A struggling playwright invites a young writer to his home to discuss a script, but the meeting spirals into a deadly game of deception and betrayal.A struggling playwright invites a young writer to his home to discuss a script, but the meeting spirals into a deadly game of deception and betrayal.A struggling playwright invites a young writer to his home to discuss a script, but the meeting spirals into a deadly game of deception and betrayal.
- Awards
- 6 nominations
Francis B. Creamer Jr.
- The Minister
- (as Rev. Francis B. Creamer Jr.)
Jon-Erik Hexum
- Theater audience
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaDirector Sidney Lumet once commented on the real stage-play scenes seen in this movie: "We used the original set of 'Deathtrap' as our set for Sidney Bruhl's flop play. The Music Box (Theatre) is dark on Mondays, so we shot there on a Monday, along with six hundred dress extras as first-nighters. Thus, the opening scene is a movie of a play-within-a-play which takes place within the play on which the movie is based. If that's not completely clear, it's at least a 'first'!"
- GoofsWhen Sidney has the Deathtrap script and threatens to throw it into the fireplace, the fire isn't lit.
- Quotes
Myra Bruhl: Is it really that good?
Sidney Bruhl: I'll tell you how good it is. Even a gifted director couldn't hurt it.
- Crazy creditsMurderous weapons by Eoin Sprott.
- Alternate versionsCBS added 4 minutes to this film for its 1986 network television premiere.
Featured review
Nothing's more enjoyable for me than a who-dun-it or suspense tale that keeps you guessing throughout as to how the whole thing will end. And that's precisely what happens in DEATHTRAP, based on a chilling play by Ira Levin ("Rosemary's Baby").
And in it, MICHAEL CAINE and CHRISTOPHER REEVE get to do the kind of stunt that Caine and Laurence Olivier pulled off in SLEUTH--with just about as much skill and as many puzzles as ever existed in that extraordinarily clever play.
But because it's meant to scare you, surprise you, and keep you guessing as to the outcome, it's difficult to write a review about the plot. Let's just say that what we know in the beginning is all you have to know about the film for the present. MICHAEL CAINE is an insanely jealous playwright whose latest play has failed miserably. When a young aspiring writer CHRISTOPHER REEVE sends him the manuscript of his play, Caine realizes that passing it off as his own would solve all his problems and get his reputation back.
From that point on, it's a matter of fun and games for the audience as Ira Levin's story unwinds, managing to trump Agatha Christie for the number of twists.
Caine and Reeve play off each other brilliantly, each bringing a certain dynamic tension to the tale as well as some humorous touches that come from a script that laces drama with humor.
Summing up: Well worth seeing--but not everyone is pleased with the ending.
And in it, MICHAEL CAINE and CHRISTOPHER REEVE get to do the kind of stunt that Caine and Laurence Olivier pulled off in SLEUTH--with just about as much skill and as many puzzles as ever existed in that extraordinarily clever play.
But because it's meant to scare you, surprise you, and keep you guessing as to the outcome, it's difficult to write a review about the plot. Let's just say that what we know in the beginning is all you have to know about the film for the present. MICHAEL CAINE is an insanely jealous playwright whose latest play has failed miserably. When a young aspiring writer CHRISTOPHER REEVE sends him the manuscript of his play, Caine realizes that passing it off as his own would solve all his problems and get his reputation back.
From that point on, it's a matter of fun and games for the audience as Ira Levin's story unwinds, managing to trump Agatha Christie for the number of twists.
Caine and Reeve play off each other brilliantly, each bringing a certain dynamic tension to the tale as well as some humorous touches that come from a script that laces drama with humor.
Summing up: Well worth seeing--but not everyone is pleased with the ending.
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Details
- Release date
- Country of origin
- Language
- Also known as
- Ira Levin's Deathtrap
- Filming locations
- Pathe Studios, New York City, New York, USA(Studio, interiors: house)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $10,000,000 (estimated)
- Gross US & Canada
- $19,282,134
- Opening weekend US & Canada
- $2,238,977
- Mar 21, 1982
- Gross worldwide
- $19,282,134
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