Whereas the audience is entreated to identify the promised "fat guy" and discover the degree to which he "goes nutzoid," s/he instead is placed in an epistemological quandary: how do we know who the "fat guy" is, and what type of behavior qualifies as "nutzoid?" Indeed, there are two fat guys in the film, and were the viewer to identify which of them were the intended referent of the title by analyzing their respective nutzoiditude, s/he would arrive at a standoff wherein the viewer is exhorted to discover the inherent social nutzoidity of a cruelly indifferent world harshly juxtaposed against the existential nutzoidness of a benevolent and childlike zest. Surely this film invites post-structuralist and semiotic analysis almost as bountifully as Girls Gone Wild (Totally Unexposed 8, that is) invites geopolitical discussion. And here I was, just expecting to see a fat guy going nutzoid .. .
