A former CIA agent, Christian Creasy, becomes in Italy the bodyguard of a girl who awakens in him a tenderness he never felt before. When she is abducted, Creasy's fiery rage is unleashed, a... Read allA former CIA agent, Christian Creasy, becomes in Italy the bodyguard of a girl who awakens in him a tenderness he never felt before. When she is abducted, Creasy's fiery rage is unleashed, and he embarks on a bloody revenge spree.A former CIA agent, Christian Creasy, becomes in Italy the bodyguard of a girl who awakens in him a tenderness he never felt before. When she is abducted, Creasy's fiery rage is unleashed, and he embarks on a bloody revenge spree.
Storyline
Did you know
- TriviaTony Scott was originally slated to direct, but the studio balked because at the time they felt he was not accomplished enough to pull off the project. He would go on to direct the second adaptation Man on Fire (2004).
- GoofsWhen going after Sandri, Creasy gets into a shootout with two men. The blonde man in the doorway takes a bullet to the chest and drops his revolver before falling face down, dead. The gun is against his right foot. Once the camera pans back to him as Creasy crawls to him, the gun is now clutched in the dead man's right hand.
- Quotes
[last title card]
Title Card: "Guys like us ain't got nobody in the world...... but not us, Lenny said." John Steinbeck "Of Mice and Men"
- ConnectionsFeatured in Sven Uslings Bio: Sämsta filmer 2019 Del 1: Plats 20-11 (2020)
- SoundtracksSomeone to Watch Over Me
Words and Music by George Gershwin (as George) and Ira Gershwin
Published by 'WB Music Corp. [us]' All Rights Reserved
One of those times of me going against the general critical consensus. Tend to be along the same lines and on the same page as critics, who tend to be unfairly bashed on the internet for no reason, but there have been times where a panned film is not that bad to me and an acclaimed film considered not that good or not doing much for me. The former is an example here. 'Man on Fire' is not a great film exactly and can totally see where the critics are coming from. Personally do share some of their criticisms. However, 'Man on Fire' does have a lot of things in its favour, so if asked whether it is that bad my answer would be no. Not a lot is done exceptionally, nothing also is done disastrously.
'Man on Fire' is an interesting film visually. The locations are stunning, especially the palazzo, the industrial loft and the boat dock, and the film has some of the best location shooting from personal opinion of any film from that year. Not perfect by all means, some of the editing is choppy and incomplete-looking and count me in as another person or didn't see the need for the slow-motion, which has very rarely been a favourite camera technique of mine in film. The music is dynamic and haunting.
The script has some nice tension and, contrary to what some critics have said, it does have wit and coolness (especially Scott Glenn's lines). The story could have been better, the build-up of the first half tends to be slow and take too long, some of it is routine and other parts forget to make sense and come over as ludicrous. However, the second half generally really picks up the momentum, fun and suspense levels, leading to an exciting and touching ending.
Don't agree that it completely lacks emotion, though there could have been more and it does for my liking come too late. The action mostly (a few routine moments) is gritty and suitably uncompromising without going unnecessarily over the top. The direction has been criticised, can understand as it is sluggish to begin with but there is a real sense that Chouraqui is more comfortable.
Scott Glenn is an intensely charismatic lead and carries the film brilliantly. Jade Malle is more charming than she is irritating, which was great. Her and Glenn's chemistry is the heart of the film and it is dealt with a believable amount of charm and that it developed gradually rather than them hitting it off straight-away was a good move. In support, a fun Joe Pesci and sinister Danny Aiello (despite an inconsistent accent) stand out.
Not everybody comes off well, more to do with screen time than performance quality. Jonathan Pryce and Brooke Adams just have too little to do to make much impression, Adams in a role little more than the smallest, blink-and-miss of cameos is particularly wasted.
In summary, not a bad film and has enough to not make it fizzle but some elements bring it down from being on fire. 6/10 Bethany Cox
- TheLittleSongbird
- Nov 8, 2017
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Details
Box office
- Gross US & Canada
- $519,596
- Opening weekend US & Canada
- $258,812
- Oct 11, 1987
- Gross worldwide
- $519,596
- Runtime1 hour 32 minutes
- Color
- Sound mix
- Aspect ratio
- 1.66 : 1