A middle-aged artist obsessed with his pretty young assistant, a precocious 12-year-old living in a hotel, and a neurotic lawyer with a possessive mother make up three Gotham tales.A middle-aged artist obsessed with his pretty young assistant, a precocious 12-year-old living in a hotel, and a neurotic lawyer with a possessive mother make up three Gotham tales.A middle-aged artist obsessed with his pretty young assistant, a precocious 12-year-old living in a hotel, and a neurotic lawyer with a possessive mother make up three Gotham tales.
- Awards
- 1 win total
Storyline
Did you know
- TriviaThe performance piece that Steve Buscemi delivers in the Martin Scorsese segment was conceived and written by the actor himself.
- Quotes
Lionel Dobie: [When Paulette sees Lionel appearing unexpectedly in Paulette's bedroom] I just wanted to kiss your foot. Sorry, nothing personal.
- Crazy creditsCoppola's segment introduces cast and crew members only by their first name during the opening titles.
Featured review
**1/2 of****
Three completely different short stories told by three of Hollywood's most influential and profilic directors in the most exciting and mythical city on earth. Seems like a shoe in doesn't it? Well almost. Looking forward as I did to the Woody Allen piece "Oedipus Wrecks" the wait was worth it, but still somewhat unsatisfying. This featurette would've been a welcome change of pace for Woody at the time given that he hadn't made a flat-out silly comedy for a while and he manages to make good use of every moment. He has a great cast,(Kavner, Questral are particular standouts) and a genuinely strange premise to work with and the results are a riot, dare I say one of Woody's best. So what's so unsatisfying? As good as "Oedipus Wrecks" is , it still suffers because it has to follow Coppolla's god awful and charmless "Life Without Zoe." Seriously I had absolutely no clue what the hell was going on in this obnoxious, cutesy-poo clinker. Can anyone help me understand why Coppola thought anyone would like this? Sitting through "Zoe" is so emotionally draining that by the time you get to "Oedipus" you're too annoyed and confused to fully enjoy it. As a result Scorsese's "Life Lessons" comes off the best of the three. Nolte and Arquette are flawless and the intensity and friction between them make for an engaging if not distressingly tense 35 minutes.
Three completely different short stories told by three of Hollywood's most influential and profilic directors in the most exciting and mythical city on earth. Seems like a shoe in doesn't it? Well almost. Looking forward as I did to the Woody Allen piece "Oedipus Wrecks" the wait was worth it, but still somewhat unsatisfying. This featurette would've been a welcome change of pace for Woody at the time given that he hadn't made a flat-out silly comedy for a while and he manages to make good use of every moment. He has a great cast,(Kavner, Questral are particular standouts) and a genuinely strange premise to work with and the results are a riot, dare I say one of Woody's best. So what's so unsatisfying? As good as "Oedipus Wrecks" is , it still suffers because it has to follow Coppolla's god awful and charmless "Life Without Zoe." Seriously I had absolutely no clue what the hell was going on in this obnoxious, cutesy-poo clinker. Can anyone help me understand why Coppola thought anyone would like this? Sitting through "Zoe" is so emotionally draining that by the time you get to "Oedipus" you're too annoyed and confused to fully enjoy it. As a result Scorsese's "Life Lessons" comes off the best of the three. Nolte and Arquette are flawless and the intensity and friction between them make for an engaging if not distressingly tense 35 minutes.
- maitlandst
- Sep 12, 2003
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Details
Box office
- Budget
- $15,000,000 (estimated)
- Gross US & Canada
- $10,763,469
- Opening weekend US & Canada
- $432,337
- Mar 5, 1989
- Gross worldwide
- $10,763,469
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