The story of Frances Farmer's meteoric rise to fame in Hollywood and the tragic turn her life took when she was blacklisted.The story of Frances Farmer's meteoric rise to fame in Hollywood and the tragic turn her life took when she was blacklisted.The story of Frances Farmer's meteoric rise to fame in Hollywood and the tragic turn her life took when she was blacklisted.
- Nominated for 2 Oscars
- 2 wins & 10 nominations total
- Lady at Roosevelt Hotel
- (as J.J. Chaback)
- Bum on Street
- (as Richard Hawkins)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe production company of this film was Mel Brooks's Brooksfilms, but as with The Elephant Man (1980), Brooks preferred not to have his personal name, which is associated with comedy, billed with the picture. So though Brooks was an executive producer on this movie, Brooks received no on-screen credit.
- GoofsAmong the framed portraits of actresses under contract to Paramount Pictures hanging on Mr. Bebe's office walls is one of Joan Crawford. But Crawford was an MGM contract player at the time portrayed in the scene and never worked for Paramount.
- Quotes
Arresting Sergeant: Your name?
Frances Farmer: You jerks drag me down here in the middle of the night and you don't know who the hell I am?
Arresting Sergeant: Your name lady?
Frances Farmer: Frances Elena Farmer. Want me to spell it?
Arresting Sergeant: And your address?
Frances Farmer: Put me down as a vag, vagrant, vagabond. What is this, a joke? It's a joke? Assault and battery? Huh? I barely touched that bitch.
Arresting Sergeant: Occupation?
Frances Farmer: Cocksucker.
- Crazy creditsThe following disclaimer appears in the end credits (the uppercase as it appears on screen): "In exchange for the use of certain facilities and per agreement with the California Department of Mental Health, the producers have agreed to the following disclaimer, 'SINCE THE 1940's THERE HAVE BEEN MAJOR ADVANCES IN THE CARE AND TREATMENT OF THE MENTALLY ILL. THE REPREHENSIBLE CONDITIONS EXPERIENCED BY FRANCES FARMER ARE NOT TYPICAL OF MENTAL HEALTH TREATMENT TODAY.'"
- ConnectionsFeatured in The 55th Annual Academy Awards (1983)
- SoundtracksPiano Sonata in A Major, K331
Composed by Wolfgang Amadeus Mozart (as Mozart)
Played by Chet Swiatkowsky
Was it inability to cope with society due to her own high standards of artistic integrity? Or was it a mental flaw that grew more intense as she got older? It was James Jones (in "From Here to Eternity") that wrote: "Maybe in the days of the pioneer, you could go your own way. Pvt. Pruitt, but today you gotta play ball." That obviously implied demonstrating things like compromise, humility, condescension, flexibility, and sundry social graces.
It also implied that one can "be right" and still be very lonely.
Frances apparently chose the wrong profession, if she expected to "be right" so often. She'd have been better off on a farm or ranch, engaged in solo activities rather than the group endeavor of acting.
As it was, she seemed never to have learned to work professionally with colleagues. From her standpoint, she was indeed "right." She constantly exposed the hypocrisy, insincerity and frailty in people and "the system." Yet the price she paid was a loss of what mattered to her: a career that was nourishing and satisfying.
In '82 Jessica Lange followed up her fine Oscar-winning performance as Julie Nichols in "Tootsie" with this incredible portrayal of Farmer in "Frances." The legendary Kim Stanley was her mother and Sam Shepard rendered a perceptive performance as Farmer's close friend.
Not an easy film to sit through, the quality of acting by this trio is exemplary. As much up to date today as when first filmed. Riveting performances by all. --harry-76
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Details
Box office
- Gross US & Canada
- $5,000,000
- Opening weekend US & Canada
- $11,624
- Dec 26, 1982
- Runtime2 hours 20 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1