User reviews

¨The invincible pole fighters¨ , international title , seems to be one of the best Kung Fu movies , including overwhelming combats and spectacular scenarios . Exciting attacks and groundbreaking fighting perfectly staged , the result is a strong entry for action buffs . This is a Run Run Shaw Brothers vintage film and widely considered to be one of the greatest Kung Fu flicks of all time . Epic imperial and subsequent treason and upheaval during China's Ching dynasty , being marvelous and colorfully directed . The picture starts with Yang family battling a group of Mongols , showing a demonstration of splendid martial arts . Insidious Mongols want to overthrow the dynasty with the help of a traitor . As they ambush the influential Yang Family , defenders of the dynasty . The Mongols must hunt down all Yang survivors so their scheme will not be uncovered . During the cruel Mongol attack , the fifth son (Chia Hui Liu or Gordon Liu) arranges to getaway and he arrives in a temple where devotes himself to learning the martial arts at Bhuddist location in order to seek vengeance . In a short period of time he learns the art of fighting , thanks his expert Bhuddist master . When his learning is completed , he set out in pursuit his enemies .

This classic flick displays lots of violence , action filled , zooms ,thrills and fierce combats. This luxurious Kung Fu film was wonderfully filmed with good production design , glimmer cinematography , impressive combats and breathtaking scenes . This is a colourful , Hong-Kong set , mostly filmed in studio and quite budget movie ; leave no cliché untouched , though the fighting are magnificently staged . The picture is full of tumultuous sequences with frenetic action , surprises , climatic combats and groundbreaking struggles . Amid the glamour and grandeur of the scenarios is developed an intrigue about nasty Mongols or Tartars and a learning period at famous Bhuddist temple , including betrayal , crime and exploring the dark side of vengeance . Overwhelming and rousing fights with deadly use of fists , feet and palms , along with such weapons as swords, sticks , and lances . Highlights of the film are the notorious struggle between the master and his pupil and of course the breathtaking and overlong final fighting . Kung Fu training scenes are a direct reference in ¨Kill Bill¨ by Quentin Tarantino , enhanced by the fact that Gordon Liu stars in both movies . The picture is well starred by Chia Hui Liu or Gordon Liu , he is the adopted brother of the greatest Kung-Fu director , Liu Chia-Liang . He is almost always playing a bald-headed monk of some sort . He started his movie career as a stuntman and got promoted to martial arts instructor afterwards . His debut project was Shaolin Martial Arts in which he played a supporting role . In the Challenge of the master, director Liu Chia-Liang successfully moulded him to be a "Hero of Kung-Fu" and he was in the main cast for the movie , too . The 36th Chamber of Shaolin marked the success of Liu and he followed this role and made several Kung-Fu movies ; amongst those , he always portrayed himself as the "Kung-Fu Monk". He played two roles in the "Kill Bill" films . When Sheng Fu was killed in car crash during filming script was rewritten to make Yang No. 5 the hero.

"8 Diagram Pole Fighter" was compellingly directed by Chia Liang Liu and won the Best Martial Arts Award at Asian Film Festival and was the Top 10 Box Office Hits in Hong Kong . Chia Liang Liu or Lau Kar Leung made stunts and directed several Kung Fu movies as ¨Legend of drunk master¨ , "The 36th Chamber of Shaolin" , "8 Diagram Pole Fighter" , ¨Shaolin executioners¨, ¨, ¨Seven swords¨ , ¨Return to Shaolin¨ also with Gordon Liu and ¨Shaolin 3 : Martial arts of Shaolin¨ with Jet Li . Rating : Above average , well worth watching , an unforgettable martial art movie not to be missed. The tale will appeal to art martian fans , essential and indispensable seeing .

