A doctor in 1968 Prague struggles with monogamy to his wife's frustration, and then the Soviet invasion further disrupts their lives.A doctor in 1968 Prague struggles with monogamy to his wife's frustration, and then the Soviet invasion further disrupts their lives.A doctor in 1968 Prague struggles with monogamy to his wife's frustration, and then the Soviet invasion further disrupts their lives.
- Nominated for 2 Oscars
- 7 wins & 14 nominations total
Pavel Landovský
- Pavel
- (as Pavel Landovsky)
Stellan Skarsgård
- The Engineer
- (as Stellan Skarsgard)
Tomasz Borkowy
- Jiri
- (as Tomek Bork)
Pavel Slabý
- Pavel's Nephew
- (as Pavel Slaby)
László Szabó
- Russian Interrogator
- (as Laszlo Szabo)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe first cut shown to the studio was under two hours in length and the story was confusing. Philip Kaufman was asked to add in scenes he cut. The next day they were shown the theatrically released version. It's believed Kaufman showed them a shorter and confusing version in order to get his almost three-hour final cut approved with no questions of cutting it.
- GoofsMephisto the Pig, consistently referred to as "he", is a sow, as can be seen frequently, but particularly when the group enters the inn for dancing.
Featured review
The Unbearable Lightness of Being (1988)
I liked this book a lot, and I like director Philip Kaufman's approach to movies. The best of this movie is terrific, as well: the wild culture of personal and cultural freedom at the start, the chilling invasion of Soviet tanks in the center, and the last half hour of idealized romance and happiness in the country.
That kind of gives away the movie, it would seem. But in a way, the movie is about how all these things happen. This is where it gets to be about taste and patience. It's a long movie, and much of the events are not really a development of plot, but a steady continuation of a variety of relationships (mainly between the lead man and the two main women). There is a plot behind all this, especially around their leaving Czechoslovakia and then finding a return to bliss in the Czech countryside, but this doesn't drive the movie overall.
For me, it wasn't enough to see these people enjoying sex and discovering conflicts between the three legs of the love triangle. Scenes were often leisurely in a way that implies we were glad to just be there and watch things happen within a pocket of frozen time, rather than through time. By that I mean, it wasn't where you were going with the emotional aspects, but it was where you were, the now of the interactions. The might actually be where the book was so successful--it created moods and scenes where you were, actually, glad to just be absorbed. For me, that wasn't always the case in the film version.
Part of the problem might just be Daniel Day Lewis, who is a bit too self-satisfied, not as a character (that is certain) but as an actor. He lacks the magnetism that might sustain the unlikely and ongoing love the two women have for him, even as they know about each other. On the other hand, it's a huge, epic tale about true freedom, and a very real pursuit of happiness. And when the energy gets going, and the mood is fully expanded, there is magic. Especially, again, at the end, including the famous fade to white in the last frames, it is about a kind of heaven on earth. Who can object to that?
I liked this book a lot, and I like director Philip Kaufman's approach to movies. The best of this movie is terrific, as well: the wild culture of personal and cultural freedom at the start, the chilling invasion of Soviet tanks in the center, and the last half hour of idealized romance and happiness in the country.
That kind of gives away the movie, it would seem. But in a way, the movie is about how all these things happen. This is where it gets to be about taste and patience. It's a long movie, and much of the events are not really a development of plot, but a steady continuation of a variety of relationships (mainly between the lead man and the two main women). There is a plot behind all this, especially around their leaving Czechoslovakia and then finding a return to bliss in the Czech countryside, but this doesn't drive the movie overall.
For me, it wasn't enough to see these people enjoying sex and discovering conflicts between the three legs of the love triangle. Scenes were often leisurely in a way that implies we were glad to just be there and watch things happen within a pocket of frozen time, rather than through time. By that I mean, it wasn't where you were going with the emotional aspects, but it was where you were, the now of the interactions. The might actually be where the book was so successful--it created moods and scenes where you were, actually, glad to just be absorbed. For me, that wasn't always the case in the film version.
Part of the problem might just be Daniel Day Lewis, who is a bit too self-satisfied, not as a character (that is certain) but as an actor. He lacks the magnetism that might sustain the unlikely and ongoing love the two women have for him, even as they know about each other. On the other hand, it's a huge, epic tale about true freedom, and a very real pursuit of happiness. And when the energy gets going, and the mood is fully expanded, there is magic. Especially, again, at the end, including the famous fade to white in the last frames, it is about a kind of heaven on earth. Who can object to that?
- secondtake
- Oct 19, 2010
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Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Die unerträgliche Leichtigkeit des Seins
- Filming locations
- Prague, Czech Republic(archive footage)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $17,000,000 (estimated)
- Gross US & Canada
- $10,006,806
- Opening weekend US & Canada
- $202,189
- Feb 7, 1988
- Gross worldwide
- $10,006,806
- Runtime2 hours 51 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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