A struggling playwright invites a young writer to his home to discuss a script, but the meeting spirals into a deadly game of deception and betrayal.A struggling playwright invites a young writer to his home to discuss a script, but the meeting spirals into a deadly game of deception and betrayal.A struggling playwright invites a young writer to his home to discuss a script, but the meeting spirals into a deadly game of deception and betrayal.
- Awards
- 6 nominations
Francis B. Creamer Jr.
- The Minister
- (as Rev. Francis B. Creamer Jr.)
Jon-Erik Hexum
- Theater audience
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaDirector Sidney Lumet once commented on the real stage-play scenes seen in this movie: "We used the original set of 'Deathtrap' as our set for Sidney Bruhl's flop play. The Music Box (Theatre) is dark on Mondays, so we shot there on a Monday, along with six hundred dress extras as first-nighters. Thus, the opening scene is a movie of a play-within-a-play which takes place within the play on which the movie is based. If that's not completely clear, it's at least a 'first'!"
- GoofsWhen Sidney has the Deathtrap script and threatens to throw it into the fireplace, the fire isn't lit.
- Quotes
Myra Bruhl: Is it really that good?
Sidney Bruhl: I'll tell you how good it is. Even a gifted director couldn't hurt it.
- Crazy creditsMurderous weapons by Eoin Sprott.
- Alternate versionsCBS added 4 minutes to this film for its 1986 network television premiere.
Featured review
When DEATHTRAP was first released, the poster--reproduced on the cover of this DVD--offered a graphic akin to a Rubik's Cube. It is an appropriate image: originally written for the stage by Ira Levin, who authored such memorable works as ROSEMARY'S BABY and THE STEPFORD WIVES, the play was one of Broadway's most famous twisters, and under Sidney Lumet's direction it translates to the screen extremely well.
DEATHTRAP is one of those films that it is very difficult to discuss, for to do so in any detail gives away the very plot for which it is famous. But the opening premise is extremely clever: Sidney Bruhl (Michael Caine) is the famous author of mystery plays, but these days he seems to have lost his touch. After a particularly brutal opening night, an old student named Clifford Anderson (Christopher Reeve) sends him a script for a play he has written. It is called "Deathtrap," and Sidney recognizes it as a surefire hit. Just the sort of hit that would revive his career... indeed, a hit to die for. And when Clifford visits to discuss the play, events suddenly begin to twist in the most unexpected manner possible.
Like Anthony Shaffer's equally twisty SLEUTH, DEATHTRAP is really a story more at home on the stage than the screen--to reach full power it needs the immediacy that a live performance offers. Still, under the expert guidance of director Sidney Lumet, it makes a more-than-respectable showing on the screen. Much of this is due to the cast, which is remarkably fine. Michael Caine gives a truly brilliant performance, Dyan Cannon is funny and endearing as Sidney's relentlessly anxious wife, and Christopher Reeve gives what might be the single finest performance in his regrettably short acting career. If you can't see it in a first-rate theatrical production, this will more than do until one comes along.
Gary F. Taylor, aka GFT, Amazon Reviewer
DEATHTRAP is one of those films that it is very difficult to discuss, for to do so in any detail gives away the very plot for which it is famous. But the opening premise is extremely clever: Sidney Bruhl (Michael Caine) is the famous author of mystery plays, but these days he seems to have lost his touch. After a particularly brutal opening night, an old student named Clifford Anderson (Christopher Reeve) sends him a script for a play he has written. It is called "Deathtrap," and Sidney recognizes it as a surefire hit. Just the sort of hit that would revive his career... indeed, a hit to die for. And when Clifford visits to discuss the play, events suddenly begin to twist in the most unexpected manner possible.
Like Anthony Shaffer's equally twisty SLEUTH, DEATHTRAP is really a story more at home on the stage than the screen--to reach full power it needs the immediacy that a live performance offers. Still, under the expert guidance of director Sidney Lumet, it makes a more-than-respectable showing on the screen. Much of this is due to the cast, which is remarkably fine. Michael Caine gives a truly brilliant performance, Dyan Cannon is funny and endearing as Sidney's relentlessly anxious wife, and Christopher Reeve gives what might be the single finest performance in his regrettably short acting career. If you can't see it in a first-rate theatrical production, this will more than do until one comes along.
Gary F. Taylor, aka GFT, Amazon Reviewer
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Details
- Release date
- Country of origin
- Language
- Also known as
- Ira Levin's Deathtrap
- Filming locations
- Pathe Studios, New York City, New York, USA(Studio, interiors: house)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $10,000,000 (estimated)
- Gross US & Canada
- $19,282,134
- Opening weekend US & Canada
- $2,238,977
- Mar 21, 1982
- Gross worldwide
- $19,282,134
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