18 reviews
A radiation leak causes crabs to mutate. One of them becomes a giant 8 foot crab, but most of them become ... normal looking crabs. The normal crabs do nasty things like burn down the trailer of a banjo player. Large bunches of normal crabs scuttling around are not very threatening. This film doesn't really work on any level. Veteran actors Robert Lansing and Barry Nelson are here, but unfortunately Steve Hanks is the nominal star and he's such a terrible actor that he can't manage to do normal tasks like pouring a cup of coffee without looking stiff and awkward.
Reporter Jan Raines (Jo McDonnell) is doing a feature story on the creative lab experiments on crabs by Dr. McNeal (Barry Nelson, the original 007). Naturally, something goes awry, but it isn't in the lab. See Jan's dad Frank just happens to own the local nuclear power plant and they just happened to accidentally dumped 40,000 of radioactive water into the nearby sea, creating one muther of a killer crab. Did I mention that Frank also just happens to be rivals with the Moody (Robert Lansing), the town bar owner who plays surrogate father to Jan's hunky lab assistant love interest Pete (Steve Hanks)? And did I mention Frank just happened to have killed Pete's parents in a drunk driving accident years ago? With all this "just happens" drama, who cares about killer crabs?
Crabs? Seriously, crabs? Yup, the little crustacean creeps are the main villains in the Florida lensed horror flick. One can only laugh during the early scenes where people are attacked by normal sized crabs. I mean, is it too much to close a door or, I don't know, run quickly in the opposite direction? To the film's credit, there is one huge 12-foot crab dashing about, but it only shows up on screen in the last ten minutes. I'll admit the design is pretty impressive for a low budget film. The script (co-written by the Creature from the Black Lagoon himself, Ricou Browning) is all over the place though. Despite Frank Raines being the cause of all this madness, he never gets his comeuppance. In fact, he is only shown once in the entire film. And, if you have a big ol' crab, you better blow it up. Here, they just poison it and it slumps down. Director Hernan Cardenas was one and done with this flick. Lansing earned his "battling big creatures" street cred with EMPIRE OF THE ANTS (1977) and continued in this fine line of work with killer cockroaches in THE NEST (1988).
Crabs? Seriously, crabs? Yup, the little crustacean creeps are the main villains in the Florida lensed horror flick. One can only laugh during the early scenes where people are attacked by normal sized crabs. I mean, is it too much to close a door or, I don't know, run quickly in the opposite direction? To the film's credit, there is one huge 12-foot crab dashing about, but it only shows up on screen in the last ten minutes. I'll admit the design is pretty impressive for a low budget film. The script (co-written by the Creature from the Black Lagoon himself, Ricou Browning) is all over the place though. Despite Frank Raines being the cause of all this madness, he never gets his comeuppance. In fact, he is only shown once in the entire film. And, if you have a big ol' crab, you better blow it up. Here, they just poison it and it slumps down. Director Hernan Cardenas was one and done with this flick. Lansing earned his "battling big creatures" street cred with EMPIRE OF THE ANTS (1977) and continued in this fine line of work with killer cockroaches in THE NEST (1988).
I gave this one a good rating because it is so incredibly funny. The script seems to have been run through a woodchipper before rehearsals started, and the characters are so idiotic I really wish more of them had been shredded by killer crabs. By far the best acting was done by "Trouble" the dog. Check out that great death scene with "Trouble" staggering out on the beach with ketchup poured all over him. I have to add that this movie has simply the most beautiful killer-crab effect in any movie, ever, even surpassing the giant crab in "Mysterious Island." And you have to love a crab that roars like a lion and sticks its tongue out at the camera.
- eileenmchenry
- Jan 29, 2004
- Permalink
Scientists working on the development of meatier crabs, use water from a nearby bay in their crab tanks.
Oh no!
A nuclear power plant has had an "incident", releasing radioactive water into the very same bay! Soon, the bay-area crabs are on the move.
