Directed by
Frank LaLoggia |
Writing Credits
Frank LaLoggia | ... | (written by) |
Cast (in credits order) complete, awaiting verification
Produced by
Donald P. Borchers | ... | associate producer |
Chris Fabiaschi | ... | assistant producer |
Charles M. LaLoggia | ... | executive producer / producer |
Frank LaLoggia | ... | producer |
Becky Morrison | ... | co-producer |
Carl R. Reynolds | ... | associate producer |
Music by
Frank LaLoggia | ||
David Spear |
Cinematography by
Fred Goodich |
Editing by
Edna Ruth Paul |
Art Direction by
Carl Zollo |
Costume Design by
Jacqueline SaintAnne | ... | (as Jacqueline Cummins) |
Makeup Department
Richard Bennet | ... | makeup assistant |
Derek DeVoe | ... | makeup assistant |
Chip Lieberman | ... | makeup assistant |
Ann Montesanto | ... | hair designer |
Cheri Montesanto | ... | makeup artist: female |
Frank C. Montesanto | ... | hair designer (as Frank Montesanto) |
Collin Pingleton | ... | makeup assistant |
Richard Jay Silverthorn | ... | makeup artist |
Production Management
Michael Bennett | ... | production manager |
Douglas S. Clapp | ... | unit production manager |
Daryn Okada | ... | post-production supervisor |
Second Unit Director or Assistant Director
Chris Fabiaschi | ... | second assistant director |
Stephen Lillis | ... | first assistant director (as Steven Lillis) |
Steve Lipetz | ... | second assistant director |
Art Department
Steve Carioty | ... | assistant art production engineer |
Joan Harvey | ... | property mistress |
Anne LaLopa | ... | assistant art director |
Richard Luby | ... | original paintings |
Sylvain Despretz | ... | production illustrator (uncredited) |
Sound Department
Gregg Barbanell | ... | sound editor |
Dennis Carr | ... | production sound mixer |
Mary Jo Devenney | ... | boom operator |
Norm Drain | ... | boom operator |
Ron Horwitz | ... | sound editor |
John Leveque | ... | sound editor |
John L. Mack | ... | re-recording mixer (as John L. Mac) |
Mel Metcalfe | ... | re-recording mixer |
Ray West | ... | re-recording mixer (as George R. West) |
Bob Newlan | ... | assistant sound editor (uncredited) |
Special Effects by
Dennie Cannan | ... | special effects assistant |
Tomas DeSoto | ... | special effects assistant |
John Eggett | ... | special effects coordinator / special photographic effects |
Visual Effects by
Robert Brown | ... | optical effects supervisor: RGB Opticals |
Chris Casady | ... | effects animator |
James Hagedorn | ... | optical cameraman |
Glenn Horan | ... | effects editorial |
Peg Hunter | ... | line-up |
Katherine Kean | ... | animator (as Kathy Kean) |
Peter Kuran | ... | special visual effects supervisor: VCE |
Len Morganti | ... | effects storyboard |
Jonathan Seay | ... | visual effects (as Jon Seay) |
Jerome Seven | ... | photographic effects |
Richard Jay Silverthorn | ... | animator (as Richard Silverthorn) |
Norman Singer | ... | production assistant |
Susan Turner | ... | pyrotechnician / special animator |
Pam Vick | ... | animator |
Camera and Electrical Department
Fred Armstrong | ... | best boy grip |
Ken Blakey | ... | gaffer |
Scott Buttfield | ... | electrician |
Robert K. Feldmann | ... | key grip (as Robert Feldman) |
Steven Fierberg | ... | best boy electrician (as Steve Fierberg) |
Mark Foggetti | ... | video operator (as Mark Fogetti) |
Peter Gleason | ... | assistant camera |
Steve Hall | ... | video operator |
Bob Halloran | ... | grip |
Sarah Johnstone | ... | grip |
David Lee | ... | electrician |
Alex Livesey | ... | assistant camera (as Alexander Livesey) |
Mike Macknis | ... | electrician |
David O'Connell | ... | electrician |
Ken Riemer | ... | still photographer |
Avi Stachenfeld | ... | assistant camera |
Tim Stover | ... | master electrician |
MacKenzie Waggaman | ... | assistant camera |
Costume and Wardrobe Department
Susan Dunn | ... | wardrobe assistant |
Nancy G. Fox | ... | costume supervisor (as Nancy Fox) |
Gail Gertzog | ... | wardrobe assistant |
Lisa Patterson | ... | wardrobe assistant |
Betty Reynolds | ... | wardrobe assistant |
Editorial Department
Joel Coen | ... | assistant editor |
Guy Garner | ... | location editor |
Elizabeth Zillgitt | ... | location editorial supervisor |
Location Management
Christine Arlidge | ... | location auditor |
Scott Narrie | ... | location manager |
Music Department
Jonathan Brett | ... | soundtrack coordinator |
Don Henderson | ... | music recordist |
Chas Smith | ... | synthesizer effects |
David Spear | ... | conductor / orchestrator |
Seymour Stein | ... | soundtrack music director |
Script and Continuity Department
June Nelson | ... | assistant script |
Transportation Department
Doug Maroney | ... | transportation coordinator |
Additional Crew
Bernadette Caulfield | ... | production coordinator |
Shelley Cowan | ... | assistant production coordinator |
Raul daSilva | ... | creative consultant (as Raul Da Silva) |
Stephanie Miles DeVries | ... | production secretary |
Lennart R. Filppu | ... | unit publicist |
Kathryn Gibney | ... | script continuity |
Malcom Luckin | ... | production assistant |
Leroy G. Meshel | ... | contact lenses provided by (as Leroy G. Meshel M.D.) |
Jason O'Neil | ... | production assistant |
Becky Roberts | ... | travel arrangements |
Ray Trim | ... | production assistant |
Chris Watkins | ... | production assistant |
Kenneth F. Wynn | ... | all animals appearing in this film were under the supervision of (as Kenneth F. Wynn D.V.M.) |
Thanks
Angelo LaLoggia | ... | the producers wish to thank (as Angelo) |
John LaLoggia | ... | the producers wish to thank (as John) |