User reviews

TROUBLE IN MIND is a heavily atmospheric neo-noir from Alan Rudolph that is quite intriguing and interesting to watch. The story, if one can call it that, is about an ex-cop, a coffee shop owner and a young couple who are each trying to make their own way in RainCity, a fictionalized/alternate universe version of Seattle. Like the name implies, there is a lot of rain and there is a pervasive sense of melancholy that hangs over it like a cloud. The people who live there all have their pasts, but what really drives them is the hope that they will make it and overcome their circumstances. That, I believe, is at the heart of what this movie represents. In many film noirs past, the general thematic tone was one of fate and destiny, and it being out of human control. Here, in a similarly constructed world, we have people trying to wrest control back into their own hands. Overall, I thought the movie was rather good. Kris Kristofferson gives a great performance as the ex-cop with a checkered past, and Genevieve Bujold, Lori Singer and Keith Carradine give equally decent performances as the coffee shop owner and the young couple, respectively. Ample time is also spent with each character, so that you get to know and sympathize with them (although, to a lesser, degree with Genevieve Bujold). The effect that the city has on a person is seen most explicitly with Coop, played by Keith Carradine, as his appearance changes considerably over the course of the film, and he gets deeper and deeper into the underworld. Also worth mentioning is Divine, who takes a supporting role as the top gangster in RainCity. This is probably his best performance, and he brings shades of flamboyance and menace to it. He is only in a few scenes, but his presence is felt over the entire film and he makes the most of his limited screen time. The movie also has a fantastic jazz score and some great songs sung by Marianne Faithful. But despite how great the film is, there are a few drawbacks. The biggest one is a climactic shoot-out which comes out of nowhere and seemed poorly choreographed. There's also some spotty acting from people in minor roles. Overall, I wasn't quite sure what to expect when I first heard about this, but I was pleasantly surprised. Alan Rudolph managed to create a neo-noir which doesn't wallow in misery, and which maintained its own unique style. I'd recommend checking this one out, especially if you're into the noir genre. You probably won't be disappointed.

A terrific, quirky film by Alan Rudolph. As an earlier reviewer wrote, he has weird things going on that are never explained. They are just features of his "alternative future". Remember that so much of the world we live in goes by, unexplained. It helps break this film away from the Hollywood-spoonfed blandness.

A real treat not commented on is Keith Carradine. A veteran of Alan Rudolph films, he has a wonderful transformation. Without any commentary, he goes from a rural-type (flannel shirt & jeans) to a denizen of the city (wild clothing, make-up, boufant hairdo). And his behavior gets more bizarre with his change in locale.

Also, watch for one of cinemas most unique murders. Let's just say it involves water, a major feature of the movie, but it takes place in a location you would never fathom.

This is one film I would love to see get the deluxe DVD treatment. Widescreen, director commentary, deleted scenes. It is an overlooked wonder.

Divine, just a couple years before she died. And not in drag for this role! Coop and georgia move to the big city to try to have a better life for their new baby. But the big, shiny city has become tarnished with crime. All the little thugs are expected to give a cut to the bigger thug hilly blue. And these people all meet up at wanda's diner. Female nudity. Adult situations. And some of the songs are done by the awesome marianne faithfull! Gawds i love that scratchy, mournful voice. SO good. The film is okay. It's mostly atmosphere and sad music. Pretty basic story. Kind of another world, like dark city. Fun, in it's own weird way. Written and directed by alan rudolph.

Fast paced, interesting characters and cast. Dirk Blocker has the best combover you will ever see. Keith Carridine's look evolves into something pretty amazing. Always good to see Devine. Definitely a hidden gem. Go see it you won't be disappointed.

In Rain City, the militia is constantly recruiting. Hawk (Kris Kristofferson) leaves prison and makes his way back to Wanda (Geneviève Bujold) with her diner. Coop (Keith Carradine) and Georgia (Lori Singer) are a newly arrived couple with a baby. Solo (Joe Morton) recruits Coop for various petty crimes. While Coop is gallivanting around town with his ill-gotten gains, Georgia is waitressing and struggling with city life. Hilly Blue (Divine) is a local crime boss.

This is written and directed by Alan Rudolph. He's using Seattle to make it into the neo noir Rain City. It's modern and yet older. It feels like a down and out 70's world or the hard-boiled 50's. It exists out of time. Divine is almost unrecognizable without his drag. The pacing is a little slow. It's a meandering relationship car wreck and crime drama.

