An ambitious Pakistani Briton and his white boyfriend strive for success and hope when they open a glamorous laundromat.An ambitious Pakistani Briton and his white boyfriend strive for success and hope when they open a glamorous laundromat.An ambitious Pakistani Briton and his white boyfriend strive for success and hope when they open a glamorous laundromat.
- Nominated for 1 Oscar
- 6 wins & 6 nominations total
Daniel Day-Lewis
- Johnny
- (as Daniel Day Lewis)
Charu Bala Chokshi
- Bilquis
- (as Charu Bala Choksi)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThis film and A Room with a View (1985) both opened in New York on the same day, March 7, 1986. Both movies featured Daniel Day-Lewis in prominent and very different roles: in A Room with a View, he played a repressed, snobbish Edwardian upperclassman, while in Laundrette, he played a lower-class gay ex-skinhead in love with an ambitious Pakistani businessman in Thatcher's London. When American critics saw Day-Lewis, who was then virtually unknown in the US, in two such different roles on the same day, many (including Roger Ebert of The Chicago Sun-Times and Sheila Benson of the LA Times) raved about the talent it must have taken him to play such vastly different characters. In his review of My Beautiful Laundrette, Roger Ebert wrote, "A movie like this lives or dies with its performances, and the actors in 'My Beautiful Laundrette' are a fascinating group of unknowns.... The character of Johnny may cause you to blink if you've just seen the wonderful 'A Room with a View.' He is played by Daniel Day-Lewis, the same actor who, in 'Room,' plays the heroine's affected fiancee, Cecil. Seeing these two performances side by side is an affirmation of the miracle of acting: That one man could play these two opposites is astonishing."
- ConnectionsFeatured in Hooray for Holyrood (1986)
Featured review
A rare instance of magic-realism that actually works in the cinema. The realism is a scrupulously observed portrait of 80s London, its people (entrepreneurs, drunks, racists, wide-boys), locales (dingy flats, delapidated laundrettes, murky car lots) and attitudes (strutting capitalism, dessicated liberalism, farcical extremism).
The magic comes from Frears' style, tweaking and heightening the real; from stylised scenes such as Omar's reuniting with Johnny; from some magical set-pieces, especially the opening of the laundrette, Omar and Johnny making love cut with Nasser and Rachel's waltz; from the clashing of an exotic, Oriental world in a determinedly materialist context.
Kureishi's script is occasionally heavy-handed, but sex is never far from his analyses of power and identity - Omar's crucial tirade against Johnny has a thrilling, Genet-esque frisson.
The magic comes from Frears' style, tweaking and heightening the real; from stylised scenes such as Omar's reuniting with Johnny; from some magical set-pieces, especially the opening of the laundrette, Omar and Johnny making love cut with Nasser and Rachel's waltz; from the clashing of an exotic, Oriental world in a determinedly materialist context.
Kureishi's script is occasionally heavy-handed, but sex is never far from his analyses of power and identity - Omar's crucial tirade against Johnny has a thrilling, Genet-esque frisson.
- the red duchess
- Dec 6, 2000
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Details
- Release date
- Country of origin
- Languages
- Also known as
- Mein wunderbarer Waschsalon
- Filming locations
- 245 Queenstown Road, Battersea, London, England, UK(papa's flat)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- £650,000 (estimated)
- Gross US & Canada
- $2,451,545
- Gross worldwide
- $2,460,977
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