Film noir parody with a detective uncovering a sinister plot. Characters from classic noir films appear as scenes from various movies interjected into the story.Film noir parody with a detective uncovering a sinister plot. Characters from classic noir films appear as scenes from various movies interjected into the story.Film noir parody with a detective uncovering a sinister plot. Characters from classic noir films appear as scenes from various movies interjected into the story.
Alan Ladd
- The Exterminator
- (archive footage)
Barbara Stanwyck
- Leona Hastings-Forrest
- (archive footage)
Ray Milland
- Sam Hastings (in 'Lost Weekend')
- (archive footage)
Ava Gardner
- Kitty Collins
- (archive footage)
Burt Lancaster
- Swede Anderson
- (archive footage)
Humphrey Bogart
- Phillip Marlowe
- (archive footage)
Cary Grant
- Johnnie Aysgarth
- (archive footage)
Ingrid Bergman
- F.X. Huberman
- (archive footage)
Veronica Lake
- Monica Stillpond
- (archive footage)
Bette Davis
- Doris Davermont
- (archive footage)
Lana Turner
- Jimmi-Sue Altfeld
- (archive footage)
Edward Arnold
- Altfeld
- (archive footage)
Kirk Douglas
- Thug Boss
- (archive footage)
Fred MacMurray
- Walter Neff
- (archive footage)
James Cagney
- Captain Cody Jarrett
- (archive footage)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaFinal film of legendary costume designer Edith Head. There is a tribute to her and the personnel who worked on films from the Golden Age of Hollywood in the closing credits. Head died on 24 October 1981, a short time after production on the movie had wrapped. Fittingly, the film features many of her earlier designs in cleverly edited clips from old movies. According to Carl Reiner, Head had possession of a hat that Ava Gardner had worn and was protective of the prop. She designed a total of 20 suits to be worn by Steve Martin, in the style of those worn by Cary Grant and James Stewart during their classic-era Hollywood pictures.
- GoofsThe newspaper in the opening scene has a large headline saying "Dodgers Lose Again." But that wouldn't have been a big deal for a Los Angeles paper in the 1940s -- the Dodgers didn't move there from Brooklyn until 1958.
- Quotes
[In Rigby's office]
Juliet Forrest: If you need me, just call. You know how to dial, don't you? You just put your finger in the hole and make tiny little circles.
- Crazy creditsAfter the Cast there comes the dedication: Dead Men Don't Wear Plaid was Edith Head's final film. To her, and to all the brilliant technical and creative people who worked on the films of the 1940's and 1950's, this motion picture is affectionately dedicated.
- ConnectionsEdited from Suspicion (1941)
Featured review
I first saw this in the theater with my dad, at the age of 13, when it was first released - he was a huge fan of classic movies and usually suffered through the stuff he took me to. Not this one - we were both in hysterics, and I'd have to say I owe my huge love of classic Hollywood (and global) cinema to this film. CITIZEN KANE it may not be but no matter - I dug the humor and the atmosphere at the time, and even then was aware of how much work this must have been.
I still watch this one on occasion, and it is the rare comedy that has held up very well with the passage of time - critics at the time seemed to write it off as a stunt, but I've noted that at least a little reevaluation of DEAD MEN DON'T WEAR PLAID has occurred over the years. The performances - as both a spoof and a love-letter to film noir - are top notch, with Steve Martin at his best here. The dialog gets deep into Raymond Chandler/Dashiell Hammett hard-boiled private-eye stylishness, serving up gumshoe-with-dame clichés just juiced up enough to give Steve something to run with, while still offering an a solid story. The finale is magnificent, Martin and Carl Reiner jousting their way through an avalanche of every two-bit dime-store whodunnit game-over cliché to ever grace the big screen, cheap alibis falling like drunken angels across the naked city as the big heat descends... Or - ahem -something like that...
I still watch this one on occasion, and it is the rare comedy that has held up very well with the passage of time - critics at the time seemed to write it off as a stunt, but I've noted that at least a little reevaluation of DEAD MEN DON'T WEAR PLAID has occurred over the years. The performances - as both a spoof and a love-letter to film noir - are top notch, with Steve Martin at his best here. The dialog gets deep into Raymond Chandler/Dashiell Hammett hard-boiled private-eye stylishness, serving up gumshoe-with-dame clichés just juiced up enough to give Steve something to run with, while still offering an a solid story. The finale is magnificent, Martin and Carl Reiner jousting their way through an avalanche of every two-bit dime-store whodunnit game-over cliché to ever grace the big screen, cheap alibis falling like drunken angels across the naked city as the big heat descends... Or - ahem -something like that...
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Details
Box office
- Budget
- $9,000,000 (estimated)
- Gross US & Canada
- $18,196,170
- Opening weekend US & Canada
- $4,289,601
- May 23, 1982
- Gross worldwide
- $18,196,170
- Runtime1 hour 28 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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By what name was Dead Men Don't Wear Plaid (1982) officially released in India in English?
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