This is an action packed film filled with terrific swordplay and choreography in the battles. Its best to watch on a big screen for full effect. It is a period piece set during the Sung Dynasty, but just suffice to say there is usually something going on. One of the stars, Fu Sheng, was killed in a car crash midway through filming, so its a miracle the film was finished. There's lots of blood, lots of yelling, lots of running around. As always with these kind of films produced by the Shaw Brothers, the colors are vivid. Not usually my kind of film, it was a lot of fun to watch. If you like martial arts films, this is definitely for you.

8 Reasons to Watch "8 Diagram Pole Fighter"

Whether it would be your first time or 36th viewing, here are 8 reasons why you should watch, in my opinion, the greatest kung-fu movie of all time.

1) Liu-Chi-Liang/Lau Kar Leung --I grew up watching kung-fu films in decrepit New York City theaters as well as on Saturday 3PM on NY channel 5 - "Drive-In" feature. My favorite director of these action flicks was and still is Liu-Chi-Liang/Lau Kar Leung.

This legendary director is himself a marital artist (able to trace his mastery from demi-hero, Wong Fei Hung) and imparts adherence to the art of kung-fu in every movie he directs and/or choreographs. His greatest screen triumph comes in the form of "The 8 Diagram Pole Fighter" ("Invincible Pole Fighter").

2) A compelling storyline -- Mongols with the help of an insider, ambush the influential Yang Family, defenders of the dynasty. The Mongols must hunt down all Yang survivors so their insidious plot to overthrow the dynasty will not be uncovered.

3) An all-star cast -- Those who watch films of the Shaw Brothers will recognize the familiar faces of the charismatic dynamo Gordon Liu Chia Hui, kung fu babe Kara Hui Ying-Hung, legendary Lily Li, superstar Alexander Fu Sheng in his last screen role, all-time bad guy Johnny Wang Lung Wei, veteran Phillip Ko Fei, talented Hsiao Ho, technical Lau Kar Wing, heroic Wong Yu and Lau Kar Leung himself.

3) Unobtrusive use of "wire-fu" or special effects -- At least there are no quadruple flips and people flipping off swords (i.e. "Swordsman 2").

4) The greatest pole fighting sequence filmed -- Gordon Liu wants revenge. Phillip Ko Fei denies this bloodlust. Watch them engage in a fantastic duel of ethics and poles.

5) The climactic end sequence -- Words cannot describe the mayhem involved. Only the finale of films such as "Drunken Master 2" and "Thundering Mantis" can compare. Must be seen to be believed.

6) No gratuitous humor --While not everyone can have the sense of humor of a Jacky Chan or Sammo Hung, many martial arts films have comical segments/elements that take away from the overall picture.

Take Lau Kar Leung's masterful `Legendary Weapons of Kung-Fu.' The entire Alexander Fu Sheng subplot of the crackpot martial artist could've been done without the cross eyes and silly music.

Chang Cheh's `10 Tiger's of Kwangtung' had many memorable moments but a couple of comedic attempts such as the overly long 'torture training,' and the bystander who lounges about and watches a duel at close range, distracts.

In `8 Diagram Pole Fighter' there is no mixing of genres. What you get is a smash-mouth kung-fu action movie.

7) Themes -- This movie is not just about kung-fu and revenge. It deals with family honor. Loyalty to one's country. Loyalty to a group. Belief in one's self. And ultimately - belonging.

8) Gordon Liu -- As the main star of this movie, Gordon cements his place in kung-fu film history as one of the baddest-asses ever. Here's an elite warrior that goes to Shaolin Temple to IMPROVE his killing skills. In particular his first encounter against a Mongol outpost is the stuff of action film legend.



I feel so strongly about this movie that it not only is my favorite martial arts film, it currently ranks as my favorite movie. It stands above my other favorites (which include: The Godfather, Golgo 13, The Seven Samurai, On the Waterfront, 12 Angry Men, High Noon, Monty Python's Holy Grail), because it stands the test of repeated viewings and never fails to fill me with the full gamut of all emotions, leaving me more passionate about my life, my family and my destiny.

