IMDb RATING
6.1/10
3.7K
YOUR RATING
Diane Keaton stars as a prison warden's wife who falls in love with a death row convict (Mel Gibson.) Believing he's innocent, she helps him and his convicted brother escape.Diane Keaton stars as a prison warden's wife who falls in love with a death row convict (Mel Gibson.) Believing he's innocent, she helps him and his convicted brother escape.Diane Keaton stars as a prison warden's wife who falls in love with a death row convict (Mel Gibson.) Believing he's innocent, she helps him and his convicted brother escape.
- Awards
- 3 nominations
Jennifer Dundas
- Margaret Soffel
- (as Jennie Dundas)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe jail used in the movie is the actual Allegheny County Jail that figures in the story. Designed by noted architect Henry Hobson Richardson, built between 1884-1888, it served as a jail until 1995 and is now used by the juvenile and family sections of the Common Pleas Court.
- GoofsA toy electric train shown running around a Christmas tree is of a post-1950 design, as is the track. The train is based on 19th-century locomotive and passenger car prototypes, making it more plausible. However, toy electric trains that even remotely resembled the one shown did not exist by 1901.
- Quotes
Kate Soffel: Don't you let them take me alive, Ed. Promise me. Promise me, Ed.
Ed Biddle: I won't, I promise. I won't let them take you.
- ConnectionsFeatured in The Making of 'Mrs. Soffel' (1984)
Featured review
Australian director Gillian Armstrong makes great films with strong women characters--her earlier Australian film "My brilliant career" being a perfect example. I watched "Mrs. Soffel" because of my admiration for Armstrong and found that "Mrs. Soffel" could not hold a candle to "My brilliant career" even though American actress Diane Keaton was admirable compared to the Australian actresses in the latter.
Armstrong had the talented Australian cinematographer Russel Boyd (who was responsible for the seminal works of Peter Weir and Bruce Beresford) once again to work with. While Armstrong and Boyd used justifiably darkened interior shots, I had problems seeing anything for long periods and had to rely on the soundtrack!
Armstrong loves to develop the female characters but leaves the male characters totally undeveloped (Mr Soffel and Jack Biddle). This is one reason I prefer the works of Weir and Beresford over Armstrong--even though her latent talent cannot be ignored. It is amazing to see Soffel's daughter getting equal or more prominence in the script than Mr Soffel towards the end.
Mel Gibson has made a name for himself by directing "Braveheart," but I give more credence to his acting phase in Australia ("Tim", "Mad Max", etc.). I am convinced that he is a director's actor--doing well with good directors. In "Mrs Soffel" Armstrong has evidently invested time with Diane Keaton, who carries the film. Gibson only lends support to her thanks more to the script than his acting capabilities.
Most of the fine tribe of Australian filmmakers of the Seventies have drifted to the US to become richer and gain international recognition--but their work in Australia in the Seventies remains unsurpassed.
Armstrong had the talented Australian cinematographer Russel Boyd (who was responsible for the seminal works of Peter Weir and Bruce Beresford) once again to work with. While Armstrong and Boyd used justifiably darkened interior shots, I had problems seeing anything for long periods and had to rely on the soundtrack!
Armstrong loves to develop the female characters but leaves the male characters totally undeveloped (Mr Soffel and Jack Biddle). This is one reason I prefer the works of Weir and Beresford over Armstrong--even though her latent talent cannot be ignored. It is amazing to see Soffel's daughter getting equal or more prominence in the script than Mr Soffel towards the end.
Mel Gibson has made a name for himself by directing "Braveheart," but I give more credence to his acting phase in Australia ("Tim", "Mad Max", etc.). I am convinced that he is a director's actor--doing well with good directors. In "Mrs Soffel" Armstrong has evidently invested time with Diane Keaton, who carries the film. Gibson only lends support to her thanks more to the script than his acting capabilities.
Most of the fine tribe of Australian filmmakers of the Seventies have drifted to the US to become richer and gain international recognition--but their work in Australia in the Seventies remains unsurpassed.
- JuguAbraham
- Dec 5, 2002
- Permalink
Details
Box office
- Budget
- $11,000,000 (estimated)
- Gross US & Canada
- $4,385,312
- Opening weekend US & Canada
- $86,280
- Jan 1, 1985
- Gross worldwide
- $4,385,312
- Runtime1 hour 50 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1
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