User reviews

Jacob's Ladder is a superbly crafted film that transcends mere entertainment and becomes an experience much greater than the sum of its parts. When you watch movies such as this, you are unleashing very powerful forces that short circuit your natural ability to remain in control. Much akin to narcotic addiction or hypnotism, upon first viewing you will be unable to think, act, or even believe apart from the intense feelings Jacob's Ladder inspires.

Tim Robbins is Jacob Singer, a warm and genuinely likable Vietnam veteran who, in spite of earning an advanced doctoral degree, chooses to find employment working for the U. S. Postal Service. We learn in bits and pieces as the plot unfolds that his service in Vietnam included a very frightening battle, and the events set in motion on that fateful day parallel what could be his descent into madness.

Jacob's life suddenly begins to resemble Hell. He is literally chased by confusion, fear, and death, he sees unbelievably terrifying images, has horrific experiences that whether real or imagined are too frightening to bear alone. His only comfort comes in the form of the woman he lives with, Jezzie (the late Elizabeth Peña), and his chiropractor, Louis (Danny Aiello). Each of these people's relationships with Jacob represent more than just the roles they fulfill in his life-they are absolute forces at battle for his sanity, and possibly even his soul.

His torment begins to include the past as well, the undeniable love he still has for his ex-wife and painful memories of his son Gabe, who died tragically in an accident (played by a young Macauley Culkin). As all these elements of the past, present and future collide in shocking hallucinations, Jacob slowly begins to suspect he could be the victim of a secret Army drug experiment gone terribly wrong.

With a haunted desperation, he embarks on a journey to find out what on earth happened to him-only his visions / flashbacks / flashforwards have become so delusional that reality and fantasy are hopelessly interwoven and nothing is as it seems. All that is decipherable is good and evil, life and death. And at the end of his nightmare, all he has to do is choose.

That's all I will share of the story. I'm not going to do you the disservice of spoiling the experience this movie is. Suffice it to say, there is much more to know, and nothing left to tell.

Meanwhile, there is not enough that can be said of Robbins' performance. Although he has had "more important" film roles, never before or since has Robbins portrayed naked human emotion so effortlessly and without artiface; though this will not be his most remembered role, it is his personal best to date. Also in top form is director Adrian Lyne. Likewise, Jacob's Ladder is by far his personal best, though he may remain better known for his other more commercially successful films, such as Fatal Attraction and 9 &1/2 Weeks.

Jacob's Ladder is not a horror movie as some may deduce; It is human drama, masterfully disguised as a supernatural thriller. The basic elements of Jacob's Ladder have been plundered several times over the past few decades by technicians such as as Shyamalan who aspire (but fail) to be artists, and franchises like The Conjuring that aspire (but fail) to be art. We have been suckered by flashy films with clever plot twists that cheat us on story, characters, and technical excellence, and in so doing we have lost the discovery of real feelings while the lights flicker before us.

Films such as Jacob's Ladder are set apart from the rest of the pack because you don't just watch stuff like this, you feel it too.

I remember viewing this movie a couple years back and I did not get a lot out of it, I thought it was just too weird. In fact, I even wrote a review of the film on here. I'm glad I gave it another try because I really got a lot more out of it after the second viewing. Maybe it was because my expectations of the film were lower or I have matured in past few years. Anyway, this is a highly fascinating and entertaining thriller about a Vietnam veteran who always feels like there is somebody or something "out to get him". He feels this way because he keeps seeing strange images and many people in which he comes in contact with appear to have horns growing out of their heads and whatnot. Him and his war buddies believe that these strange occurrences are the result of something that happened during the war. The best element of this film is its atmosphere and paranormal feel which will really give you the creeps as well as have you guessing what the cause of the strange occurrences that are affecting Jacob really are. Well worth viewing, and if it doesn't grab you on the first viewing, don't hesitate to try it again, you may enjoy it more. 8/10.

This is easily one of Adrian Lyne's best films. Tim Robbins is excellent and the visual affects were just awesome. I saw this movie for the first time in the theatre and it blew me away. I've seen it many times after that, purely for the visuals that were done so well. The plot twists and turns as it spirals downward slowly revealing the truth and keeps you guessing all the way to the surprising ending. This is a dark, violent, beautiful movie that I recommend to all people who love horror, and just a smart story that will keep you in suspense until the very end.

Jacob's Ladder has attained cult status and rightly so- this is a haunting psychological horror film with some surreal imagery and scenes which will make you distinctly squirm. Tim Robbins plays Vietnam vet who is suffering from perhaps post traumatic disorder or something else. He realizes that almost the entirety of his battalion is also going through something similar. He decides to make sense of this and get answers. As mentioned earlier the images are surreal and terrifying as is the slow descent into madness that we as audiences feel. The tone is suitably dreary with low lights, dripping rain and shadows. Go watch Jacob's Ladder to be creeped out.

New York postal worker Jacob Singer (Tim Robbins) has nightmarish hallucinations stemming from his horrific Vietnam War experience. His wife Jezzie (Elizabeth Peña) struggles to help him. He is also haunted by his first marriage to Sarah and his dead son Gabe (Macaulay Culkin). Louis (Danny Aiello) is a chiropractor whose adjustments unleashes a long paranoid demonic nightmare.

