A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan 35 years later, where he must once again confront the ghosts and regrets of his old life.A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan 35 years later, where he must once again confront the ghosts and regrets of his old life.A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan 35 years later, where he must once again confront the ghosts and regrets of his old life.
- Won 2 BAFTA Awards
- 11 wins & 13 nominations total
- Eve
- (as Darlanne Fleugel)
Storyline
Did you know
- TriviaWhen filming was completed, the footage ran to a total of eight to ten hours. Director Sergio Leone and editor Nino Baragli trimmed the footage to around six hours, with the plan of releasing the film as two three-hour movies. The producers refused this idea, and Leone had to further cut the film down to three hours and forty-nine minutes.
- GoofsWhen celebrating the end of the Prohibition Era, four bottles are opened with machetes. However, the waiter in the back to the right fails to open his bottle cleanly and accidentally smashes it in half before quickly walking off-screen with the broken bottle.
Actually, that result is more likely than not, considering the the lack of experience waiters have in opening champagne bottles with machetes. Also, leaving the room with a broken bottle spewing champagne is a prudent action to take and also will allow him to retrieve another bottle to help with serving the guests.
- Quotes
Noodles: [to Deborah] There were two things I couldn't get out of my mind. One was Dominic, the way he said, "I slipped," just before he died. The other was you. How you used to read me your Song of Songs, remember? "How beautiful are your feet / In sandals, O prince's daughter." I used to read the Bible every night. Every night I used to think about you. "Your navel is a bowl / Well-rounded with no lack of wine / Your belly, a heap of wheat / Surrounded with lilies / Your breasts / Clusters of grapes / Your breath, sweet-scented as apples." Nobody's gonna love you the way I loved you. There were times I couldn't stand it any more. I used to think of you. I'd think, "Deborah lives. She's out there. She exists." And that would get me through it all. You know how important that was to me?
- Crazy creditsJoey Faye is credited as the "adorable old man."
- Alternate versionsFor its U.S. theatrical release the film was cut by 90 minutes from 3 hours and 49 minutes to 2 hours and 19 minutes despite the original cut gaining rave reviews at the film's premiere at Cannes. Many film critics gave two separate reviews for the film. While the complete European version was highly praised, the heavily edited US theatrical release was critically butchered.
- ConnectionsEdited into Bellissimo: Immagini del cinema italiano (1985)
- SoundtracksGod Bless America
Music by Irving Berlin
Irving Berlin Music Corporation
Performed by Kate Smith
Courtesy of RCA Record
I was mostly riveted by it, let's get that out of the way. It's gorgeous to look at with those Sergio Leone compositions, and gorgeous to listen to with that Ennio Morricone score. Like so many of Leone's films, it has a plaintive, nostalgic glow to it that makes you ache emotionally without even knowing exactly what you're aching for.
And there's where I get conflicted with this movie. The character created by Robert De Niro is a repulsive human being. He murders, he rapes. The film cannot be forgiven for the way it handles rape. In one instance, the woman treats it like it was a naughty prank and comes back to fondle the rapist and his buddies in a scene played for laughs. In the other instance, the film at least has the decency to make it seem like something traumatic to the woman, but that woman is Elizabeth McGovern, who reappears later in the film and acts like she's full of regret over the relationship she and De Niro were denied, despite the fact that that relationship consisted almost entirely of him just stalking her and then taking her against her will in the back of a car when she tells him she's leaving for California to become an actress. We follow Robert De Niro both as a young man and as an older man looking back ruefully on his life, but we don't sense that he regrets any of the things he actually did. He just regrets what he lost. It's like he's sad that his days of murdering and raping without consequence are over, and that elegiac Sergio Leone tone left me wondering, what exactly are we supposed to be feeling nostalgic about?
So I guess I understand both people who think this movie is something great and those who think it's reprehensible. I guess it's proof that things can be many things at once.
Grade: A.
- evanston_dad
- May 21, 2023
- Permalink
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Érase una vez en América
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $30,000,000 (estimated)
- Gross US & Canada
- $5,321,508
- Opening weekend US & Canada
- $2,412,014
- Jun 3, 1984
- Gross worldwide
- $5,476,126
- Runtime3 hours 49 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1