- Awards
- 1 win & 8 nominations total
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIn a radio interview with Sway Calloway, Willem Dafoe confirmed that the scene in the parking garage is genuine, no body doubles were used.
- GoofsA detective states that the reason the police called the District Attorney is because the victim, Andrew Marsh, was handcuffed at the time of death. However, in the opening scene it is obvious that the dead man is not handcuffed. Moreover, if he were, it would almost conclusively prove Rebecca's guilt - if she did not kill him, she would have untied him before leaving. And despite this supposedly being the sole reason for Rebecca's arrest and prosecution, whether the deceased was or wasn't handcuffed at the time of his death is never mentioned again, by anybody.
- Quotes
Rebecca Carlson: All we did was make love.
Frank Dulaney: In handcuffs.
Rebecca Carlson: It was different, but it was still making love. Have you ever seen animals make love, Frank? It's intense. It's violent. But they never really hurt each other.
Frank Dulaney: We're not animals.
Rebecca Carlson: Yes, we are.
- Alternate versionsThree versions of this movie have been released: an R-rated theatrical version, a NC-17 version and an unrated video version. European release is the NC-17 cut.
- ConnectionsFeatured in Siskel & Ebert: Memo to the Academy - 1993 (1993)
Featured review
Certainly not a great film, but not as bad as it has been made out to be. Madonna's acting is OK, and I suspect the "woodenness" of her performance was largely what the director wanted. Her character's passion was limited to the bedroom (and elevator, and stairs, and parking garage, etc.) and never extended to her daily life. And, by the way, I had forgotten how pretty she could be back then. Anne Archer looked awfully good as well, even while being weepy and not completely hinged. The rest of the cast put in good work, with a special commendation for Julianne Moore. Frank Langella was suitably creepy, and Joe Mantegna suitably industrious. Some of the dialog didn't completely work, but if you watch this without preconceptions, you'll find it OK.
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Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Тіло як доказ
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $30,000,000 (estimated)
- Gross US & Canada
- $13,273,595
- Opening weekend US & Canada
- $7,365,429
- Jan 18, 1993
- Gross worldwide
- $13,273,595
- Runtime1 hour 39 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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