User reviews

What do I make of this film? Well first, Sergio Bergonzelli did some of the more weird genre films during the seventies, and some of them are good too. How he managed to cast John Phillip Law for this one is beyond me, because this is probably one of the weirdest films I have ever seen. Quite entertaining and unusually gory and sleazy for being a film from 1988 (when the italians really had begun to make less extreme films since some four years back). The dubbing is awful, and the soundtrack sounds like something from a mexican Falcon Crest-ripoff. The end result is just bizarre and some of the scenes has acting and dialogue so bad you will be surprised. A mixed bag worth seeing for fans of italian 80's horror. If you like Fulci's lesser films, then chances are you are going to love this one.

Misogynistic Trash. Really awful film. I read that Sergio Bergonzelli directed mostly porn during his career. I believe it. He managed to get a bad performance out of John Phillip Law. He managed to get a bad performance out of everybody.

The story takes the mad scientist trope and adds a twist. John Phillip Law plays a mad artist who can see small parts of the future. Gordon Mitchell plays his rapey necrophilic Igor-like sidekick. There are many sexual crimes.

Brigitte Christensen is the protagonist. She spends most of the film waiting around and needing to be rescued. Marco Di Stefano plays her boyfriend who eventually goes looking for her.

On a positive note, the castle location is fantastic!

And there was a brief, but interesting time-traveling ghost idea. But it seems like the director couldn't decide if the ghost was time-traveling from the future or from the past. It didn't matter. The ghost was just a deus ex machina and was not a central part to the movie which was mostly about madness and misogyny.

This extremely rare Italian film (the only ever video release I know is the Greek one - it probably was never released even in its country of origin) is a thoroughly interesting movie, even though the production values are very low and it is, without a doubt, an oddball of a movie.

John Phillip Law is a troubled painter on the edge of madness; his slightly psychotic state of mind becomes worse as his wife, who always gave him inspiration and faith, dies. Soon after her death he discovers his butler (played nicely sickening by Gordon Mitchell) trying to rape her corpse, which fills him with fury, but he needs the butler as an assistant because he would be helpless without him. After his wife is buried, the painter doesn't feel any inspiration anymore and is unable to get a painting done. So he decides to get his wife back and steals her corpse from the cemetery (with a help of the butler, of course). At the opening of his latest exhibition, he meets Sybille, a woman that resembles his wife almost like a twin sister. He invites her to his lonely castle, and at first, she likes it there. But the painter's state of mind gets worse, even though she gives him new confidence. Problem is that his inspiration stays missing, until his butler kills a girl and he realizes how beautiful blood is. He starts to use blood as "the color of life", while the butler has to dispose from the bodies. When the woman discovers this, she has to be kept hostage in the lonely castle...

The story sounds a little bit like a retelling of Herschell Gordon Lewis's "Color Me Blood Red" from 1965, but this isn't the case. This one is rather a horror drama that somehow falls between the two genres: For a drama, it is too much exploitation, and for a horror film, it is too dramatic and not exploitation enough for not to write not gory enough.

Law and Mitchell are strikingly convincing in their roles of rather perverse characters, and the sound track adds to the atmosphere, although it doesn't seem to be always appropriate to the melancholy mood of the picture. The film also contains supernatural elements that are hardly convincing but somehow still fit into this weird work.

Director Bergonzelli is probably best known for his psychedelic giallo "Nelle Pieghe Della Carne" (aka In the Folds of the Flesh) from 1970. in one scene, he even repeats an element of his earlier film: The butler disposes of the bodies by putting them into sulfuric acid - the same way the protagonists do it in "Nelle Pieghe". And the atmosphere in "Delirio di Sangue" contains also some rather psychedelic attitudes, if not that obvious.

It seems clear that Bergonzelli, who also wrote the screenplay, was inspired by the life and madness of Vincent van Gogh, a portrait of whom hangs on the wall of the painter's working room. Needless to say that the notion of van Gogh makes a scene with an ear that gets cut off necessary - and the viewer won't get disappointed.

All in all, "Delirio di Sangue" is a wonderfully strange piece of celluloid. I assume that most viewers would consider it as a piece of crap, because it's made on a very low budget, neither delivers any action packed moments nor even scenes of excessive gore or sympathetic dramatic protagonists you could identify with. It's a quite nihilistic film, with an oddly repulsive plot, which makes it unique in a certain way.

A very interesting film that is far too little known, but which won't be appreciated by a broad audience, I guess. My rating: 7 out of 10.

