User reviews

As prison movies go, "Prison" easily rises above expectations. Competent acting by Lane Smith, Viggo Mortensen, and a cast of prison stereotypical character actors carries the movie into above average territory. The abandoned Wyoming prison where it was filmed is interesting, and lends authenticity. Although the horror prison aspect has been done more recently, there is a certain quality to "Prison" that has not been replicated. I'm not sure what it is, but the combination of likable characters that have some development fighting an unleashed spirit is depicted quite well, in the tradition of great films like "The Keep". - MERK

In this Renny Harlin-directed film, the story is nebulous and vague in the best possible way. An ancient prison in Wyoming must be reopened to relieve inmate congestion elsewhere. The state penal board installs Ethan Sharpe (Lane Smith) as the new warden. His first task is to renovate the place, using an advance guard of inmates as slave laborers. Smith brilliantly portrays Sharpe as a Gestapo version of Jimmy Steward. And soon it becomes apparent that Sharpe has something to hide, something to do with the history of this hoosegow and a prisoner who died in the electric chair down in the basement. Worse yet, it seems like said prisoner's spirit has been lying in wait for Sharpe's return.

The mood is everything in Prison. An air of confinement overtakes the film as soon the buses roll into the yard to drop the work crew off at their new home. The look, sound and smell of penitentiary life hangs all over the place. For the ghost vs. warden conclusion, the vagaries of C. Courtney Joyner's script translate into the imprecision of a nightmare. What the hell does this wrongly executed ghost want? Who knows? Despite the silly subplot with a crusading lady reformer. Prison remains one of Empire Picture's most accomplished productions.

A cash-strapped prison board decides to reopen an old, run-down slammer that has been closed since 1968, putting no-nonsense warden Eaton Sharpe (Lane Smith), an ex-guard at the establishment, in charge of running the show. When Sharpe orders two of the new inmates (one of whom is played by a young Viggo Mortensen) to break down the sealed-up entrance to the execution chamber, he unwittingly unleashes the vengeful spirit of dead convict Charlie Forsythe, who was wrongfully sent to the electric chair.

With the two men responsible for this dreadful miscarriage of justice currently residing in the very same prison as Forsythe's ghost, one might expect retribution to be swift, but director Renny Harlin (Die Hard 2, Cliffhanger, Deep Blue Sea) drags out matters for over 100 minutes, chucking in as many hoary prison drama clichés as possible in the process, whilst having his malevolent spook kill off several other characters for no discernible reason other than to pad out the action and meet the gore quota—except that the splatter here is remarkably tame despite the inventive nature of the deaths.

5.5/10, rounded down to 5 for the cinematography, which utilises a blue tint and smoke throughout in a bid to add style and atmosphere, but which, in reality, only succeeds in making everything blue and smoky.

Considering the amount of crap that Hollywood studios churn out onto DVD these days, it's simply amazing that this absolute gem of a horror movie is only available on video (and NTSC at that!). If you, like me, are a big fan of the multi-talented Viggo Mortensen and are lucky enough to come across a copy of this film on eBay or suchlike, then I suggest you buy it until someone comes to their senses and treats this film to the DVD transfer that it richly deserves.

This was Renny Harlin's fourth film (just before he came to fame with 'Die Hard 2') and stars Viggo, as the kind of prisoner that you'd want as your friend, along with Lane Smith (he of the 'Superman' TV series) as a deliciously sadistic warden. The story takes place in a prison (no surprise there, though it was filmed in a REAL prison which adds to the atmosphere) and concerns the unintentional release of the revenging spirit of a prisoner electrocuted 30 years earlier - nuff said. Fans of truly inventive and gory dispatches will love this film. The ending is a bit cheesy, but that's the only quibble I have.

9/10

PS - Viggo does look real good in his underwear.

