IMDb RATING
6.9/10
3.9K
YOUR RATING
After her mother dies, fourteen-year-old Marion falls in love with her stepfather, Remy.After her mother dies, fourteen-year-old Marion falls in love with her stepfather, Remy.After her mother dies, fourteen-year-old Marion falls in love with her stepfather, Remy.
- Awards
- 1 win & 2 nominations total
Geneviève Mnich
- Simone
- (as Genevieve Mnich)
Macha Méril
- La maîtresse de maison (anniversaire)
- (as Macha Meril)
Rose Thiéry
- Madame Doullens
- (as Rose Thiery)
Pierre Le Rumeur
- Le pédiatre
- (as Pierre Lerumeur)
Alan Adair
- Petit rôle
- (uncredited)
Storyline
Did you know
- TriviaAriel Besse was only 15 when she made this film and performed the nude scenes. It was her first role. Her parents sued the distributors for the poster, which shows her breasts, as it was exhibited on billboards around France without their permission. They lost the case.
- Alternate versionsFabrice Luchini appeared in the film as a homosexual but his scenes were deleted.
- ConnectionsReferenced in 36 fillette (1988)
Featured review
I really love films such as Beau Pere. When you read the description of the film (a man in his 30's has a love affair with his 14-yr. old stepdaughter after his wife dies), you kinda think that it's going to be a study about some middle-aged pervert engaging in immoral acts of both incest and pedophilia and that in the end the movie will be some kind of moral tale about the evils of such behavior.
But surprisingly, the film engages you, and paralyzes your initial judgements. It pulls you into its world and somehow you become fascinated by the 14-year old girl and slowly begin to sympathize with the stepfather. The performance of Ariel Besse is so beautiful. She has a matter-of-fact way of dealing with the world, in love, sex, relationships, etc.. She doesn't try to be cute (refreshing) and overly charming. As the movie progresses, she seems to have aged before your eyes, (though physically she remains 14). and suddenly, concepts of right and wrong become blurred. I've often read that in the artistic tradition of the French, the concept of morality does not deal specifically with what is right and wrong, persay.. but what is right and wrong as life is lived. Morality comes in the decisions you make as you live it, not as a pre-condition. It's hard to explain... but as the great french director Renoir once said......everyone has his reasons.
P.S. I wish Bertrand Blier would make more movies. The subjects in his movies such as this and others made over 20 years ago (Les Valseuses, Get out you Handkerchiefs, Too Beautiful for you, etc..) would shock people even by today's standards. But because he gives so much humanity to his characters, these taboo subjects can be seen in a different slant... and essentially isn't that what film, or art for that matter, is really all about.
But surprisingly, the film engages you, and paralyzes your initial judgements. It pulls you into its world and somehow you become fascinated by the 14-year old girl and slowly begin to sympathize with the stepfather. The performance of Ariel Besse is so beautiful. She has a matter-of-fact way of dealing with the world, in love, sex, relationships, etc.. She doesn't try to be cute (refreshing) and overly charming. As the movie progresses, she seems to have aged before your eyes, (though physically she remains 14). and suddenly, concepts of right and wrong become blurred. I've often read that in the artistic tradition of the French, the concept of morality does not deal specifically with what is right and wrong, persay.. but what is right and wrong as life is lived. Morality comes in the decisions you make as you live it, not as a pre-condition. It's hard to explain... but as the great french director Renoir once said......everyone has his reasons.
P.S. I wish Bertrand Blier would make more movies. The subjects in his movies such as this and others made over 20 years ago (Les Valseuses, Get out you Handkerchiefs, Too Beautiful for you, etc..) would shock people even by today's standards. But because he gives so much humanity to his characters, these taboo subjects can be seen in a different slant... and essentially isn't that what film, or art for that matter, is really all about.
- WilliamCKH
- Nov 4, 2002
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Details
- Runtime2 hours 3 minutes
- Sound mix
- Aspect ratio
- 2.35 : 1
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