Blood Delirium is a very creepy and atmospheric Gothic horror shot on the cheap in Italy. A deranged painter and his butler dig up his wife's grave a year later to use her blood as secret ingredient in his highly acclaimed paintings. The butler is also nuttier than squirrel turd and a huge pervert, necrophile and rapist. The tone of the film is very dark and sleazy. The quality of the production is above average for a film this cheap. The acting is convincing and oozing with creepiness and depravity. The film has lots of gore, nudity and awkward creepiness and mental illness. It also has a dark ambiance. Recommended to those that want something bizarre and twisted.

Possibly the rarest Italian horror film out there and most definitely also one of the absolute weirdest productions ever to be released, "Blood Delirium" is NOT a giallo-mystery, NOT a zombie-flick and surely NOT a brainless slasher rip-off! This is something new and entirely different from Italy; a brutal horror story that successfully blends together harrowing drama elements with artsy themes and repulsively perverted footage. John Philip Law, the former action stud from "Barbarella" and "Danger: Diabolik", stars as a slightly deranged painter who lives in an isolated ramshackle castle and he firmly believes he's the reincarnation of Vincent Van Gogh. When his beloved wife Christine dies, he suddenly loses all his artistic inspiration but remains in the castle with the necrophiliac butler Herman. The painter eventually falls back in love with Sybille, who's the mirror image of his departed wife, but his inspiration doesn't really return until he discovers the blood of young murdered girls as the ideal shade of red paint. "Blood Delirium" is quite a disturbing film, especially since the sequences involving necrophilia & misogyny are illustrated like it's the most common thing in the world. For example, when the painter is still mourning for his deceased wife, the crazy butler (perfect role for exploitation-veteran Gordon Mitchell) crawls on top of her corpse and starts caressing it. Later in the film, the two men also dig up severely decomposed corpses, assault defenseless girls and carelessly dismember their limbs to make painting. Their actions are a lot more unsettling to behold, because they don't look or behave like your average homicidal maniac or demented serial rapists. "Blood Delirium" literally oozes with dark and bitter atmospheres, as it deals with complex characters and their even sicker world perspectives. It's not just another silly and gory 80's flick, but a devastating depiction of man's darkest mind-corners. The are loads of resemblances between Sergio Bergonzelli's script and Vincent Van Gogh's actual tragic life, which is a truly brilliant and original concept for a horror film. Bergonzelli clearly didn't have a large budget to work with, but the film nevertheless looks stylish and competent. The photography is rather monotonous, but this suits the overall tone of the film and especially the melancholic music tunes are terrific. "Blood Delirium" is an extremely difficult film to find, and I don't understand why. I'm sure this would be an authentic Italian cult treasure, if only it could reach a slightly wider audience on DVD. Catch it if you can!

I can't believe that Sergio Bergonzelli's "Blood Delirium" has such low rating.I guess that some people can't even recognize a good movie."Blood Delirium"/"Delirio di Sangue" deals with dark love and obsession.It's creepy,sleazy and gruesome-it has scenes of necrophilia,dismemberment and several rather repulsive images.The film is well-acted and stylish.In the broad form "Blood Delirium" is another Italian shocker that sometimes seems to aspire to be a drama-what sets it apart is the overbearing perversion.The film is extremely hard to find,so if you get the chance grab the copy and treasure it.8 out of 10!

Blood Delirium is an almost completely unknown Italian horror film and, apparently, is partially lost as certain scenes from the 'uncut' version of the movie have never been seen as the uncut version remains unreleased anywhere in the world. The film is directed by Sergio Bergonzelli; the oddball director best known for his bizarre and often-disliked Giallo 'In the Folds of Flesh', and anyone who saw that film is likely to have an idea of what to expect as this director apparently doesn't do ordinary! The storyline is something of a crossover between the Giallo and horror genres and focuses on a painter. Charles Saint Simone has lived with his butler in his castle ever since the death of his wife. He's lost all inspiration for his painting; but that changes suddenly one day when he meets a young woman who is the spitting image of his deceased lover. His inspiration returns...but it isn't until he discovers the colour of blood that his love for painting goes into overdrive.

The film stars John Philip Law; the star better known for his leading role in Mario Bava's Danger: Diabolik. He puts in a solid performance in the lead role, although he is eclipsed somewhat by Gordon Mitchell who co-stars as the butler. The two have a good chemistry together and their perverse characters work well. The 'clever' part of the film comes from the fact that the story is intertwined with Vincent Van Gogh's life. While this is a good and interesting little horror film; I do have to admit that I am just a little bit bemused by the overall positive reaction it gets from the people that have seen it. It's clear that Bergonzelli did not have the biggest budget to work with, but the film is not as great as it could have been given the ideas and the storyline. There are a few memorably shocking scenes; although I do wonder just what was cut out. Overall, I am glad I saw this film and it is well worth tracking down if you can find a copy; but I'm not as wild about it as the others that have seen it.