I first saw this in the late 80s on a vhs. Revisited it recently. Ok, there r problems with the screenplay n direction. The ghost unnecessary kills innocent fellas just for the the sake of the runtime, the ending is kinda rushed with no proper explanation about the resemblance between the ghost n Mortensen, what exactly happened 30 years prior is not explained well, why the ghost spared the old convict who too was involved is beyond me, ther r too many cliches n the worst is why kill the innocents when the ghost cud have easily killed off the main perpetrator but then fellas will complain how will they make a feature film. But i am angry man, why they had to kill Stallone's fan n Tiny?

On the plus side, the film has lots of recognizable faces, good director, nice settings of a prison n that too a real one which adds to the atmosphere, gory deaths, the one involving the barbwire will remind Evil Dead.

The plot - A convict is executed via electric chair for a murder he did not commit n later the prison is closed. The dead convict's soul returns from the afterlife to take revenge but goes on a killing spree when the prison is reopened after thirty years.

Lane Smith stars as a worn-out bug-eyed warden Sharpe who in 1968 executed some prisoner. 20 years later the almighty Board reopens the Prison, transfers some inmates to it and reinstates the old dog Sharpe who's plagued by nightmares of that execution he carried out a long time ago. Viggo Mortensen plays a mysterious convict do-gooder that helps everybody and carries himself with unprecedented grace. Lincoln Kilpatrick (who did some quality time later in Fortress) plays an old black guy that already did time here under warden Sharpe. The go-to girl of late 80s action and horror Chelsea Field is spliced in as a concerned female observer. To top it all off the evil spirit gets unleashed (it's the 20th anniversary of that execution) and haunts the place The Keep/Evil Dead style. Prison is not well written, but looks okay and is shot well. It has a lot of familiar faces. The scares don't work, but I think it's because they're ridiculous and funny to begin with. The third act has people running around in panic and a surprise twist is revealed that goes absolutely nowhere. This movie you're going to laugh at if you've seen Evil Dead, The Keep and Fletch. But to Renny Harlin's credit, he made it watchable enough for others to comfortably sit through it. It's his first all-American movie and he made a wise decision of grabbing onto the first (worst?) thing they gave him and do his best with it.

No great shakes in terms of scripting and originality, but this interesting horror film has an unusual, realistic edge that sets it apart from most routine thrillers. Well-drawn characters and first-rate effects make this a perfectly decent, if minor, effort. The explosive final sequence is very well-edited.

Years after a Charlie Forsythe has been executed via the electric chair the state of Wyoming reopens the prison . During some renovation work a wall is knocked down releasing the spirit of Forsythe who is now bent on revenge

This is a cross-genre film featuring prison exploitation movie mixed with horror . Before the credits role you know what to expect and no one is expecting the cerebral psychological horror dished out in John Hillcoat's GHOSTS OF THE CIVIL DEAD because this is more in keeping with ghost of the very uncivil undead

Noticing the credit of director Renny who would give us DIE HARD 2 and DRIVEN strikes you that this is going to be a bit loud , noisy and exaggerated and guess what we get ? That said we also get an early starring role from Viggo Mortensen possibly the most underrated actor of his generation

The story and style plays out as you expect it . A diverse group of cons split in to predators , prey and intelligent lone wolfs are sentenced to serious time in the penal system . You can't help thinking perhaps the conditions seen here are a bit to grim to be realistic but then you stop to consider that in real life convicted prisoners in some states live in tents in the yard then maybe no embellishment is given . It also noticeable how similar in some ways on a visual level this film is to Michael Mann's THE KEEP from 1983 but Mann did manage to make his film a bit more hypnotic than Harlin has done with PRISON

Viggo Mortensen stars as a new inmate of a haunted prison in which the warden (Played well by Lane Smith) has a grisly secret that could be the reason why various prison guards and inmates are being slaughtered by a supernatural presence. Lincoln Kilpatrick is the lifer who knows the secret and is scared for his life. When I think prison movies, I always think action movies starring Stallone or Van Damme or high caliber dramas such as Shawshank Redemption or The Green Mile. However I didn't expect a ghost story more along the lines of Exorcist III. Prison however is an atmospheric effort and it certainly remains the best movie of Renny Harlin's career. The movie is creepy and has some good acting from a cast of (at the time) unknowns. Lane Smith comes off the best because his warden isn't the usual cliché of evil personified but rather nervous and twitchy which adds some credibility to a movie that far exceeds expectations.

