A young hot-shot stock car driver gets his chance to compete at the top level.A young hot-shot stock car driver gets his chance to compete at the top level.A young hot-shot stock car driver gets his chance to compete at the top level.
- Nominated for 1 Oscar
- 1 win & 2 nominations total
Fred Thompson
- Big John
- (as Fred Dalton Thompson)
Donna W. Scott
- Darlene
- (as Donna Wilson)
Storyline
Did you know
- TriviaProduction began without a finished script. Scenes were often written the day of filming. During one driving sequence, Tom Cruise actually had to read his lines off cue cards attached to his windshield, which resulted in a minor car accident. For subsequent driving sequences, Cruise was fitted with a special earpiece to have lines fed to him.
- GoofsIn the scene where Cole and Rowdy line up at the stop light in opposite vehicles, Rowdy is in a Ford Taurus. When the light turns green, they both gun it and you see smoke coming form the tires of the Taurus. The smoke is coming from the rear tires. The Ford Taurus never came with a RWD option, they were all front wheel drive, thus the rear tires should not have smoked up.
- Quotes
Harry Hogge: Cole, you're wandering all over the track!
Cole Trickle: Yeah, well this son of a bitch just slammed into me.
Harry Hogge: No, no, he didn't slam you, he didn't bump you, he didn't nudge you... he *rubbed* you. And rubbin, son, is racin'.
- ConnectionsEdited into Redline (2007)
- SoundtracksGimme Some Lovin'
Written by Steve Winwood, Muff Winwood and Spencer Davis
Performed by The Spencer Davis Group (as Spencer Davis Group)
Courtesy of EMI Records (by arrangement with CEMA Special Markets)/Island Records
Featured review
some good Towne-script moments and a superb cast, but...
Yeah, Top Gun is the one that made all the very BIG bucks back in 1986 and put Tony Scott and Tom Cruise on the map in bigger ways then they had been before (not to mention producers Don Simpson and Jerry Bruckheimer), but somehow, much as with De Palma/Pacino with Scarface and Carlito's Way, the follow-up seemed to probably be the actual better film of the two. Does this mean that Days of Thunder, following the travails of an up-and-comer racecar star (Cruise), is a really good movie? Well, in some ways yes, and in other ways not so much.
I give the production this: it moves fast and slick, and whenever cars are on the track it's visually compelling and exciting as the filmmakers know how to cut stuff together for Fast Impact (lest not forget the camera-work, filled with colors and smoke and cool contours, even a shot with Nicole Kidman standing at one point on the side of the frame is great to look at). And the casting here is fantastic; and forget Cruise, how about Robert Duvall (has he ever been anything less than solid, and here he's actually giving this conventional Trainer-cum-Mentor some soul), or Nicole Kidman (who gets really some of the best lines in the film), or Michael Rooker (by now something of an underrated character actor national treasure, and here imbuing an a-hole with a lot of sympathy and pathos)? Why not throw in John C. Reilly in there too, he has a couple of memorable moments too.
Where it flails? Sadly, and I'm not sure if this is really on Towne's end - and one should note that Cruise has his only (?) writing credit here as co-story author - or the producers, but this all the same is light-weight stuff. There's not much conflict to the proceedings, or much that sticks to the gravel, no pun intended (OK, some). This is the kind of movie that gives people like Duvall some excellent scenes to at least try to overcome the clichés of the sports movie (and make no mistake, that's what this is deep down, and a "programmer" of the old-time-studio variety, not a terrible thing inherently)... and then you got Cary Elwes as "Russ Wheeler". The last time one saw a motorist with the last name Wheeler was in a Disney Goofy cartoon about Motor Madness. And Randy Quaid, who is OK, also is saddled with some very basic material to work with here as the businessman who turns on a dime. There may be some stakes, like for Rooker's character, yet for Cruise there's not much there that makes it feel like 'Oh no, s***'s getting real here!'
In other words, Days of Thunder has some genuinely good stuff to it, and it has some personality and verve and, for a couple of moments, sex appeal in that, uh, late 80's/early 90's style (and hey, this was the movie Cruise and Kidman met after all, so you can see the chemistry as white hot as they come). But it's hard not to eye-roll at some of the story choices and character motivations, or things like, say, the movie ending on an unironic freeze frame at a very silly moment.
It's one of those things where I give it a tepid recommendation and/or a very strong put-down, if that makes sense. Quality, dumb-studio filmmaking for the masses - and, for sure, a step up from the waste of Top Gun. 6.5/10
I give the production this: it moves fast and slick, and whenever cars are on the track it's visually compelling and exciting as the filmmakers know how to cut stuff together for Fast Impact (lest not forget the camera-work, filled with colors and smoke and cool contours, even a shot with Nicole Kidman standing at one point on the side of the frame is great to look at). And the casting here is fantastic; and forget Cruise, how about Robert Duvall (has he ever been anything less than solid, and here he's actually giving this conventional Trainer-cum-Mentor some soul), or Nicole Kidman (who gets really some of the best lines in the film), or Michael Rooker (by now something of an underrated character actor national treasure, and here imbuing an a-hole with a lot of sympathy and pathos)? Why not throw in John C. Reilly in there too, he has a couple of memorable moments too.
Where it flails? Sadly, and I'm not sure if this is really on Towne's end - and one should note that Cruise has his only (?) writing credit here as co-story author - or the producers, but this all the same is light-weight stuff. There's not much conflict to the proceedings, or much that sticks to the gravel, no pun intended (OK, some). This is the kind of movie that gives people like Duvall some excellent scenes to at least try to overcome the clichés of the sports movie (and make no mistake, that's what this is deep down, and a "programmer" of the old-time-studio variety, not a terrible thing inherently)... and then you got Cary Elwes as "Russ Wheeler". The last time one saw a motorist with the last name Wheeler was in a Disney Goofy cartoon about Motor Madness. And Randy Quaid, who is OK, also is saddled with some very basic material to work with here as the businessman who turns on a dime. There may be some stakes, like for Rooker's character, yet for Cruise there's not much there that makes it feel like 'Oh no, s***'s getting real here!'
In other words, Days of Thunder has some genuinely good stuff to it, and it has some personality and verve and, for a couple of moments, sex appeal in that, uh, late 80's/early 90's style (and hey, this was the movie Cruise and Kidman met after all, so you can see the chemistry as white hot as they come). But it's hard not to eye-roll at some of the story choices and character motivations, or things like, say, the movie ending on an unironic freeze frame at a very silly moment.
It's one of those things where I give it a tepid recommendation and/or a very strong put-down, if that makes sense. Quality, dumb-studio filmmaking for the masses - and, for sure, a step up from the waste of Top Gun. 6.5/10
- Quinoa1984
- Jul 25, 2015
- Permalink
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Tage des Donners
- Filming locations
- North Wilkesboro, North Carolina, USA(North Wilkesboro Speedway)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $60,000,000 (estimated)
- Gross US & Canada
- $82,670,733
- Opening weekend US & Canada
- $15,490,445
- Jul 1, 1990
- Gross worldwide
- $157,920,733
- Runtime1 hour 47 minutes
- Color
- Aspect ratio
- 2.39 : 1
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