Divorced executive Marshall and his 11-year-old son Charlie casually touch a magical Tibetan skull, releasing a mysterious power that transfers Marshall's mind to Charlie's body and vice ver... Read allDivorced executive Marshall and his 11-year-old son Charlie casually touch a magical Tibetan skull, releasing a mysterious power that transfers Marshall's mind to Charlie's body and vice versa. Their problems have just begun.Divorced executive Marshall and his 11-year-old son Charlie casually touch a magical Tibetan skull, releasing a mysterious power that transfers Marshall's mind to Charlie's body and vice versa. Their problems have just begun.
- Awards
- 1 win & 5 nominations
- Larry
- (as Harry Murphy)
- Cliff
- (as Chip Lucia)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaJudge Reinhold attributed this film, which was a box office flop, as being the decline of his career. Combined with a reputation for being difficult to work with, Reinhold said "That's when the phone stopped ringing." He moved out of Los Angeles to a small town near Santa Fe, New Mexico to regroup his life.
- GoofsWhen Sam is about to kiss Marshall in Charlie's body, Charlie in Marshall's body quickly comes in , then Sam kisses Marshall in the forehead and leaves a big horizontal mark, then when she says "Goodnight my favorite men", the camera comes back to Marshall and he has a little inclined kiss mark, instead of a big horizontal one.
- Quotes
Charlie: [relaying a message to Marshall, who in turn is in a meeting] ... and we've been offered very favorable interest rates from Hong Kong.
Marshall: [apparently having misheard what Charlie said] We've been offered very favorable interest rates from King Kong.
Charlie: *Hong* Kong!
Marshall: I mean *Hong* Kong.
- SoundtracksSet the Night to Music
Written by Diane Warren
Produced by Péter Wolf (as Peter Wolf)
Performed by Jefferson Starship (as Starship)
As this "body switch" genre goes (it was certainly popular during this period), this is definitely one of the better ones. It may be the furthest thing from original, but it works rather well thanks to some bright writing from Dick Clement & Ian La Frenais (whose other credits in both film and TV are numerous). They commit to being at least somewhat believable, but the real bright spots of the picture are Reinhold & Savage. They totally commit to their characters and situation, and are a blast to watch. Of course, the expected reactions from onlookers when "Charlie" talks nothing like an 11 year old, and "Marshall" gets frequently befuddled, add to the merriment. And young Charlie is an aspiring musician and hair metal enthusiast (!), so watching Reinhold jam on the drums is a welcome highlight.
The cast is rock solid and full of familiar faces: Swoosie Kurtz, David Proval, Jane Kaczmarek, William Prince, Gloria Gifford, Beverly Archer, Richard Kind, Ajay Naidu (just a kid himself then), Elya Baskin, James Hong, and Jane Lynch (in her film debut). Under-rated 80s babe Bohrer is charming as the love interest; Kurtz and Proval are appropriately odious villains. Reinhold, who saw his career start to head South after the box office failure of this one, really doesn't get enough credit for this performance, and young Savage is equally his match, the way that he spews out some of his dialogue.
Like a lot of stories, it eventually builds to an action-packed finale, which is amusing to say the least.
Good of its kind; it may follow an ancient Hollywood formula, to be sure, but it sill wins one over. It's got some real heart as it spins its "walking a mile in another persons' shoes" yarn.
Seven out of 10.
- Hey_Sweden
- Mar 28, 2019
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Details
Box office
- Budget
- $10,000,000 (estimated)
- Gross US & Canada
- $13,664,060
- Opening weekend US & Canada
- $4,050,779
- Mar 13, 1988
- Gross worldwide
- $13,664,060