*** out of 4-(Good)

Some of the most tame prisoners ever seen on film are transferred to a prison haunted by an executed man years earlier. Was the evil warden involved? Uh, yes. A young Viggo Mortensen, showing none of the talent he showcased in his later work, is some sort of hotshot prisoner. A whole lot of nothing happens, except lots of blue gels over movie lights and added smoke to make shafts of light. It's a boring and lame forgotten 80s horror entry that should stay forgotten. Doesn't even deliver requisite gore and shocks. A flatline of a movie that takes its silly premise deadly serious. You'll be hard pressed to remember anything that happened except for lots of blue.

Prison is not often brought up during conversations about the best eighties horror films, and there's a good reason for that because it's not one of the best...but as you delve past the classic films that the decade had to offer, this is certainly among the best of the lesser known/smaller films. The film does have some connection to blockbusters; for a start it's an early directorial effort for Renny Harlin; the capable director behind a number of action films including Die Hard 2, Cliffhanger and Deep Blue Sea; and secondly we have an early role for Lord of the Rings star Viggo Mortensen. The film is not exactly original but the plot line is interesting. We focus on a prison that has been reopened after a number of years. This was the prison where a man named Charles Forsyth was sent to the electric chair after being framed by the prison's governor. Naturally, the spirit of the dead man is not resting in peace; and when the old execution room is reopened, the spirit of the dead convict escapes for vengeance.

The film is not exactly The Shawshank Redemption, but it does take care to build up its various characters and while the main point of the film is always the horror, the prison drama behind it all does make for an interesting base. This is a good job too because other than the basic premise, the film doesn't really have a 'plot' to go from and we solely rely on the interaction between the characters to keep things interesting. The horror featured in the film is at times grotesque but it's never over the top, which might actually be the reason why this film is seldom remembered, being released in a decade of excess. The murders themselves are rather good and imaginative, however, and provide some major highlights. As the film goes on, we start to delve more into the back-story of the vengeful convict's ghost and while it's fairly interesting, some things about it don't make sense and it drags the film down a little. Still, everything boils down to an exciting climax and overall I have to say that Prison is a film well worth tracking down.

I was enjoying this film, but then all of a sudden it just seemed to tail off and I lost interest.

Can't pinpoint what was wrong, but it was a disappointment for me.

Couple of good gore scenes, and a laughable prison riot.

Oh, and the 5.1 soundtrack on the 88 films blu ray is possibly the worst I've ever heard, it shoves the dialogue into the background and pumps up the special effects to a ridiculous volume.

Prison (1987)

*** (out of 4)

A rundown prison is about to re-open after twenty-years as Warden Sharpe (Lane Smith) plans to use the 300 new inmates to clean the place up and get it into working shape. One of the inmates (Viggo Mortensen) helps break down a sealed execution room, which unleashes the spirit of a previously killed convict and soon strange murders are happening throughout the prison.

PRISON is a film I skipped for over two decades because I thought the story just sounded downright stupid. There's certainly egg on my face because while the story is lacking and there are some major flaws here and there, for the most part this is a pretty well-made film that manages to have some very good performance and a terrific atmosphere. A lot of credit has to go to director Renny Harlin who made this just before A NIGHTMARE ON ELM STREET 4 and three years before breaking into the mainstream with DIE HARD 2.

What works so well with this movie is the atmosphere created by the director. The rundown prison makes for a wonderful setting and I thought the entire thing had a rather authentic feel. Just watching the film you could really feel yourself inside these prison walls thanks in large part to the atmosphere, which is perfectly captured by some very good cinematography. The cinematography also works extremely well during the murder scenes where all sorts of crazy stuff is usually happening. The death sequences here are original to say the least, although they're certainly a lot different than the type horror fans were wanting to see during this period.