Meanwhile, it's crab-racing time down at Moody's (Robert Lansing) saloon. There's also a hoedown, complete with blistering banjo jams! Simultaneously, the crabs have gathered outside in the woods, and they look... crabby!
A short time later, the banjo player -who lives in a school bus- has a crab problem, and must use his beloved banjo as a defensive weapon. Too bad there's a Crab Of Enormous Size in the mix, since banjos have no effect on them! It's not long before no one is safe from these sidling abominations and their gargantuan leader!
ISLAND CLAWS is the perfect treat for fans of the giant crab sub-sub-genre. It falls somewhere between ATTACK OF THE CRAB MONSTERS and MYSTERIOUS ISLAND on the colossal crustacean chart. The mob of meandering crabs are reminiscent of the hopping amphibians in FROGS. As for the humongous horror itself, it's pretty much saved for the crab-tastic finale, which is -of course- the best part of the movie.
EXTRA POINTS FOR: #1- Figuring out how / why the monster crab roars like the mutant bear in PROPHESY! #2- Discerning just what part of Ireland is represented by Moody's "accent"! #3- Resisting the urge to purchase a banjo by movie's end!...
Oh no!
A nuclear power plant has had an "incident", releasing radioactive water into the very same bay! Soon, the bay-area crabs are on the move.
Meanwhile, it's crab-racing time down at Moody's (Robert Lansing) saloon. There's also a hoedown, complete with blistering banjo jams! Simultaneously, the crabs have gathered outside in the woods, and they look... crabby!
A short time later, the banjo player -who lives in a school bus- has a crab problem, and must use his beloved banjo as a defensive weapon. Too bad there's a Crab Of Enormous Size in the mix, since banjos have no effect on them! It's not long before no one is safe from these sidling abominations and their gargantuan leader!
ISLAND CLAWS is the perfect treat for fans of the giant crab sub-sub-genre. It falls somewhere between ATTACK OF THE CRAB MONSTERS and MYSTERIOUS ISLAND on the colossal crustacean chart. The mob of meandering crabs are reminiscent of the hopping amphibians in FROGS. As for the humongous horror itself, it's pretty much saved for the crab-tastic finale, which is -of course- the best part of the movie.
EXTRA POINTS FOR: #1- Figuring out how / why the monster crab roars like the mutant bear in PROPHESY! #2- Discerning just what part of Ireland is represented by Moody's "accent"! #3- Resisting the urge to purchase a banjo by movie's end!...
- azathothpwiggins
- Jun 17, 2019
- Permalink
Oh cool! A movie about mutated killer crabs! You don't encounter too many of those; especially in comparison with movies about spiders or rats or whatever. Like in most contemporary creature-features, the thematic animal species looks a lot more menacing in the stock footage (that the film probably stole from the National Geographic archives) than in the special effects version. It seems to take ages before anything significant happens and, in spite of a lot of crawling crab footage, it takes a while before you realize they're slowing heading towards town and plotting an attack against the community. First, though, you'll have to struggle through a god-awful and unnecessary "forbidden romance" sub plot and plenty of padding footage of a hillbilly dance festival. "Island Claws" is a boring film with practically no action, uninspired writing and zero attempts to insert any humor or cheesy atmosphere. The concept of genetically manipulated crabs running amok on an island holds a lot of potential, but the script (from the same people who made cult favorite "The Amazing Mr. No Legs") unfortunately doesn't even use up 5% of that potential. There are plentiful of weird sequences that are completely irrelevant to the plot, like the heart-breaking story of a family of Haitian immigrants stranding on the island and a totally random supportive character declining a wedding proposal. The few scenes that are relevant to the plot, however, are stupid and ridiculous. The body count is intolerably low for an 80's flick and the few deaths that are on display are tame and gore-free. Two little moments to illustrate just how stupid "Island Claws" is: 1) none of the crabs actually do any killing and 2) the island community is more shocked and upset regarding the death of a poodle, but nobody mourned for the town's banjo musician. Eventually a gigantic crustacean (thank you, Wikipedia) does show up, but it comes far too late to boost up the entertainment value.
