This is the story of Bella, who woke up one morning and realized she'd had enough. All it took was one rather nasty man to transform her from a meek and mild secretary into a murderous femme... Read allThis is the story of Bella, who woke up one morning and realized she'd had enough. All it took was one rather nasty man to transform her from a meek and mild secretary into a murderous femme fatale.This is the story of Bella, who woke up one morning and realized she'd had enough. All it took was one rather nasty man to transform her from a meek and mild secretary into a murderous femme fatale.
Storyline
Did you know
- TriviaThe gun shop used in the film was a real shop based in Park Street, St. Albans in Hertfordshire and is still going strong today.
- GoofsAt the country pub when Bella is talking to Mr Brown before he drives away: Bella's shadow on the car shows that the lighting is from the left but in the next shot as Mr Brown drives away the natural shadows are in the opposite direction.
- Alternate versionsAlthough the cinema version was uncut the 1995 video release was cut by 1 min 22 secs by the BBFC to reduce blows from a hammer murder, a man being suffocated with a plastic bag, and suggested shots of oral sex and Bella vomiting during the car park rape scene. The 2006 DVD release features the same cut print.
- ConnectionsReferenced in Bad Movie Beatdown: Parting Shots (2010)
Featured review
Controversial? What's the big deal? Sure it comes across as tasteless, perverse and unsavoury, but really the underlining black humour in the smarting script and a revenge fantasy layout does mildly soften the savage intentions. When released; the British (sort-of) feminine vigilante 'Dirty Weekend' caused a real uproar. I seen it labelled as pornographic, but it doesn't really come close. It can get dark, daring and nasty, but never arouses. The raving screenplay by Michael Winner and Helen Zahavi (which it's based upon her novel) is lyrically intrusive, can be offbeat, grotesque (you'll know when) and wears its feminist liberation proudly. Surprisingly I thought it was well thought out even with some patchy inclusions and silly developments. However the absurdity it succumbs to makes for an uneven balance between the humour and serious matter. The waxing between the characters was always amusing, especially when the tables are finally turned. Watching the vulnerable nature of our single female protagonist slowly transform and breathe growing confidence (going from a shivering victim to a sardonic murderer) is done in a wonderfully hardy portrayal by Lia Williams. Some might finde her superficially bland, but I found her suitably incisive. The majority of the men come off as filth, unpleasant and sleazy. David McCallum is substantially good as the fractious dentist and Rufus Sewell is fairly unnerving as the grubby pervert. Sean Pertwee also gets a taste of his own medicine. Director Michael Winner's frank handling is gusty and his sledgehammer approach productively works along side the no-holds barred material. Sometimes the way it was shot it felt like a cheap TV movie. Mainly due to the editing. While the crude violence has a malicious streak, it isn't overly explicit or even convincing, but it can evoke severity. David Fanshawe's eclectically uncanny and soulful music score is an odd one to behold. At times it has a majestic air, but other cues are a complete mess. Interesting low-brow and misogynistic exploitation nonetheless.
- lost-in-limbo
- Jun 5, 2008
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Details
- Release date
- Country of origin
- Language
- Also known as
- Kirli Tatil
- Filming locations
- Park Street Lane, Park Street, St Albans, Hertfordshire, England, UK(gun shop sequence)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- £10,789,456 (estimated)
- Runtime1 hour 42 minutes
- Color
- Aspect ratio
- 1.85 : 1
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