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Documentary on Otis Redding's performance at the 1967 Monterey Pop Festival.Documentary on Otis Redding's performance at the 1967 Monterey Pop Festival.Documentary on Otis Redding's performance at the 1967 Monterey Pop Festival.
Al Jackson Jr.
- Self - Booker T. & the MG's
- (archive footage)
Storyline
Did you know
- TriviaRedding was notorious for forgetting the lyrics to his own songs, and a good example of it is his performance of "Respect," in which he essentially sings the same verse ("Hey, little girl...") over and over again.
- Quotes
Otis Redding: We're gonna slow it down this time and sing a soulful number. This song is a song that, you know, we all ought to sing sometime. This is the love crowd, right? We all love each other, don't we? Am I right? Let me hear you say yeah then!
Crowd: Yeah!
Otis Redding: All right.
[singing]
Otis Redding: I've been - loving you - too long - to stop now, You were tiiiiiiiiiiiiiiired and you want to be free, My love is growing stronger, as you become a habit to me...
- ConnectionsEdited from Monterey Pop (1968)
Featured review
"This is the love crowd, right? We all love each other, don't we?"
There's an angle Pennebaker uses from behind Redding during his song Respect that produces such feeling - the spotlight haloed around his head like an aura, his breath visible in the surrounding darkness, and the flares of light rain looking as incandescent as his energy level. Backed by Booker T. & the M. G.'s, Redding made the most of the moment during a star-studded festival in June, 1967 that also saw breakout performances from Janis Joplin and Jimi Hendrix. The film is as short and sweet as Redding's set, just five songs (and unfortunately before he had penned (Sittin' On) The Dock of the Bay), and of course as short as his life, tragically ended in a plane crash just six months later on a winter night in Madison, Wisconsin. I loved the footage of the crowd taken from other points of the festival during the final song, Try a Little Tenderness; despite putting this together two decades later, Pennebaker captures both the artist and spirit of the festival here.
There's an angle Pennebaker uses from behind Redding during his song Respect that produces such feeling - the spotlight haloed around his head like an aura, his breath visible in the surrounding darkness, and the flares of light rain looking as incandescent as his energy level. Backed by Booker T. & the M. G.'s, Redding made the most of the moment during a star-studded festival in June, 1967 that also saw breakout performances from Janis Joplin and Jimi Hendrix. The film is as short and sweet as Redding's set, just five songs (and unfortunately before he had penned (Sittin' On) The Dock of the Bay), and of course as short as his life, tragically ended in a plane crash just six months later on a winter night in Madison, Wisconsin. I loved the footage of the crowd taken from other points of the festival during the final song, Try a Little Tenderness; despite putting this together two decades later, Pennebaker captures both the artist and spirit of the festival here.
- gbill-74877
- Jul 19, 2024
- Permalink
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Top Gap
By what name was Shake! Otis at Monterey (1987) officially released in Canada in English?
Answer