- Leofwine_draca
- Aug 1, 2017
- Permalink
- StormSworder
- Dec 5, 2005
- Permalink
Island Claws is a genuinely bad film, not only by the standards of mainstream cinema, but also compared to other killer animal films. It has extremely lame monsters, bad acting, and fails to adequately explain how the monsters were created.
First and foremost, the film can't seem to decide whether the monster crabs were created by an accident at a nuclear power plant or by a scientist's hormonal experiments on crabs. The beginning of the film highlights an accident at the plant, but the rest of the film concentrates on the crab experiments. It's as if the filmmakers wanted to go with the time worn radiation theme, but decided against it at the last minute. Perhaps it was too tasteless after Three Mile Island.
The film also tries to interject social issues it is in no way equipped to deal with, such as Haitian refugees who get blamed for the crab killings. Seriously, no one wants to know what the makers of this film think about the Haitian refugee issue.
Worst of all is the film's inability to produce a suitably threatening monster. Seriously, for most of the film we are just confronted with large numbers of crabs. Average sized crabs. Seeing people running in terror from these crabs is not frightening, it's laughter inducing. The giant crab, which only appears in the last ten minutes, is incredibly fake looking. Its movements are so jerky they eliminate any real sense of fear.
Even if you like giant monster movies, don't waste your time with this one.
First and foremost, the film can't seem to decide whether the monster crabs were created by an accident at a nuclear power plant or by a scientist's hormonal experiments on crabs. The beginning of the film highlights an accident at the plant, but the rest of the film concentrates on the crab experiments. It's as if the filmmakers wanted to go with the time worn radiation theme, but decided against it at the last minute. Perhaps it was too tasteless after Three Mile Island.
The film also tries to interject social issues it is in no way equipped to deal with, such as Haitian refugees who get blamed for the crab killings. Seriously, no one wants to know what the makers of this film think about the Haitian refugee issue.
Worst of all is the film's inability to produce a suitably threatening monster. Seriously, for most of the film we are just confronted with large numbers of crabs. Average sized crabs. Seeing people running in terror from these crabs is not frightening, it's laughter inducing. The giant crab, which only appears in the last ten minutes, is incredibly fake looking. Its movements are so jerky they eliminate any real sense of fear.
Even if you like giant monster movies, don't waste your time with this one.
- TheExpatriate700
- Jan 26, 2012
- Permalink
When I was young, I remember flicking through the pages of one of Guy N. Smith's pulpy Crab horror novels, drawn to the scenes of graphic violence (and the occasional sexy moment). Sadly, Island Claws isn't an adaptation of one of Smith's books; what we actually have is a pretty dull 'giant animal' creature feature written by Jack Cowden and Ricou Browning (the latter known to serious horror fans as the gill-man from The Creature From The Black Lagoon), whose script is seriously in need of some of Smith's gory sensationalism.
The dreary plot sees the inhabitants of a Floridian island attacked by killer crustaceans, both regular size and XXXL, the crawling sea creatures having been affected by radioactive water leaking from a nearby power plant. A pointless subplot about Haitian immigrants makes the film even more of a drag, as does the 'forbidden' romance between teaching assistant Pete (Steve Hanks) and photojournalist Jan (Jo McDonnell), daughter of the power plant boss. With much of the action taking place at night, it's hard to see what is going on for much of the time, with the final assault by the sole giant-sized shellfish deliberately dark so as to not show too much of the immobile crab model.
With zero gore and zero nudity, this isn't anywhere near as trashy as I had hoped. Perhaps someone should look into buying the rights for Guy N. Smith's Night of the Crabs and make a really entertaining giant crab movie: with today's CGI technology, the results could be a lot of fun.