Maybe it's the coffee talking. Maybe I need to get out more. Nevertheless, I offer a toast to all other `8 Diagram Pole Fighter' fans around the world, new and old.

Gordon Liu, Alexander Fu Sheng, Venoms, Kara Hui. This movie has it all.

One definite thing about the movie is it is dark. The whole mood is set from the incredible opening credits sequence and all throughout the film. Gordon Liu is Yang #6; a man bent on seeking revenge. His pole fighting is amazing in this one in both battle and training. You cannot miss the scene when he enters the Shaolin temple - classic Liu!!

Alexander Fu Sheng as Yang #5 gives a great performance as man driven insane from traumatic events. Although it's english dubbing, Fu Sheng's facial expressions and acting is really great in this one...he really looks crazy!! I enjoyed seeing his panic attacks being doused by Mother Yang who's not too shabby a fighter herself. Kara Hui is Yang #8 and her fight scenes are always a sight to see! Oh, Lau Kar Leung's cameo is short, but is wickedly intense!

Overall, this has become a favorite of mine. Whether it's the pole training in the wolf room, the final battle, or those deadly coiling staffs, I could watch this one again and again and...

As in the case of many Shaw Brothers masterpieces, the following lessons can be learned:

a) DON'T be a traitor b) DON'T leave the hero unless one is 100% sure that he's dead c) DON'T MAKE THE HERO (in this case, LUI CHIA HUI) ANGRY - YOU WON'T LIKE HIM WHEN HE'S ANGRY. d) If you love this type of movie, DON'T leave this life without seeing it.

Since getting into the genre a few years ago I have seen many kung fu films of this era, and I have to say this is one of my favourites. I was lucky enough to find a wide screen, undubbed version.

This is a classic Shaw Bros. style film by famed director Lau Kar-Leung and starring Gordon Liu ("6th Brother"), whom Tarantino paid homage to by giving two roles in Kill Bill I & II.

The father of the Yang family and his seven sons go to battle to fight the Mongols who are threatening the Sung Dynasty. They are betrayed by a rival family and only two brothers, 6th (Liu) and 5th, survive. "6th" takes refuge at a General-turned-hunter's rural hideout (the General is a cameo by director Kar-Leung), before fleeing to a monastery where his brash personality conflicts with the monks there. At the monastery, he must improve his skills before seeking vengeance on those responsible for his family's betrayal.

The first fight scene (the battle) is a little cheesy with an obvious screened backdrop, a setting that doesn't really fit with the rest of the film. If the film was more ambitious this could have been a more impressive outdoor battle. But this is the film's only real drawback. The fights start out great and only get better. Highlights include 8th Sister's really breathtaking swordplay, and 6th Brother's duel with the Abbott which is both acrobatic and beautiful. This fight ends poetically, as during the fight both men had enscribed a yin-yang symbol on the floor of the monastery, symbolic of these two men's conflicting personalities: peaceful monk and warrior General.

The final scene is an all-out bloody melee which is really impressive, especially when 6th Brother takes on the horde with 8th Sister strapped to his back. Some of it is overacted (extreme reactions from bad guys as teeth are knocked out!) but used as a source of campy amusement, it only adds to the whole spectacle.

The plot is strong and very Shakespearean in scope (family loyal to the ruler is betrayed, family members must communicate in secret to avoid discovery while revenge is planned). The idea of the poles which use a twisty grappling-end to counter the Yang family's poles is unique. I love the fact that (like in many other films of the genre), the women's kung fu skills are as strong as the men's. This 20 years before the whole "girl power" thing in Western movies, music & TV.

If you're a fan of kung fu, see this film if you get a chance!

Many reviews I have read say that this is one of the best Martial Arts movies ever made.

I disagree. Please consider the fact that the version I saw was fullscreen and dubbed.