Speaking of which, it's easy to see why PRISON didn't get too much love when it was originally released. Released during the era of slashers, I'm not sure how many people wanted to see a haunted prison movie and especially one that didn't feature that many gory deaths. What death scenes are here are quite unique but I'm sure most people were wanting Jason and Freddy. Not some invisible killer. As much as I enjoyed the majority of the film, there are still some problems including the story that really doesn't add up to much. Another problem is that the 102-minute running time starts to drag a bit towards the end.

Another good thing working for the film are its performances with Smith being extremely good in his role as the warden. I thought he did a very good job and delivered an intense performance, which is going to remind many of the one Tommy Lee Jones gave in NATURAL BORN KILLERS several years later. Mortensen also does a very good job leading the film and it's easy to see even here that he was destined to become a strong actor. Chelsea Field is good in the role of a social worker and supporting players Tom Everett, Ivan Kane and Lincoln Kilpatrick also turn in good work.

PRISON is quite original when you think about it, although there are some flaws here that keep it from being much better. People who overlooked the film back in the day certainly deserve to give it a shot.

I pulled down a VHS box from my vast collection - many unseen - and picked out a movie, based on the box art, I thought would be fun, and yes, bad. Prison had that 80s cheesy look all over that box. I sat down and watched, and lo! and behold!, found that sometimes we do indeed sit down to a movie with preconceived expectations in mind. Fortunately, I reversed mine quickly and soon realized I was sitting down not just to an okay film but a rather good movie in total. Prison tells the story of an old, dilapidated prison being reopened to save on budgetary concerns. It looks creepy as all empty and filled with prisoners. The prison used as a set is incredibly atmospheric and easily the most important character in the film. The story using the prison as its central setting tells in a prologue of a man being killed via the electric chair. We see Lane Smith as a guard - tearing away a Crucifix before sending the man to his Maker. We then go to present day, first with a government board at a meeting deciding to open the prison and send a beautiful doctor in to make sure that conditions are acceptable as she campaigned vigorously against re-opening the old prison. Then we see the new warden, Lane Smith, haunted by a nightmare in bed - and given the new job of opening a prison he has not been to in years. Well, the rest follows suit: prisoners and guards arrive with plenty of stereotypes abounding. We are given some character depth and several of the prisoners are interesting characters. The acting is better than one might expect with Lane Smith doing as always a workmanlike job. Viggo Mortenson as a very different prisoner being solid. Tom Everett, Tiny Lister, and Ivan Kane really exploring the boundaries of their stereotypical characters. Chelsea Field is okay as the female lead. The best performance is by Lincoln Kilpatrick, an underrated character actor, as Cresus - a prisoner who had been in that very same prison years ago when the "man" had been executed" with some kind of terrible secret. Prison is not the next best thing to sliced bread or anything like that, but it is definitely worth a look and definitely better than most would expect from it. I was pleasantly surprised at the way director Renny Harlin created a story so visually atmospheric. The film has a tense, taut pace and Harlin knows how to build his scenes. There are a few excessively shot gore scenes - the one with the barbed wire was a bit much as was the one with all the pipes. But these scenes are visually creative and interesting. The acting is uniformly decent. The script actually much more cohesive than one usually gets from films like these. That may in part be credited to Irwin Yablans who wrote the story. You may remember he came up with the idea of making Halloween scary as a holiday. Here he makes incarceration a hell of a lot more scarier than it already is. Give Prison a break(get it).

