After an encounter with a neck-biter, a publishing executive thinks that he's turning into a vampire.After an encounter with a neck-biter, a publishing executive thinks that he's turning into a vampire.After an encounter with a neck-biter, a publishing executive thinks that he's turning into a vampire.
- Awards
- 1 win & 3 nominations
Robert Lujan
- Emilio
- (as Bob Lujan)
Johnny Walker
- Donald
- (as John Walker)
Boris Lyoskin
- Fantasy Cabbie
- (as Boris Leskin)
David Hyde Pierce
- Theater Guy
- (as David Pierce)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Nicolas Cage on the Roles That Changed His Life
Nicolas Cage on the Roles That Changed His Life
Nicolas Cage breaks down his transcendent performances in Valley Girl, Vampire's Kiss, and Face/Off to reveal how they changed both his career and his life.
Storyline
Did you know
- TriviaChristian Bale had used Nicolas Cage's performance in this film as inspiration for his role as Patrick Bateman in American Psycho (2000). The characters and films share striking similarities.
- GoofsDuring both sex scenes with Rachel and Peter in Peter's bed, the flesh colored pad covering Jennifer Beals' nipple is clearly visible.
- Quotes
Peter Loew: [running down a street] I'M A VAMPIRE! I'M A VAMPIRE! I'M A VAMPIRE! I'M A VAMPIRE! I'M A VAMPIRE! I'M A VAMPIRE!
- ConnectionsEdited into Leet Fighters: Mojado Mexican (2014)
Featured review
Okay, so Nicolas Cage eats a real cockroach. So the majority of the people who've seen this film don't understand the plotline. So black comedy is new to a late eighties audience. These points are minimal considering the great lengths to which the filmmakers go to to reveal the downfall of a hideous relationship between two people. A relationship gone so wrong that the male has to commit himself to therapy and conversely...murder.
Imagine a relationship wherein the woman was so soul sucking, so evil in her ways that you now feel as if she has sucked you dry - literally and figuratively - you are left as nothing but (in this case) a shell of a man - a walking corpse, yearning for the life's blood that she has stolen from you through your very own veins!
Cage gives the performance of his career and should have received an Oscar as the twisted, quintessential jilted lover who now desperately tries to recapture the joy of his most passionate and influential relationship by revisiting the empty, vampiretic bar hopping lifestyle where he found her - working his way through subsequent women, then just as unsatisfactorily moving his way through rape, suicidal tendencies and ultimately, murder.
It's tone is unforgiving alternating comedy and tragedy, confusing us as to whether he is really a vampire or just thinks he is. By flipping from his therapeutic sessions to his bitter and pathetic reality we see just how badly his male ego has taken rejection.
Here is a film where the simple plotline of a man being bitten by a vampire and believing he has become one becomes one where we see a man disintegrating before us, sliding into madness because he is forced to face his empty life.
His obsessive attention to detail, penchant for house bugs, absence of reflection in the mirror and avoidance of sunlight all match the prerequisites for vampirism, but his clumsy attempts at finding another woman and to fill the void that is left by a woman put so far onto a pedestal he cannot reach are overshadowed.
This is not a film for the feint of heart but for anyone who has ever been screwed over by a woman they have loved (or imagined they did) this is a welcome little cult revelation that makes them laugh and brood at the same time.
Imagine a relationship wherein the woman was so soul sucking, so evil in her ways that you now feel as if she has sucked you dry - literally and figuratively - you are left as nothing but (in this case) a shell of a man - a walking corpse, yearning for the life's blood that she has stolen from you through your very own veins!
Cage gives the performance of his career and should have received an Oscar as the twisted, quintessential jilted lover who now desperately tries to recapture the joy of his most passionate and influential relationship by revisiting the empty, vampiretic bar hopping lifestyle where he found her - working his way through subsequent women, then just as unsatisfactorily moving his way through rape, suicidal tendencies and ultimately, murder.
It's tone is unforgiving alternating comedy and tragedy, confusing us as to whether he is really a vampire or just thinks he is. By flipping from his therapeutic sessions to his bitter and pathetic reality we see just how badly his male ego has taken rejection.
Here is a film where the simple plotline of a man being bitten by a vampire and believing he has become one becomes one where we see a man disintegrating before us, sliding into madness because he is forced to face his empty life.
His obsessive attention to detail, penchant for house bugs, absence of reflection in the mirror and avoidance of sunlight all match the prerequisites for vampirism, but his clumsy attempts at finding another woman and to fill the void that is left by a woman put so far onto a pedestal he cannot reach are overshadowed.
This is not a film for the feint of heart but for anyone who has ever been screwed over by a woman they have loved (or imagined they did) this is a welcome little cult revelation that makes them laugh and brood at the same time.
- Shemke Lemke
- Oct 29, 2001
- Permalink
Details
- Release date
- Country of origin
- Languages
- Also known as
- Vampire's Kiss - Ein beißendes Vergnügen
- Filming locations
- St. Nicholas Carpatho-Russian Orthodox Church, 288 E 10th St, New York City, New York, USA(Peter begs parishoners to kill him)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $2,000,000 (estimated)
- Gross US & Canada
- $725,131
- Opening weekend US & Canada
- $96,699
- Jun 4, 1989
- Gross worldwide
- $727,998
- Runtime1 hour 43 minutes
- Color
- Aspect ratio
- 1.85 : 1
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