This movie seems to have crossed the cusp of good Kung Fu movies. It was made in 1983 which seems to explain the crappy costuming. In my humble opinion, the costumes are grotesque and gaudy. We are talking liquid gold and leopard skins. The plot was very jumbled and not very clear. The classic Kung Fu training sequences were not very long or explanatory. And if you've seen the movie you will know how lame the wolf training dummies were. And for being called `The Invincible Pole Fighter' he seemed to be the exact opposite

One redeeming quality was the cool ass bendy poles that the Mongols used to entrap the Yang's spears. They were highly annoying to the heroes and the audience. A real sense of hopelessness. One good thing was the intensity of the final fight scene. A real cliffhanger.

How should you a approach a movie like The Invincible Pole Fighters? If you wanna look for hairs in the soup, look for all-too-obvious stage setting for the Yang brothers ambush. Then you could look for some very stagy looking death scenes. Or how about the library music it shares with Dawn of the Dead? On the other hand you could look for its virtues: Strong cast, strong story, excellent choreography and fortunately the virtues of this movie far outweighs its flaws. The story is epic, the choreography is nothing short of breath taking. The equals may exist. I just haven't seen them, this is riveting stuff, utterly infectious. Show it to non-martial art movie fans if you wanna see converts, this is martial arts to the performed to the highest standard of perfection. You will want to see this movie again and again. Own it. The best available copy is Celestial's Hong Kong DVD release in original aspect ratio without dubbing. Beware of bad dubbing and choreography-ruining cropping on western VHS releases.

I'd heard a lot of people praise this movie, so I expected a lot.

What I got was a decent but overly gaudy and loud ("aaaaaaarrrrgggghhhhhh!!!" all the time) movie. Lots of cool action, and (all things considered) a fair story, but I didn't really find it either believable or particularly memorable. The bad guys' pole-snagging device was extremely silly. I thought some of the costumes were good, but the chaotic way they fought (and screamed!!!) was too over-the-top and non-stop. Not much to be taken seriously, despite this not being (intended as) a comedy. I have seen many kung fu movies much better than this; I am not a great fan of the exaggeratedly flashy type of martial arts movies.

Still, this was not a bad movie, and I rate it a 7 out of 10.

This is the last film Liu Chia Liang(aka Lau Kar Leung) made for Shaw Brothers Studios and in my opinion, it is probably his best. After doing much lighter, comedic fare like My Young Auntie(of which I champion and highly recommend as well), Liu Chia Liang took this project in a darker, more violent and much more serious direction. Gordon Liu stars in this kung fu epic and is in top fighting form and gives an excellent acting performance as the lead. He plays a brother from a royal family who was betrayed and his father and brothers were slaughtered in an ambush. He finds sanctuary in a Shaolin temple and becomes a monk. As usual in a Gordon Liu/Liu Chia Liang production, the storytelling is fluent, the acting is solid and the fights are awesome. The old Shaw sets look great and there is an abundance of fights as well. They are very well choreographed, but also very brutal and bloody. Shaw Brothers is well known for having quality productions, but The 8 Diagram Polefighter is a flawless production where all the elements come together for a perfect martial arts film. Great story ,acting, direction and some of the best and most intense fight scenes ever filmed put The 8 Diagram Polefighter heads and shoulders above most other martial arts films. The 8 Diagram Polefighter is a must for any martial arts fan and this title gets my highest recommendation. On a sad note, it is unfortunate that Alexander Fu Sheng died in a car accident during the making of this film and could have had a bigger part if he was alive and well.(RIP bro)

I watched it because they said it was one of the legendary movies of martial arts. My expectations were very high, but I was very disappointed. It's like a comedy movie but there's no humor; it's supposed to be a martial arts movie but it's full of ridiculous spear scenes; there are so-called war scenes that cannot even be called funny. If this movie is one of the "legendary" movies of martial arts, I don't know what should we say about a bad Bruce Lee movie! Terrible acting, very bad movie. Don't be fooled by what is written, life is too short to waste time with bad movies. If your time is not valuable, watch it, I'm sorry, but that the facts.

