IMDb RATING
7.0/10
9.9K
YOUR RATING
Ten years after ratting on his old mobster friends in exchange for personal immunity, two hit men drive a hardened criminal to Paris for his execution. However, while on the way, whatever ca... Read allTen years after ratting on his old mobster friends in exchange for personal immunity, two hit men drive a hardened criminal to Paris for his execution. However, while on the way, whatever can go wrong, does go wrong.Ten years after ratting on his old mobster friends in exchange for personal immunity, two hit men drive a hardened criminal to Paris for his execution. However, while on the way, whatever can go wrong, does go wrong.
- Nominated for 1 BAFTA Award
- 2 wins & 4 nominations total
Bernie Searle
- Hopwood
- (as Bernie Searl)
Manuel de Benito
- Juan
- (as Manul De Benito)
Enrique San Francisco
- Kidnapper
- (as Quique San Francisco)
José Luis Fernández 'Pirri'
- Kidnapper
- (as Jose Luis Fernandez)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaJoe Strummer was originally considered for the part of Myron, but his bandmates (in The Clash) nixed the idea. Strummer then recommended Tim Roth for the part, based on his appearance as "Trevor the Skinhead" in Made in Britain (1983). This movie was Roth's first theatrical feature, and granted him a BAFTA nomination for Best Newcomer.
- GoofsAt the beginning of the film, a black Ford Zephyr Mark III pulls up outside Willie Parker's flat. It has a number plate ending in K, denoting that it was first registered in 1971 or 1972. However this model of car was only made between 1962 and 1966. The DVLA rules on personalised number plates forbid a plate that makes a car look "younger" that its actual year of manufacture.
- ConnectionsFeatured in At the Movies: Heartbreakers/The Hit/Alamo Bay/A Private Function (1985)
- SoundtracksWe'll Meet Again
(uncredited)
By Ross Parker and Hugh Charles
Performed by Terence Stamp and other cast menbers
Featured review
Terence Stamp is aces as a criminal who rats out his associates, then spends a decade hiding out in Spain. But his time is now up: two hitmen, the icy cold Braddock (John Hurt) and the cocky young Myron (Tim Roth, in his theatrical debut) have tracked him down. Now they are transporting him back to his execution in England. But things don't go quite the way that everybody expects, and Braddock & Myron end up taking a young Spanish woman (the sexy and feisty Laura Del Sol) along with them, and the idea of what to do with the captives seems to change from moment to moment.
"The Hit" is a solid British crime feature done with intelligence and nuance. While it has the typical violence for the genre, it doesn't play out the way that this viewer really expected. What made the difference is that this story (written by Peter Prince) focuses far more on the characters and the journey than the destination. And the characters are an interesting bunch. Stamps' character Willie Parker in particular takes a philosophical approach to his destiny that also functions as the theme of the story. He gets over his fear and resigns himself to his fate - something that Braddock apparently doesn't like.
Stamp and Hurt deliver standout performances in a film that also benefits from the chemistry among its cast. Although it's become something of a cliche by now to have two criminal types with contrasting styles, it's fun here to see the odd-couple dynamic between Hurts' Braddock and Roths' Myron. Del Sol has sufficient appeal to make the viewer tense about what might happen to her, and Aussie actor Bill Hunter is quite good in his brief appearance as a criminal who merely happens to be in the wrong place at the wrong time. But Fernando Rey is rather wasted in his role as a senior policeman who usually just arrives at crime scenes after the fact, until a rather abrupt finale. Look for British character actors Willoughby Gray, Jim Broadbent, and Ralph Brown in small roles.
Although not as well as known as other favorites in the British crime genre, this is definitely worth your time, especially if you admire the actors, and the highly capable director, Stephen Frears, who went on to do films like "Dangerous Liaisons", "The Grifters", and "The Queen".
Eight out of 10.
"The Hit" is a solid British crime feature done with intelligence and nuance. While it has the typical violence for the genre, it doesn't play out the way that this viewer really expected. What made the difference is that this story (written by Peter Prince) focuses far more on the characters and the journey than the destination. And the characters are an interesting bunch. Stamps' character Willie Parker in particular takes a philosophical approach to his destiny that also functions as the theme of the story. He gets over his fear and resigns himself to his fate - something that Braddock apparently doesn't like.
Stamp and Hurt deliver standout performances in a film that also benefits from the chemistry among its cast. Although it's become something of a cliche by now to have two criminal types with contrasting styles, it's fun here to see the odd-couple dynamic between Hurts' Braddock and Roths' Myron. Del Sol has sufficient appeal to make the viewer tense about what might happen to her, and Aussie actor Bill Hunter is quite good in his brief appearance as a criminal who merely happens to be in the wrong place at the wrong time. But Fernando Rey is rather wasted in his role as a senior policeman who usually just arrives at crime scenes after the fact, until a rather abrupt finale. Look for British character actors Willoughby Gray, Jim Broadbent, and Ralph Brown in small roles.
Although not as well as known as other favorites in the British crime genre, this is definitely worth your time, especially if you admire the actors, and the highly capable director, Stephen Frears, who went on to do films like "Dangerous Liaisons", "The Grifters", and "The Queen".
Eight out of 10.
- Hey_Sweden
- Aug 8, 2021
- Permalink
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Details
- Release date
- Country of origin
- Languages
- Also known as
- Die Profi-Killer
- Filming locations
- Monasterio de Piedra, Nuévalos, Zaragoza, Aragón, Spain(waterfall scene)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $876,775
- Gross worldwide
- $876,775
- Runtime1 hour 38 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1
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