In 1988 I was 12 years old when this movie was made in my hometown of Rawlins, WY. It is hard to find to watch, so seeing it here on this site with info is pretty cool. I don't remember much about the movie except for the creepy scene in the motel room. They made the prison dark and dreary, not like the ones today. All I can say is this movie is pretty okay, just because it is a movie doesn't mean people should not visit the real place. I do find it interesting that some of the stars have risen to stardom, not from this movie but for other roles. So if you can find a copy of this movie, I think you are very lucky. I've never seen it on T.V. or even on SCIFI. If you like horror, and gore then this movie is for you!

The inmate Charlie Forsyth is executed in the electric chair in the Creedmore Prison, and the guard Ethan Sharpe (Lane Smith) keeps his crucifix. Thirty years later, Sharpe is promoted to warden and decides to reopen the Creedmore Prison against the will of the board responsible for the prisoners. Katherine Walker (Chelsea Field) is assigned to report the behavior of Sharpe to the board. Soon the prisoners arrive in buses and among the inmates, the car thief Burke (Viggo Mortensen) that soon shows his leadership. He is assigned with the prisoner Sandor (André DeShields) to open an access to the execution room that is sealed using pickaxes. When they open a breach, they unleash the evil spirit of Forsyth that was trapped in the space and now is seeking revenge on Sharpe, who becomes psychotic since he has a dark secret. However, the inmates and guards are also affected by the vengeful spirit that starts a crime spree in the prison.

"Prison" is creepy prison movie from 1987, with a good storyline and screenplay. The performance of Lane Smith is impressive and Viggo Mortensen performs a cool character. Chelsea Field is beautiful and elegant. The supernatural story is still entertaining after thirty-five years of the film release. My vote is seven.

Title (Brazil): "Duro de Prender" ("Hard to Arrest")

Scared me when I was young. Couldn't do so again now. Silly flick, only worth to see a young naked Viggo Mortenson.

I saw Prison in 1988, when I was a young and impressionable child, and it really freaked me out. Did you ever see horror movies when you were a kid and think "how could anyone make anything so horrible?" This was one of these movies where I was even afraid to look at the video box in case actual evil came out of it. That's how my mind worked.

Flash-forward 31 years and I'm now a smart and intelligent grown-up (!) ready to properly watch the film with an analytical mind and I assure you it is one of the best, if perhaps a little obscure, 80s horrors. The decade belonged to Freddy and Jason with a few classic Carpenters and studio productions, but a few schlocky horrors managed to sneak in there. Prison, while not groundbreaking, definitely deserves a lot of appreciation.

Viggo Mortensen plays a car thief sent to do some hard time in the fun house, only the construction of a new super-max facility has fallen behind and the authorities decide to re-open the ramshackle Wyoming State Penitentiary and reinstate the hardcore old warden Sharpe (Richard Nixon lookalike Lane Smith). As soon as the doors are locked the men are tormented by a vengeful spirit that turns the slammer into a hell on Earth.

I was surprised at how much characterization there was. The cons are not just disposable meat but men with personalities and are well acted. The production design, lighting, and photography are genuinely spooky with a believable, earthy realism. How could Renny Harlin show this much enthusiasm early in his career only to become lazy and workman like by the end of the 90s?

With awesome make-up and gore effects, a little bit of mystery, and a surprising (if flatly handled) twist, Prison rightfully earns distinction in a decade that is filled with a lot of cheap horror trash. I do object to Charles Band's score, which is a straight-up rip-off of the suspense tracks from James Horner's score to Aliens. Other than that, Prison ought to be on every horror fan's list.

On one side impressive in its murderation and violence, the other side nipping into uncanny and unwanted disgust, "Prison" is a strange movie that is both competently directed scene by scene yet lacking in overall direction with its ideas.

Lane Smith is great, having a wail of a time and elevates his scenes. Viggo Mortensen is okay but his character is confused and he looks bored. Chelsea Field is largely forgettable and has little impact. Lincoln Kilpatrick is a nice presence but has little to do. Tom Everett is completely nuts.

By regularity I dislike overly violent movies, particularly supernatural butchery, and the movie fails to explain the core motives behind its ghostly killer. However there are degrees of competency and its gripping with its cinematography.