This is a great piece of atmospheric mid-budget film-making. Alan Rudolph and his production team successfully utilize the architecture of Seattle and its rain-slicked streets to bring to life the funky Neo-noir metropolis known as Rain City, inhabited by a set of off-beat characters, my favorite of which is a gangster played by the one and only DIVINE, in his only male-gendered role. He even gets to say the films best line: "Everyone wants to go to Heaven but no one wants to die!"

This is a film that is just begging for a DVD release. As others have mentioned, the audience for this film is definitely out there.

Very fine moody film, made after, 'Choose Me' and good as that is I have always preferred this. In many ways (until the end) a fairly quite film with people drifting in and out of each others lives. Laid back they may be but there are great performances from Keith Carradine, Genevieve Bujold, Kris Kristofferson and even the lovely Lori Singer, who has probably never bettered this performance. Despite the strange neo noirish look of the rain drenched, neon light streets and signs of decay there are also hints at some future setting and the ambiguity coupled with Kristoffersen's model making constantly create a dreamlike quality to proceedings. The soundtrack is immaculate and the use of the crackling elder Marianne Faithful inspired. Divine is brilliant as the chief baddie and should the uncultured out there drop off for lack of constant action be assured you will awake at the end.

The film feels like a sequel to a movie you've never seen. It's disjointed, and although it has a lot of good moments, I rarely cared about what was going on. You have no idea why the characters say what they say and do what they do. Ultimately, though, the biggest sin of this film is: you never forget that you're watching a film. You look at the screen, and you don't see the characters - you see actors saying their lines.

Could have been so much better!

"Trouble in Mind" is a moody and decidedly different film. Take your pick as to whether it's set in an alternate reality or a retro-future. Either way, the inhabitants of Rain City are drifters and lost people whose lives collide as they go on to whatever fate awaits them. Divine makes a surprisingly good bad guy, while Kristofferson is a little wooden but still fits the part. Worth seeing.

If you can imagine a cross between "Bagdad Cafe" and "1984" done as a gangster flic you might be half way to getting Alan Rudolph's "Trouble in Mind", that is if you really want to get it. Most people didn't which is hardly surprising since this virtually plotless film smacks of the worst kind of art-house pretentiousness that mid-eighties American cinema could come up with. Rudolph directs it skillfully enough; the problem lies with his dreadful screenplay which doesn't allow talented performers like Kris Kristofferson, Genevieve Bujold, Keith Carradine, Lori Singer and Joe Morton the opportunity to develop their one-dimensional characters though Dirk Blocker and an almost unrecognizeable Divine make for a couple of entertaining gangsters.

It's all set around Bujold's coffee-house in Rain City, (Seattle, actually), where the lives of the various characters come together but these aren't lives you can get involved with. This is a movie that doesn't work as a comedy, a drama or a thriller; it's nothing really except a waste of two hours of your life. The only plus is another splendid Mark Isham score and Marianne Faithful's voice on the soundtrack.

"Trouble in Mind" is one of those movies that only reveals its greatness about the third time you see it; a wealth of details which, on first viewing, strike the perceptive viewer as scatterbrained or irrelevant, unfold on closer inspection into a rich, lushly imagined fantasy world, and dialogue which at first sounds precious or forced becomes endlessly quotable. It's hard to be an Alan Rudolph "fan," as his work is decidedly uneven; but on this picture, which followed the critical and commercial success of "Choose Me," he is at the peak of his powers. And, if none of this convinces you, you should check this one out for the performances, not least among which is Divine's startling turn as coldblooded (male) gangster Hilly Blue (worthy of awards, in a better world than this).

I watched the first hour of it.

All the actors and actresses are unusually good, and beautiful.

The dialogue, plot, everything else, are hugely awful, unbelievably dumb.

Tough ex-cop Kristofferson and the actresses are super sweet.

Carradine is the at first manly sweet, then foppish, bad guy,

Watch all these people in different movies.

The person who compared this film to Bladerunner is not only doing this film a disservice, but is so far from the mark as to be untrue. The chief protagonist is a cop true, and though initially spurned, he does get the girl in the end, but that's about where it ends...

From the opening strains of the muted trumpet, and Marianne Faithfull's beautifuly broken voice, this film is a masterpiece, it's moody, quirky, low key and not without a little menace, especially when Hilly Blue "puts the anchor" on Solo, "they should all blow each other's balls off, make my life easier..." to quote Lt. Gunther.

