IMDb RATING
6.0/10
3.7K
YOUR RATING
Diane Keaton stars as a prison warden's wife who falls in love with a death row convict (Mel Gibson.) Believing he's innocent, she helps him and his convicted brother escape.Diane Keaton stars as a prison warden's wife who falls in love with a death row convict (Mel Gibson.) Believing he's innocent, she helps him and his convicted brother escape.Diane Keaton stars as a prison warden's wife who falls in love with a death row convict (Mel Gibson.) Believing he's innocent, she helps him and his convicted brother escape.
- Awards
- 3 nominations
Jennifer Dundas
- Margaret Soffel
- (as Jennie Dundas)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe jail used in the movie is the actual Allegheny County Jail that figures in the story. Designed by noted architect Henry Hobson Richardson, built between 1884-1888, it served as a jail until 1995 and is now used by the juvenile and family sections of the Common Pleas Court.
- GoofsA toy electric train shown running around a Christmas tree is of a post-1950 design, as is the track. The train is based on 19th-century locomotive and passenger car prototypes, making it more plausible. However, toy electric trains that even remotely resembled the one shown did not exist by 1901.
- Quotes
Kate Soffel: Don't you let them take me alive, Ed. Promise me. Promise me, Ed.
Ed Biddle: I won't, I promise. I won't let them take you.
- ConnectionsFeatured in The Making of 'Mrs. Soffel' (1984)
Featured review
"Mrs. Soffel" is a wonderful movie I have seen many times, but the last viewing was so many years ago I'm watching it right now on TCM.
I'm a sucker for movies whose main characters suddenly, inexplicably make a decision which goes against everything they seem to embody, or at least that which the viewer has come to know about them. That Kate Soffel's story is a true one makes it all the more intriguing.
In early 20th-century America, the lot of a wife, even that of a well-to-do-man and mother to lovely children, was a lonely, empty, barren existence. In a wealthy household with servants, there was very little meaningful work for the mistress of the house to do every day.
Even the layers upon layers of clothes Victorian women wore served no practical purpose except to restrict movement and render their wearers merely decorative. Express your opinions and you got packed off to visit relatives in hopes that maybe the change of scenery would "do you good." There were millions of avenues for creative expression and enterprise that were simply cut off for women.
Good minds went to waste. Souls shriveled and died.
Kate Soffel (Diane Keaton) was the wife of a prison warden in Pittsburgh at the turn of the last century. She served as something of a missionary to the prisoners, giving them Bibles, holding prayer readings with them and hoping to guide them towards remorse and redemption. She never expects to fall in love with one of the inmates. But fall she does, for the charming Ed Biddle (Mel Gibson), who along with his brother Jack, (Matthew Modine) are in jail on murder charges.
Kate is suffocating; the Biddles are desperate. Prone to fits of melancholy and depression, plagued with fears that she is not a good mother and that she has failed her husband -- whom she has come to learn she really doesn't know very well -- Kate, like so many women of her era, is desperate for something to end the tedium, the frustration, the despair. She is a perfect candidate for the dangerous voyage she helps plan and sets out on with the Biddle brothers.
"Mrs. Soffel" raises many ethical and moral issues, among them the divergent path Kate takes from her religious teachings, and the Biddle brothers' guilt or innocence. It can be appreciated equally on one or more levels, but it remains a remarkably restrained depiction of emotions and passion that are anything but.
I'm a sucker for movies whose main characters suddenly, inexplicably make a decision which goes against everything they seem to embody, or at least that which the viewer has come to know about them. That Kate Soffel's story is a true one makes it all the more intriguing.
In early 20th-century America, the lot of a wife, even that of a well-to-do-man and mother to lovely children, was a lonely, empty, barren existence. In a wealthy household with servants, there was very little meaningful work for the mistress of the house to do every day.
Even the layers upon layers of clothes Victorian women wore served no practical purpose except to restrict movement and render their wearers merely decorative. Express your opinions and you got packed off to visit relatives in hopes that maybe the change of scenery would "do you good." There were millions of avenues for creative expression and enterprise that were simply cut off for women.
Good minds went to waste. Souls shriveled and died.
Kate Soffel (Diane Keaton) was the wife of a prison warden in Pittsburgh at the turn of the last century. She served as something of a missionary to the prisoners, giving them Bibles, holding prayer readings with them and hoping to guide them towards remorse and redemption. She never expects to fall in love with one of the inmates. But fall she does, for the charming Ed Biddle (Mel Gibson), who along with his brother Jack, (Matthew Modine) are in jail on murder charges.
Kate is suffocating; the Biddles are desperate. Prone to fits of melancholy and depression, plagued with fears that she is not a good mother and that she has failed her husband -- whom she has come to learn she really doesn't know very well -- Kate, like so many women of her era, is desperate for something to end the tedium, the frustration, the despair. She is a perfect candidate for the dangerous voyage she helps plan and sets out on with the Biddle brothers.
"Mrs. Soffel" raises many ethical and moral issues, among them the divergent path Kate takes from her religious teachings, and the Biddle brothers' guilt or innocence. It can be appreciated equally on one or more levels, but it remains a remarkably restrained depiction of emotions and passion that are anything but.
- ecjones1951
- Jun 25, 2006
- Permalink
Details
Box office
- Budget
- $11,000,000 (estimated)
- Gross US & Canada
- $4,385,312
- Opening weekend US & Canada
- $86,280
- Jan 1, 1985
- Gross worldwide
- $4,385,312
- Runtime1 hour 50 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1
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