Upon seeing the movie the first dozen times I still found myself desiring more and more and more of that great film! Gordon Liu and Fu Sheng and the mother and the eighth yeng were spectacular and the two senior monks were off the hook! The Pole fighting really was great and really made the movie for me. Liu chia Liang is the greatest when it comes to capturing the true martial arts in a film. This is a real must see for anyone who is a fan of pole fighting and the liu brothers.

Invincible Pole Fighter

What can I say. This film is brilliant. I first hired it as a joke for a friend. We were looking for the worst possible film with the cheesiest title. Well, the joke was on me. I have since fallen in love with the movie and have seen it dozens of times. The martial arts are staggering in their complexity and showmanship. The plot is intriguing and moves at breakneck pace. The fights are many and varied, with all kinds of eye-popping acrobatics and stunts.

The madness of 6th Brother is one of the non-action highlights of this movie. His acting is way over the top, and the English dubbing is appalling. The poor lad has had his mind broken by treachery and despair, and peppers the film with a frenzy of random screaming outbursts. Classic.

There are many reasons to hire this film. Humour, tragedy, and of course, mind blowing Pole Fighting.

See also `Deadly Weapons of Kung Fu'.

Great setup, could have been longer, to build up the training portion of the film.

Allow me to back-track a bit, if you will, please...

A few years ago, I saw "The 36th Chamber of Shaolin" (1978), which I consider to be the next greatest martial arts film after the Bruce Lee masterpiece that is "Enter the Dragon" (1973). I must say that "The 36th Chamber of Shaolin" was the film to introduce me to what I call "straight-up old-school Shaw Brothers kung-fu." A year or so before I saw that, I had seen "Five Fingers of Death" (1972) (widely considered to be the first internationally successful martial arts film) and another Shaw Brothers classic, "Five Deadly Venoms" (1978).

Today, I had the pleasure to see yet another Shaw Brothers classic, "The 8 Diagram Pole Fighter," directed in 1984 by Hong Kong kung-fu master Liu Chia-Liang/Lau Kar-Leung (who also directed "The 36th Chamber of Shaolin" just six years earlier). Like the "The 36th Chamber of Shaolin" and many other martial arts classics, "The 8 Diagram Pole Fighter" is a story of revenge and retribution and redemption, with a strong Buddhist philosophical subtext warning against the evils of killing and taking lives under any circumstances.

Set during the Song Dynasty in China, the story concerns Fifth Yang (Gordon Liu, held over from "The 36th Chamber of Shaolin"), the only survivor along with Sixth Yang (the late Alexander Fu, who died in a car accident during filming and the film had to be extensively rewritten because of this) of the seven Yang sons, the loyal enforcers for the Song Dynasty. With the exceptions of Fifth Yang and Sixth Yang, all the Yang sons and their father were all either killed or captured by the Khitan-ruled Liao Dynasty army forces.

Sixth Yang makes it back home, but he's in a volatile deranged state that will make him unable to positively identify the primary culprit in the slaughter of his brothers and father, the traitorous Song Dynasty general, General Pun Mei (Ming Ku). Fifth Yang, however, now falsely labeled a fugitive and a traitor, makes it to a nearby Buddhist monastery in Mount Wutai, and insists that the monks take him in as their newest disciple. At first they are reluctant, due to his violent nature and revenge motives, but over time they grow impressed by his pole fighting skills and accept him as one of their own. But when he learns that his family is still in danger, he must join them - along with his sister Eighth Yang (Kara Hui, credited here by her birth name Ying Hung Wai) - despite the Buddhist vows of nonviolence that he has taken.