The dreary plot sees the inhabitants of a Floridian island attacked by killer crustaceans, both regular size and XXXL, the crawling sea creatures having been affected by radioactive water leaking from a nearby power plant. A pointless subplot about Haitian immigrants makes the film even more of a drag, as does the 'forbidden' romance between teaching assistant Pete (Steve Hanks) and photojournalist Jan (Jo McDonnell), daughter of the power plant boss. With much of the action taking place at night, it's hard to see what is going on for much of the time, with the final assault by the sole giant-sized shellfish deliberately dark so as to not show too much of the immobile crab model.
With zero gore and zero nudity, this isn't anywhere near as trashy as I had hoped. Perhaps someone should look into buying the rights for Guy N. Smith's Night of the Crabs and make a really entertaining giant crab movie: with today's CGI technology, the results could be a lot of fun.
- BA_Harrison
- Aug 16, 2017
- Permalink
The screenwriters here go with a standard "recipe for disaster" scenario. A marine research lab on an island off the coast of Florida is playing with fire as they fool around with crustacean DNA. As the film opens, an accident has occurred at a nearby nuclear reactor. The stage is now set for scores of angry crabs to launch attacks on the natives - and for one mammoth crab that wreaks havoc on the town.
Roger Cormans' "Attack of the Crab Monsters" gets updated (sort-of) for the 1980s in this enjoyably cheesy thriller. It's co-written by Ricou Browning, who gained his fame playing the Creature from the Black Lagoon in underwater scenes 26 years previous. The director is Hernan Cardenas, who is no master craftsman, but adequately puts the story through its paces. The special effects are not all that special - the monster crab at the end can't do much of anything. But it's a good thing that its appearance occurs at night, which helps it to work somewhat better. Glen Robinson, who worked on the 1976 remake of "King Kong", constructed the rampaging creature.
Key to the thing succeeding at all is that none of the cast wink at the audience, or have self-referential dialogue to utter. They play it for real, which helps to sell the patent ridiculousness of the premise. Robert Lansing is the main hero, an Irish-accented bar & restaurant owner, Steve Hanks his young friend, Nita Talbot his gal pal, Jo McDonnell as a young journalist, Martina Deignan as Hanks' co-worker, and original 007 Barry Nelson (who was also in "The Shining" around this time) is the principal egghead, who realizes that he and his cohorts have helped to create a terrible problem. Look for "Friday the 13th Part 2" male lead John Furey in a small role as Deignans' boyfriend.
It's not really for hardcore horror fans - very little gore, no nudity, a low body count - but viewers who aren't too picky should have some fun. It even attempts to be somewhat topical as it drops some Haitian immigrants into the mix; they soon incur the wrath of the bigoted Joe (Tony Rigo), who thinks at first that they're responsible for everything.
Rousing music by Bill Justis and striking cinematography by James Pergola also help to make this an enjoyable offering for monster movie lovers.
Seven out of 10.
Roger Cormans' "Attack of the Crab Monsters" gets updated (sort-of) for the 1980s in this enjoyably cheesy thriller. It's co-written by Ricou Browning, who gained his fame playing the Creature from the Black Lagoon in underwater scenes 26 years previous. The director is Hernan Cardenas, who is no master craftsman, but adequately puts the story through its paces. The special effects are not all that special - the monster crab at the end can't do much of anything. But it's a good thing that its appearance occurs at night, which helps it to work somewhat better. Glen Robinson, who worked on the 1976 remake of "King Kong", constructed the rampaging creature.
Key to the thing succeeding at all is that none of the cast wink at the audience, or have self-referential dialogue to utter. They play it for real, which helps to sell the patent ridiculousness of the premise. Robert Lansing is the main hero, an Irish-accented bar & restaurant owner, Steve Hanks his young friend, Nita Talbot his gal pal, Jo McDonnell as a young journalist, Martina Deignan as Hanks' co-worker, and original 007 Barry Nelson (who was also in "The Shining" around this time) is the principal egghead, who realizes that he and his cohorts have helped to create a terrible problem. Look for "Friday the 13th Part 2" male lead John Furey in a small role as Deignans' boyfriend.
It's not really for hardcore horror fans - very little gore, no nudity, a low body count - but viewers who aren't too picky should have some fun. It even attempts to be somewhat topical as it drops some Haitian immigrants into the mix; they soon incur the wrath of the bigoted Joe (Tony Rigo), who thinks at first that they're responsible for everything.
Rousing music by Bill Justis and striking cinematography by James Pergola also help to make this an enjoyable offering for monster movie lovers.
Seven out of 10.
- Hey_Sweden
- Mar 27, 2019
- Permalink
I always feel bad when I rip on a B-movie. Most of the films in my DVD collection involve daft rubbery monsters and screaming victims. It's safe to say I don't consider myself to have a 'high bar' in terms of the movies I like and, as long as they can entertain me in one way or another, then I'm happy.
'Island Claws' is about a swarm of killer crabs on an island. Now, I've seen plenty of normal animals, always mutated to giant levels, stalking various hapless residents. So, when that's your kind of thing, killer crabs actually sound like fun.
Only there's no actual kills for roughly the first forty-five minutes and, I know the production budget isn't huge, but you'll see where it's been spent on when it comes to our clawed antagonists. There's lots of them. Some footage of real crabs has been interwoven with the anamatronic crabs created just for this. And the puppet crabs look good. In other words the look like regular crabs. But I was kind of hoping for more. Okay, so in the final act we got a - long overdue - giant crab, but there could have been at least one who shoots laser beams from his eye stalks, or something. Did I expect too much?
So the side-crawlers aren't up to much, but I guess they're a little more interesting than the humans who run around in the dark trying not to get their toes pinched by these clawed menaces.
In short, not much happens. Yes, it's a B-movie, so most of us don't expect Oscar-worthy performances, but, for all its eighties cheesiness, it's just not that fun to watch. I know remakes are often looked down on, but this is the rare occasion where I'd actually like to see one. Killer crabs is a good - but completely - silly, idea. So if it was done with a slightly higher budget and a script which knows it's tongue-in-cheek then you could actually be left with something that's quite fun.
'Island Claws' is about a swarm of killer crabs on an island. Now, I've seen plenty of normal animals, always mutated to giant levels, stalking various hapless residents. So, when that's your kind of thing, killer crabs actually sound like fun.
Only there's no actual kills for roughly the first forty-five minutes and, I know the production budget isn't huge, but you'll see where it's been spent on when it comes to our clawed antagonists. There's lots of them. Some footage of real crabs has been interwoven with the anamatronic crabs created just for this. And the puppet crabs look good. In other words the look like regular crabs. But I was kind of hoping for more. Okay, so in the final act we got a - long overdue - giant crab, but there could have been at least one who shoots laser beams from his eye stalks, or something. Did I expect too much?
So the side-crawlers aren't up to much, but I guess they're a little more interesting than the humans who run around in the dark trying not to get their toes pinched by these clawed menaces.
In short, not much happens. Yes, it's a B-movie, so most of us don't expect Oscar-worthy performances, but, for all its eighties cheesiness, it's just not that fun to watch. I know remakes are often looked down on, but this is the rare occasion where I'd actually like to see one. Killer crabs is a good - but completely - silly, idea. So if it was done with a slightly higher budget and a script which knows it's tongue-in-cheek then you could actually be left with something that's quite fun.
- bowmanblue
- Mar 10, 2024
- Permalink
Seriously underrated B-movie horror. A highly entertaining film in the vein of Tarantula and Mysterious Island. It is a must see for anyone that loves cinematic giant invertebrate thrills.
