeroen Krabbé
- Dr. Charles Nichols
- (as Jeroen Krabbe)
Joseph F. Kosala
- Detective Rosetti
- (as Joseph Kosala)
The Life and Times of Harrison Ford
The Life and Times of Harrison Ford
Take a look back at Harrison Ford's movie career in photos.
Storyline
Did you know
- TriviaHarrison Ford damaged some ligaments in his leg during the filming of the scenes in the woods. He refused to take surgery until the end of filming so that his character would keep the limp. The limp can be seen in any subsequent scene where Richard Kimble is running.
- GoofsThe detectives watching the interrogation room say "The good doctor's prints are all over the lamp, the gun and the bullets." No matter how biased, incompetent (or plain stupid) a police detective is, the fact that a person's fingerprints are present in his own home, on his own stuff, should not even be mentioned as evidence (the gun wasn't even used in the crime at all). It would only constitute as evidence if there were no other prints in the room.
- Quotes
Dr. Richard Kimble: [Holding Gerard at gunpoint] I didn't kill my wife!
Deputy Marshal Samuel Gerard: I don't care!
- Crazy creditsNear the end of the end credits, there is a scene showing fireworks going off over the Chicago skyline.
- Alternate versionsThe Warner Bros. Pictures logo is plastered with the 2003 logo in the 20th anniversary Blu-ray version.
- SoundtracksThe Thrill is Gone
Written by Roy Hawkins and Rick Darnell
Performed by B.B. King and Bobby Bland
Courtesy of MCA Records
Featured review
Nothing is more thrilling to see than two characters with superior intelligences, pitting their wits against each other. A thriller does not require a great deal of plot or techno-babble to be involving or complex, although many distributors of blockbusters today seem to think so. For these reasons, "The Fugitive" is a huge blessing for a movie critic such as I. I was just thrilled by the excitement, the performances by Harrison Ford and Tommy Lee Jones, and the whole Hitchcockian aura that this sensational film delivered. Even though we have been seeing too many films based on television series come out lately, "The Fugitive" is certainly not one of those that we can add to that routine bushel.
Ford is Dr. Richard Kimble, a vascular surgeon who is wrongfully accused for the brutal murder of his wife (Sela Ward), and therefore sentenced to be executed. After escaping from a bus crash/trash collision, he finds himself running from the Chicago police and especially the U.S. Marshall service, led by Lt. Gerard (Oscar-winner Tommy Lee Jones). At the same time, Kimble attempts to prove his innocence and in turn discover who did kill his wife. What ensues is a tangled web of medical conspiracies, along with a search for a notorious "one-armed man." As I have stated, this is a simple plot that requires no superficial decoration.
Ford, who has always been a less dramatic presence in movies and more of a subtle but affected persona, fits the part of Kimble perfectly. With this role, the last thing required is a melodramatic actor that sticks out like a sore thumb. Ford casually settles into the role of the man on the run, bringing intelligence and style to a less ostentatious character. Jones, who has never really been considered a headliner until now, creates a character that is extremely humorous but also calmly diligent. His only goal is to carry out the task he is assigned to, and nothing will stand in his way, least of all a rivaling police force or Richard Kimble himself. One of the fascinating Hitchcockian elements of the film is how it allows its audience to not be able to take sides. We are constantly rooting for both Ford and Jones when either of them come into perspective. We familiarize with both of them and are amused by both equally. The film's finale, which I won't dare give away, satisfies both sides of this rooting coin.
I have not previously been a fan of the director Andrew Davis's work, but with this entry, he certainly has sparked my interest. With such films as "Under Siege," "Code of Silence," and "Above the Law," he has been able to work with action stars that are both larger than life (Seagal, Norris). Here, he uses more intrigue and atmosphere to reach his audience, building suspense and excitement through simple film tools rather than things blowing up or guns going off (However, there is a phenomenal opening crash scene to boot). With quick pacing, a never-a-dull-moment storyline, and great actors, "The Fugitive" ranks itself as one of the best action films of this decade, and definitely one of the best films of 1993. Rating: Four stars.
Ford is Dr. Richard Kimble, a vascular surgeon who is wrongfully accused for the brutal murder of his wife (Sela Ward), and therefore sentenced to be executed. After escaping from a bus crash/trash collision, he finds himself running from the Chicago police and especially the U.S. Marshall service, led by Lt. Gerard (Oscar-winner Tommy Lee Jones). At the same time, Kimble attempts to prove his innocence and in turn discover who did kill his wife. What ensues is a tangled web of medical conspiracies, along with a search for a notorious "one-armed man." As I have stated, this is a simple plot that requires no superficial decoration.
Ford, who has always been a less dramatic presence in movies and more of a subtle but affected persona, fits the part of Kimble perfectly. With this role, the last thing required is a melodramatic actor that sticks out like a sore thumb. Ford casually settles into the role of the man on the run, bringing intelligence and style to a less ostentatious character. Jones, who has never really been considered a headliner until now, creates a character that is extremely humorous but also calmly diligent. His only goal is to carry out the task he is assigned to, and nothing will stand in his way, least of all a rivaling police force or Richard Kimble himself. One of the fascinating Hitchcockian elements of the film is how it allows its audience to not be able to take sides. We are constantly rooting for both Ford and Jones when either of them come into perspective. We familiarize with both of them and are amused by both equally. The film's finale, which I won't dare give away, satisfies both sides of this rooting coin.
I have not previously been a fan of the director Andrew Davis's work, but with this entry, he certainly has sparked my interest. With such films as "Under Siege," "Code of Silence," and "Above the Law," he has been able to work with action stars that are both larger than life (Seagal, Norris). Here, he uses more intrigue and atmosphere to reach his audience, building suspense and excitement through simple film tools rather than things blowing up or guns going off (However, there is a phenomenal opening crash scene to boot). With quick pacing, a never-a-dull-moment storyline, and great actors, "The Fugitive" ranks itself as one of the best action films of this decade, and definitely one of the best films of 1993. Rating: Four stars.
Details
Box office
- Budget
- $44,000,000 (estimated)
- Gross US & Canada
- $183,875,760
- Opening weekend US & Canada
- $23,758,855
- Aug 8, 1993
- Gross worldwide
- $368,875,760
- Runtime2 hours 10 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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