We can’t take our eyes off this couple!
Frankie Valli, the falsetto-voiced frontman of the Four Seasons, best known for his hits “Sherry,” “December, 1963” and “Grease”, married longtime love Jackie Jacobs in Las Vegas Monday at the Westgate Hotel, Et confirmed.
Speaking to the People following the loved-up affair Valli said, “It’s terrific to have found love once again at this stage of my life.”
Valli, 89, and Jacobs, 60, exchanged vows in a private ceremony with just the two of them, while Valli’s 1967 hit, “Can’t Take My Eyes Off Of You,” played in the background.
As for the venue, it’s a special one for Valli, who is set to kick off a year-long residency at the Westgate with the Four Seasons later this year.
In photos shared by the outlet, Jacobs, a former CBS marketing executive, wore a white bridal gown and was all smiles as she celebrated the special occasion.
Frankie Valli, the falsetto-voiced frontman of the Four Seasons, best known for his hits “Sherry,” “December, 1963” and “Grease”, married longtime love Jackie Jacobs in Las Vegas Monday at the Westgate Hotel, Et confirmed.
Speaking to the People following the loved-up affair Valli said, “It’s terrific to have found love once again at this stage of my life.”
Valli, 89, and Jacobs, 60, exchanged vows in a private ceremony with just the two of them, while Valli’s 1967 hit, “Can’t Take My Eyes Off Of You,” played in the background.
As for the venue, it’s a special one for Valli, who is set to kick off a year-long residency at the Westgate with the Four Seasons later this year.
In photos shared by the outlet, Jacobs, a former CBS marketing executive, wore a white bridal gown and was all smiles as she celebrated the special occasion.
- 6/28/2023
- by Brent Furdyk
- ET Canada
It’s easy to see how Warner Bros. turned to their A-list director-producer Clint Eastwood, known for his calm, economic, unpretentious, methodical filmmaking, for the 60s period musical “Jersey Boys.” After directing 37 movies, he can do period in his sleep, from “Invictus” to “Changeling,”–on a budget. He’s a composer and jazz pianist who knows music (Cannes prize-winner “Bird”). “It’s just a lot of good songs,” he told Vanity Fair. “You go home humming a different one every night.” And he’s great with actors. The Tony-winning musical also had a good chance of being Oscar bait–likely to play well to the seniors in the Academy who have voted Eastwood movies many Oscars over the years, from “Mystic River” to Best Picture-winners “Unforgiven” and “Million Dollar Baby.”
But the movie looks bland and brown: while it may be accurate for the period, it’s not visually compelling.
But the movie looks bland and brown: while it may be accurate for the period, it’s not visually compelling.
- 6/25/2014
- by Anne Thompson
- Indiewire
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