This is a great movie of a personal nightmare. It's a very good performance of a paranoid character from Tim Robbins. Some of the images are actually quite disturbing. It may be the first time that I noticed the shaking head effects. The long nightmare does meander a little. It's hard to expect hallucinations to drive a straight line to a destination. The final reveal is problematic and pulls the rug from the rest of the movie.

Reviews of this title may lead you to believe that this is a great movie. It's not. It's an ok movie, with great acting, but a not-so-great plot: somewhat predictable, with major holes and an absurd ending.

Granted, I'm watching this for the first time in 2020, it doesn't have the same "impact" that it may have had back in '92. But I'm writing this for people who haven't seen it yet.

Again, not bad, just not great. There are far better options in the genre. I won't recommend this one, for sure.

Jacob's Ladder presents a fascinating concept with its exploration of psychological horror, but I found it to be a bit of a mixed experience. The film's strength lies in its atmospheric tension and unsettling visuals, which create a deeply eerie ambiance. Tim Robbins delivers a strong performance as Jacob, conveying his character's disorientation and fear with palpable intensity.

However, the film's plot is often confusing and difficult to follow, which made it challenging for me to fully grasp the narrative's intentions. The frequent shifts in reality and dream sequences, while innovative, can come off as disjointed and leave me feeling more perplexed than engaged. Additionally, the film's pacing feels uneven, with some scenes dragging on and others rushing through crucial developments.

In summary, Jacob's Ladder offers intriguing psychological horror and a compelling performance by Robbins but suffers from a confusing plot and inconsistent pacing that can detract from the overall experience.

One "reviewer" here wrote (I presume) in all seriousness "Like a bad dream - impossible to understand!" That being the case, I can only describe his subsequent attempt to compile a review as "gutsy" in the extreme.

I believe JACOB'S LADDER is one of the 10 best films ever made. It is NOT impossible to understand...you merely have to listen and interpret! For those without the ability to effect the latter...just listen! Danny Aiello's character, Louis the chiropracter lays it out for you - word for word. I think it is the best part Aiello ever had, small one though it is in terms of screen time. Integral to a collective grasp of this great and disturbing film however is the need to tie-in the relationship between Jacob the individual, the biblical "Jacob's Ladder" itself and the relevance of "The Ladder" as explained (and seemingly forgotten by most everybody) by the runty chemical weapons boffin at the near conclusion of the film.

To those who view the ending as "rushed," "unsatisfying," "obscure" even "dumb" as I recall, I would merely suggest you watch it again and take into account the likelihood is, that it is in fact YOU that has missed what has been so cleverly set out for you. SIGNS was equally misunderstood by the majority of people that even liked it - there never WERE any aliens!

JACOB'S LADDER is Robbins' greatest film - Lyne's too. The last few minutes are amongst the most emotional and uplifting scenes I have ever seen since the "star child" in 2001 A SPACE ODYSSEY. Culkin was the perfect choice!

I saw this movie in a near deserted theater in Times Square the week it came out. At the conclusion of this particular late show I noticed an old man sitting some two rows away to my left, absorbed in his thoughts. Having to walk past him to gain the exit I noticed tears in his eyes. He looked up as I approached. After studying me for a moment all he said to me was "You understood didn't you?" I said, "Yes I understood!" He replied softly..."You're very lucky!"

Jacob's Ladder is a masterpiece. Nothing less.

It has a highly intelligent plot though not difficult or artsy and is void of cliches. It therefore confuses and aggravates many viewers and professional reviewers always wanting a standard has-it-all Hollywood outpouring.

It is so few films that leaves room for independent thoughts. Jacob's Ladder tumbles your mind the same way a dream of your own does. I have never felt this effect in a film so strong before. The images comes pouring in and your brain tries to make sense of it. Whenever you think you have a grasp it slides away again.

The brilliance of the progression of the story, twists and turns, and the final explanation, so obvious but elusive as real dreams are, makes it on par with the best of Kubrick.

For several years, there's a very trendy cinematographic genre. This is the "psychological fantastic". This genre is very successful as the movies: "the sixth sense" (1999), "what lies beneath" (2000) or "unbreakable" (2000) showed. All these movies must have been influenced by "Jacob's ladder". In this way, you can regard Adrian Lyne's movie as a precursory and innovative movie. Lyne achieved a masterstroke in an absolutely new genre for him. It means that you're very far from the atmosphere of "9 weeks and a half" or "fatal attraction".

"Jacob's ladder" is based on an outstanding screenplay including numerous weird details that increase the spectator's curiosity. It's precisely with the spectator that Lyne and Bruce Joel Robin, the scriptwriter play with. They take a malicious pleasure in getting the spectator lost in a real maze where seem to border dream and reality. Like Tim Robbins, you look for the clue to the mystery. This clue may be the chemist which Jacob's meeting at the refreshment bar truck. This chemist will lead the plot towards an amazing conclusion.