The action of "Island Claws" takes place on a sunny tropical island.Marine biologists are experimenting there with growth hormones on the local crabs.This results in a radiation-mutated crabs straight from Guy N.Smith's paperback novel.Amusing animal attack cheapie with a nice beach scenery and lots of crawling crabs.They kill the first victim by burning down his trailer.Poor banjo musician contra mutated crabs.When the giant crab appears it looks impressive.The creature was constructed by Glen Robinson of '77 "King Kong" fame.Hernan Cardenas "Island Claws" has ridiculously low body count, but if you are in the mood for some tame 80's horror you can't miss it.6 crabs out of 10.
- HumanoidOfFlesh
- Jan 7, 2010
- Permalink
- BandSAboutMovies
- Mar 19, 2021
- Permalink
- GroovyDoom
- May 10, 2004
- Permalink
Seaside community is besieged by a chemically enraged (and significantly enlarged) crab, that cuts of path of destruction and chaos. Various odd-ball characters are quickly dispatched, attracting the concerns of otherwise care-free locals, including Robert Lansing as the proprietor of the local saloon.
"Island Claws" is by no means the worst "killer animal" movie on the block; some good sets, pleasant beachside scenery and Lansing's rendition of the bemused publican with an accent from parts unknown, almost (but not quite) compensate for the $2 special effects and banal dialogue.
Throughout the movie, reference to the "mysterious" perpetrator is flagged by glimpses of a claw, or larger-than-usual sideways shuffle tracks in the sand. When the film's crowning glory is finally exposed in its entirety, it's easy to understand why the makers kept it concealed for 80 minutes. The concoction is laughable, but then, what would you expect?
Aside from Lansing, whose trademark ambivalence has been a familiar character trait in his portrayals in other films of the ilk (see "Empire of the Ants" and "The Nest"), only Barry Nelson can rate a mention for being a known quantity. All the other faces are virtual unknowns, with the exception of Nita Talbot in a frivolous supporting role.
Sometimes vaguely scary, but mostly puerile, if you happen to see a copy for less than pocket money, treat yourself and gain a new appreciation of the extent to which film-makers went to cash-in on the "killer animal" theme that was in vogue at the time.
"Island Claws" is by no means the worst "killer animal" movie on the block; some good sets, pleasant beachside scenery and Lansing's rendition of the bemused publican with an accent from parts unknown, almost (but not quite) compensate for the $2 special effects and banal dialogue.
Throughout the movie, reference to the "mysterious" perpetrator is flagged by glimpses of a claw, or larger-than-usual sideways shuffle tracks in the sand. When the film's crowning glory is finally exposed in its entirety, it's easy to understand why the makers kept it concealed for 80 minutes. The concoction is laughable, but then, what would you expect?
Aside from Lansing, whose trademark ambivalence has been a familiar character trait in his portrayals in other films of the ilk (see "Empire of the Ants" and "The Nest"), only Barry Nelson can rate a mention for being a known quantity. All the other faces are virtual unknowns, with the exception of Nita Talbot in a frivolous supporting role.
Sometimes vaguely scary, but mostly puerile, if you happen to see a copy for less than pocket money, treat yourself and gain a new appreciation of the extent to which film-makers went to cash-in on the "killer animal" theme that was in vogue at the time.
- Chase_Witherspoon
- Aug 10, 2006
- Permalink
- saint_brett
- Oct 13, 2021
- Permalink
This was perhaps one of the funniest movies I've seen in a long time. Because it was bad (of course!). There is no reason to sit through this movie seriously like you would with "Schindler's List" or even "Fletch". Talk with your friends through it. Laugh. Make comments. PLEASE!!!! The plot involves little crabs ganging up on people and killing a few (the best scene is where all the tiny crabs manage to overturn a trailer home and catch it on fire). There's a giant paper mache-looking crab too, but I wasn't too sure of its purpose. That goes to show how bad this film was. When you don't know why they had the giant crab (it appears on the box! grrrrr! beware humans!), then it's a bad bad movie.