It's everything that Bladerunner isn't, if anything it's set in some alternate vision of a disfunctional 50's & 80's combined, down at heel low life's, trashy outfits, too much drab neon & hairspray, allied with a little mob glamour and modern art.

I guess I just feel for the characters, Hawk's hunger for a life he never had, the Zen stillness of Wanda, the wild eyed innocence of Georgia and the weirdness that is Coop, Solo freaking out as a Bhudhist, and last but not least, Divine in a suit... "let everybody get what they deserve..."

It's not a fast movie, or an ensemble piece, but at some deep level it resonates.

"what are you looking at?" "you a cop?" "you know damn well I'm not a cop" "that's what I'm looking at then, a woman who isn't a cop..."

It's the film I watch when I get down, I've lost track of the number of times I've watched it, I caught it first at the ICA West Bank in London, on it's last showing before they started a series of Mexican masked wrestling bario movies :) I bought it recently on DVD in a shop in Schipol airport after being delayed in Amsterdam for two hours, I'd been looking for it for years at that point... Even Amazon had it on back order.

It's really a wonderful movie, from icy lake to mountain road, I always come away from it happy, I guess you can ask no more from a movie than that.

The forecast is overcast. Director Alan Rudolph sets the tone early on and TROUBLE IN MIND never once strikes a sour note. The cinematography is superb: the camera never stops moving, drifting slowly toward or pulling slowly away from the ex-con, Kristofferson, the country bumpkin-cum-Big City thug, Carradine, his mentor, Morton, the naive engenue, Singer, the survivor, Bujold, or the king of queens, Divine. The story unfolds gradually, logically. The music is appropriately moody. THIS is the way to tell a story. Anyone seriously interested in writing or directing needs to add this one to their list of must-see movies. To miss it would be to miss out.

Trouble in Mind is a masterpiece from Alan Rudolph - the most underrated movie director of USA.

It's a great analysis of the amoral society where everyone is ready to sell a soul for his, his friend's or at least for his child's future. In the game of life only the ones wise enough to play with small bets survive.

80's were an afterglow of the 70's criticism against the weak but high developed systems. Although films like "To live and to die in L.A" got the most attention in this area, Trouble in Mind won't have to be ashamed no bit.

Its a long time ago, but I remember doing the PR for this for its UK release and taking Alan Rudolph around to press interviews. one or two of in the agency loved this film, and couldn't understand it when the National Critics seemed not to get it. We organised a dinner for them with Rudolph, and I remember being astonished by the lack of enthusiasm. All these years later I have just made my first feature (Which, whilst I am sure is not a patch on Trouble in Mind, takes as its purpose being unusual and (Hopefully) beautiful. I look forward to the DVD of trouble in mind. You just have to be on the wavelength of this beautiful film, and to remember that one day, people come to appreciate a film....but it can take 20 years.

I've always loved this film. It's often classed as an arthouse movie given the director, however it's more mainstream. It has a great atmosphere throughout, with the eponymous RainCity (well, Seattle actually), and it's set in a near future (or is it an alternate future?). Excellent acting throughput and cool soundtrack courtesy of Mark Isham and Marianne Faithfull. I especially like the performance of Divine, not so much over the top, just completely suited to the role. The touches of humour almost make it a comedy, but at its heart it's a story of redemption, love and heartbreak, in a city where it mainly rains or has been raining.

Admittedly this film was most perplexing, perhaps unsettling at my first few viewings of it and I did not begin to truly enjoy it until I just let it be itself. It has since won a permanent place of endearment in my top ten. Many of the strongly favorable reviews herein resonate with my own experience so no need to rehash these (praxis22 fairly nails it). Even those critical seem ambivalent, haunted? A few have rightly made note of the brilliant, deeply evocative score by Mark Isham. Marianne Faithful's contributions are emblematic; in particular her gentle presentation of the Isham/Kristofferson collaboration El Gavilan – which, in the estimation of some, beautifully embodies the ultimate theme of this film: an elegy of regret inhered of loss, infused with hope. This work was re-released in a special edition DVD by Shout! Factory in its original 1:85 and is of excellent quality; it also includes a remarkably candid and affectionate retrospective featuring the surviving principal cast, crew and production staff. Sadly, the soundtrack has become nearly unobtainable – it also deserves to be rediscovered and recognized.