In Adrian Lyne's movie, there's also a part of the fantastic genre that is very well exploited: at first common and normal living conditions but that are little by little overcome by the unreal, the strange and the fear.

The movie also enjoys an outstanding performance to begin with Tim Robbins. A brilliant success and a movie that deserves to rank among the ten best fantastic movies of the nineties

It's safe to argue I think that Jacob's Ladder is a good movie, but it felt to me like it could have been a great one. I know that some folks (including Roger Ebert) argue that it is a great movie, yet I see a bit of error. The problem (as is frequently the case with movies) is in storytelling. The plot elements don't come together in the best of fashions, leaving Jacob's Ladder without a clear sense of direction. One minute it's a horror film, the next minute, it's a thriller, then a war drama, then an emotional/psychological drama. Sometimes it's inventive, sometimes generic.

What I DO like about the movie, is that is is almost always interesting. Tim Robbin's gives a credible and very 'human' performance, even though it is not his best work. Adrian Lynn's direction and photography are competent, and when it wants to be, Jacob's Ladder can actually be a real shocker. It is a movie that finds a balance between horror and heart, not too sentimental but not too sissy either. It starts to run out of steam a bit at the end, but I'll gladly say that left me satisfied.

Tim Robbins gives a very fine performance as an ex-combat soldier flashing back on an incident in early-'70s Vietnam wherein he and his Army troupe came under the influence of something man-made and horrific. Director Adrian Lyne is a most unusual filmmaker; his main concern is in creating atmosphere through an imposing style putting pain and paranoia in a visually grandiose cinematic context. Unfortunately, this approach can be off-putting when considering some of the more unsettling images foisted at us (the plot is twisted enough without the many repugnant visuals). Robbins is easy and grounded in his role (commendable under the circumstances), but "Jacob's Ladder" is flamboyantly heavy-handed--a drama-cum-horror movie dragging exasperating loose ends behind it. Screenwriter Bruce Joel Rubin creates an anguished netherworld of nightmarish suffering--which Lyne then hammers away at--prior to both men wrapping the picture up with a cold slap of reality. In retrospect, I don't think the climax betrays the audience, but neither is it particularly satisfying. **1/2 from ****

On 06 Oct 1971, in Mekong Delta, Vietnam, the American soldier Jacob Singer (Tim Robbins) is wounded by a bayonet during an attack to his platoon. He wakes up in New York subway while going home late night after working overtime in the post office. He is divorced from Sarah (Patricia Kalember), lives with his colleague and lover Jezebel (Elizabeth Peña) is a small apartment in Brooklyn and misses his young son Gabe (Macaulay Culkin), who died in an accident where Jacob feels responsible for. Along the next days, Jacob is chased by demons and finds conspiracy in the army, while having different visions of different moments of his life.

Yesterday I saw "The Jacket" and I decide to see once more "Jacob's Ladder", maybe for the fifth time. This anguishing and intriguing story is one of the most original and unique I have ever seen, and has been plagiarized many times mainly in the foregoing mentioned "The Jacket". Tim Robbins gives another top-notch performance in the role of a troubled man resolving his life, due to the feeling of guilty for the loss of his younger son. Bruce Joel Rubin, who also wrote and produced "Ghost", "Jacob's Ladder" and "My Life", shows that is very connected with spiritual issues, approaching this theme in his films. The Brazilian title of this movie, "Alucinações do Passado" ("Hallucinations From the Past"), wrongly induces the viewer and destroys the dubious sense of the original title: Jacob is the lead character, "Ladder" is the name of the experiment his platoon and him had been submitted in Vietnam; but the interpretation of "Jacob's Ladder" in the Bible is that this is the only means to reach the total ecstasy, the plenitude, however, we need first supersede the obstacles that we find in our ascension. Further, "Jacob experienced a vision in which he saw a ladder reaching into heaven with angels going up and down it, a vision that is commonly referred to as Jacob's Ladder" (from "Wikipedia"). Another interesting aspect is that all the characters have biblical names. For example, Jezebel is considered the most wicked woman in the entire Bible (the character of Elizabeth Peña was responsible for the separation of Jacob and Sarah and maybe he was blaming her for keeping him far from his family); and Gabriel is the angel that explained signs from God and announced the conception, birth, and mission of Jesus to Mary. My vote is nine.

Title (Brazil): "Alucinações do Passado" ("Hallucinations From the Past")

Note: On 19 May 2009, I saw this movie again, now on DVD.

One of those war movies where most of the action takes place away from the battlefield, Jacob's Ladder is a psychological thriller/mystery with a heavy dose of conspiracy. At its best, it raises powerful questions about love, loss, and what makes life worth living. For the downsides, it can feel disjointed and premised on dubious plot developments. There's also a certain political edge to it that I suspect resonates much less with most viewers than it did upon release. After all, it's a 1990 film about the Vietnam War. No one alive today in America who served in that war is under 60.

I'll say nothing of the plot. The ending was spoiled for me before I started the movie, and I think that detracted from some of the film's punch. That said, it makes me wonder how much value the film has on rewatch.