Speriamo che sia femmina

Nothing to share with the masterpieces of the fifties, and even with more solid screenplays like Parenti serpenti (Poisonous Relations). It is unbelievable that this modest film, in which most of the great stars are completely miscast, has won so many awards (all Italian, by the way). The humor is poor, the story is full of stereotypes, the dialogs have no strength: sorry for the fans of Monicelli (I am one) but this film adds nothing to his career. Let's take the episode in which uncle Gugo is taken to a sort of clinic for mental diseases, where an odd priest, more similar to a salesman, persuades Elena and others to leave the old man there, without any formal and medical discussion; or the other, in which the same uncle Guga, after a so called "car accident", goes back home alone, 20 km far. Is it a farce, or something serious ? Let's forget it.