IMDb RATING
4.8/10
1.5K
YOUR RATING
A mysterious black box spells danger to a con man and female detective.A mysterious black box spells danger to a con man and female detective.A mysterious black box spells danger to a con man and female detective.
Jophery C. Brown
- Poker Player
- (as Jophrey Brown)
Lou Criscuolo
- Kurt
- (as Lou Criscoulo)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaDuring the production, veteran stuntman Victor Magnotta drowned while performing a car stunt in which the auto was driven off a Hoboken, New Jersey pier and plunged into the Hudson River. Vic's untimely death (in his early forties) was the result of several miscalculations. The car was supposed to run off the end of the pier, flat-splash in the Hudson, and sink slowly, but the vehicle had been stripped of all excess weight, including the gas tank. There was a small canister tank under the hood with just enough fuel to pull off the stunt, because environmental laws prohibited fuel leakage into the river. This made the car abnormally nose-heavy. Vic was strapped inside in a five-point harness, and had a "pony" air bottle w/regulator close at hand. For whatever reason, it was decided to replace the car's glass windshield with with one made from a sheet of plexiglass. When the effects crew screwed down the new windshield, the torque on their portable drills was apparently set too high, and the screws stripped out their holes. Vic drove off the end of the pier, but the car had the weight of the engine in front, and very little weight in the rear. Instead of "pancaking" into the river, the car immediately nosed over, and hit the surface grille-first. The onrushing water hit the windshield, ripped out the screws, and wrapped the plastic strip around Vic. He couldn't even get to his air bottle. Safety divers responded immediately, but before they could unwrap him from the failed windshield, he was dead. The actual sequence (not the aftermath, of course) was used in the film.
- GoofsWhen Rachel goes to her office to talk to her boss a Boom mic can be seen going up and down twice, up to her head.
- Alternate versionsUK video versions are cut by 6 seconds. The theatrical release was uncut.
- ConnectionsFeatured in Siskel & Ebert: Buried Treasures - 1987 Edition (1987)
- SoundtracksBoy Toy
Performed by Tia
Courtesy of RCA Records
Featured review
Pulling off the crime drama/rom-com/suspense mix is no easy task. This one, if given a chance, is not nearly as bad as the citation its often been given. The Squeeze was prototypical of others of its time, starting with the "every guy" who suddenly gets caught in the middle of corruption and intrigue, then spends 90+ minutes doing his best to stay one step ahead of, well, death. It would be very easy to find a lot of things to critique about "Squeeze," as previous reviews have stated. But it also has a lot going for it.
Michael Keaton was a hot ticket at the time, and the character was a good fit for his on-screen strengths. Harry has that somewhat cocky exterior that thinly veils a very insecure, questioning inner self, often masked by not taking himself too seriously. Its been said Jenny Wright was originally to play Rachel, and no offense to her, but after seeing this its hard to imagine a better fit for the role than Rae Dawn. She quite naturally pulls off what too many female lead characters try more forcefully, yet less successfully, to do now; she's a great combination of adorable and feisty, fun-loving, yet tough. Sure, you check your brains at the door, knowing that in reality the leads should have been dead 10 times over. But what this film most has going for it is {1} decent, believable charisma between Keaton and Chong, and {2} genuinely likable lead characters -- two things so often missing from today's movies. It has charm. It has a bit of a dark side without being overly profane or violent, so as to not take away from that charm. As a result, it keeps you interested.
This was a favorite from 3 decades ago I had forgotten about, until I stumbled upon it on late night telly recently. I'm glad I did. If you're feeling nostalgic for films that had these aforementioned elements mostly missing today, and can track this one down, I think you will be too.
Michael Keaton was a hot ticket at the time, and the character was a good fit for his on-screen strengths. Harry has that somewhat cocky exterior that thinly veils a very insecure, questioning inner self, often masked by not taking himself too seriously. Its been said Jenny Wright was originally to play Rachel, and no offense to her, but after seeing this its hard to imagine a better fit for the role than Rae Dawn. She quite naturally pulls off what too many female lead characters try more forcefully, yet less successfully, to do now; she's a great combination of adorable and feisty, fun-loving, yet tough. Sure, you check your brains at the door, knowing that in reality the leads should have been dead 10 times over. But what this film most has going for it is {1} decent, believable charisma between Keaton and Chong, and {2} genuinely likable lead characters -- two things so often missing from today's movies. It has charm. It has a bit of a dark side without being overly profane or violent, so as to not take away from that charm. As a result, it keeps you interested.
This was a favorite from 3 decades ago I had forgotten about, until I stumbled upon it on late night telly recently. I'm glad I did. If you're feeling nostalgic for films that had these aforementioned elements mostly missing today, and can track this one down, I think you will be too.
- womper-90921
- Jun 29, 2017
- Permalink
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Details
Box office
- Budget
- $22,000,000 (estimated)
- Gross US & Canada
- $2,228,951
- Opening weekend US & Canada
- $1,380,800
- Jul 12, 1987
- Gross worldwide
- $2,228,951
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