"The 8 Diagram Pole Fighter" is as exciting and action-packed as a Hong Kong-produced Shaw Brothers kung-fu classic can get. While the film does not approach the epic greatness of "The 36th Chamber of Shaolin" (which this film can probably be considered a companion piece to), "The 8 Diagram Pole Fighter" stands on its own two feet as yet another worthy kung-fu classic.

One of my biggest gripes is that I expected to see Gordon Liu's Fifth Yang to actually change his ways, and eventually have his revenge motives tempered by some greater desire to help others in need. That doesn't really happen here. While his character does indeed take his Buddhist vows very seriously (or at least gives the appearance that he does), he doesn't become a better person and still retains his violent nature and revenge motives. The other problem is that the monks sort of accept this and realize that they cannot truly change him. And while the monks do accept him as one of their own, it seems, to me, that the only thing they can really do is to harness his anger and try to channel it into non-lethal means (the whole business with wolves and their teeth, which you'll see if you watch the training sequences at the Buddhist monastery). Liu's character San Te in "The 36th Chamber of Shaolin" did not face these glaring ethical issues.

Maybe I'm reading things incorrectly here, so if anybody has any insight, feel free to correct me here.

On the plus side, "The 8 Diagram Pole Fighter" has some of the most extraordinary pole-fighting sequences ever filmed. I've never seen anything like it prior to this. And the film is also quite bloody, too, one of the most graphically violent martial arts films I've seen, in fact, since probably "Fists of Fury"/"The Big Boss" (1971) with Bruce Lee. And while the boys often get the most screen time here, Kara Hui's Eighth Yang proves to be a formidable kung-fu presence and can more than handle her own against the legions of disposable of bad guys sent in her general direction. In short, she's no damsel in distress - she's far from it.

Gordon Liu also delivers a powerhouse performance here. To know that Alexander Fu was originally supposed to be the lead here and with his tragic passing, the film had to be extensively reworked due to his death. Gordon Liu admirably stepped in his place to finish the film. Admittedly, it would be great to see what would have become of this film had Alexander Fu lived to complete it.

"The 8 Diagram Pole Fighter" is one of the best martial arts films I've ever seen. I'm glad that I had the opportunity to bask myself in its 97 minutes of epic kung-fu craziness.

8/10.

'The 8 Diagram Pole Fighter (1984)' is one of the more brutal martial arts movies of its type, with a finale that features some jaw-dropping (and teeth-shattering) moments of gore that really punctuate the otherwise balletic choreography and hammer home the fact that in this dance, people die. The feature puts a lot of other Kung fu flicks to shame before its opening titles are even over, beginning with a glorious battle sequence that sees seven brothers go up against an ambush of Tartan soldiers. Only two brothers make it out alive, with one returning home a traumatised wreck and the other seeking refuge in a monetary until a suitable moment arises for him to get his vengeance. The bulk of the film depicts the two brothers' attempted recovery from their staggering loss and betrayal, building to an expected indulgence in revenge while also having one of them engage in a practice that constantly implores them to forget all worldly issues. Gordon Liu portrays an angry and impatient warrior whose determination to be a monk seems to come from an inability to take no for an answer rather than some genuine longing for enlightenment, and he essentially bullies his way to (almost) the top of the order. Even towards the end of his journey, he isn't the calm and collected Kung fu monk you may expect; he's almost the polar opposite of Liu's similar character in 'The 36 Chambers Of Shaolin (1978)'. Alexander Fu-Sheng, whose tragic death during filming prevented him from appearing in the final battle, plays someone suffering with severe PTSD that seems to be causing him to have intense flashbacks which kick him into fight or flight mode - which, for him, is more like fight or fight mode. It's an interesting angle to explore, primarily because it doesn't exactly fit with the conventional genre format and isn't given the conclusion you may expect. Unfortunately, the mid-section of the movie just isn't all that engaging, with neither of the main storylines being as compelling as they need to be to justify their length. At the same time, though, the flick is pretty breezy throughout and features more than a few brilliant action set-pieces to keep you entertained. