An experienced cop and his rookie partner patrol the streets of East Los Angeles while trying to keep the gang violence under control.An experienced cop and his rookie partner patrol the streets of East Los Angeles while trying to keep the gang violence under control.An experienced cop and his rookie partner patrol the streets of East Los Angeles while trying to keep the gang violence under control.
- Awards
- 1 win & 1 nomination
Grand L. Bush
- Larry Sylvester
- (as Grand Bush)
Storyline
Did you know
- TriviaProducer Robert H. Solo hired real street gang members as guardians as well as actors. Two of them were shot during filming.
- GoofsDuring the chase of the female driver by police, she crashes head on into a car parked on the street, propped up on blocks, which brings her car to a full stop, but when they cut to a different angle her car is shown only side-swiping the park car and then she continues speeding down the road.
- Quotes
Bob Hodges: [to his new partner] There's two bulls standing on top of a mountain. The younger one says to the older one: "Hey pop, let's say we run down there and fuck one of them cows". The older one says: "No son. Lets walk down and fuck 'em all".
- Alternate versionsThe original theatrical version wasn't shortened but scenes were added when Virgin released the VHS in the UK, marketed as a bonus rather than as a Director's Cut. In the 'international VHS version' two scenes were extended.
- SoundtracksColors
Performed by Ice-T
Written by Ice-T & Afrika Islam
Published by Colgems-EMI Music Inc and Rhyme Syndicate Music
Courtesy of Sire Records and Rhyme Syndicate Productions
Featured review
An experienced cop (Robert Duvall) and his rookie partner (Sean Penn) patrol the streets of East Los Angeles while trying to keep the gang violence under control.
Looking back now (2017), this film seems so normal, something that could be included in a long list of L.A. gang movies, with the Crips and Bloods fighting it out for turf. We all know about "gangsta rap" and Compton and South Central and all of that. But then you look at the date this film was released -- 1988 -- and you see that all these things we take for granted had never been explored in any detail before. (Merriam-Webster, for example, does not even think the term "gangsta rap" was invented until 1989, even if Schoolly D and Ice-T were already around.)
Although it is probably not true that "Colors" is the first film about gang violence in Los Angeles, it was probably the most influential at the time it came out. Allegedly, some reviews found it even hard to believe that gangs existed in L.A. -- that is just how novel the premise was. Director Dennis Hopper does an excellent job in laying out what these neighborhoods are like and really tackles the crack epidemic head on.
The original script by Richard DiLello (best known as a Beatles historian) actually took place in Chicago (the traditional gang stronghold) and was more about drug dealing than individual gang members. Hopper ordered changes, so Michael Schiffer was hired and the setting was changed to Los Angeles with the focus of the story becoming more about the day-to-day world of gang members. This switch may be the single best decision Hopper made while developing and shooting the film.
What makes the film valuable today, besides its historic aspect, is seeing just how great the casting was, too. Don Cheadle before he was widely known. Tony Todd before "Candyman". Damon Wayans before his entire family became big stars. Even a young Mario Lopez shows up. The idea of having a white kid (Courtney Gains) in a Latino gang seems strange, but as Gains himself says, that was written into the script and he just happened to be lucky enough to get the part.
Thanks to Shout! Factory and their Shout Select label, we now have the full, uncut film on Blu-ray, looking great and sounding fantastic. The Herbie Hancock score is dynamite, to say the least. Special features are a little bit slim, unfortunately -- no commentary and not a single actor interview -- but we do have a look back at both the writing process and the gang situation in 1980s Los Angeles.
Looking back now (2017), this film seems so normal, something that could be included in a long list of L.A. gang movies, with the Crips and Bloods fighting it out for turf. We all know about "gangsta rap" and Compton and South Central and all of that. But then you look at the date this film was released -- 1988 -- and you see that all these things we take for granted had never been explored in any detail before. (Merriam-Webster, for example, does not even think the term "gangsta rap" was invented until 1989, even if Schoolly D and Ice-T were already around.)
Although it is probably not true that "Colors" is the first film about gang violence in Los Angeles, it was probably the most influential at the time it came out. Allegedly, some reviews found it even hard to believe that gangs existed in L.A. -- that is just how novel the premise was. Director Dennis Hopper does an excellent job in laying out what these neighborhoods are like and really tackles the crack epidemic head on.
The original script by Richard DiLello (best known as a Beatles historian) actually took place in Chicago (the traditional gang stronghold) and was more about drug dealing than individual gang members. Hopper ordered changes, so Michael Schiffer was hired and the setting was changed to Los Angeles with the focus of the story becoming more about the day-to-day world of gang members. This switch may be the single best decision Hopper made while developing and shooting the film.
What makes the film valuable today, besides its historic aspect, is seeing just how great the casting was, too. Don Cheadle before he was widely known. Tony Todd before "Candyman". Damon Wayans before his entire family became big stars. Even a young Mario Lopez shows up. The idea of having a white kid (Courtney Gains) in a Latino gang seems strange, but as Gains himself says, that was written into the script and he just happened to be lucky enough to get the part.
Thanks to Shout! Factory and their Shout Select label, we now have the full, uncut film on Blu-ray, looking great and sounding fantastic. The Herbie Hancock score is dynamite, to say the least. Special features are a little bit slim, unfortunately -- no commentary and not a single actor interview -- but we do have a look back at both the writing process and the gang situation in 1980s Los Angeles.
Details
Box office
- Budget
- $6,000,000 (estimated)
- Gross US & Canada
- $46,616,067
- Opening weekend US & Canada
- $4,747,118
- Apr 17, 1988
- Gross worldwide
- $46,616,067
- Runtime2 hours
- Color
- Aspect ratio
- 1.85 : 1
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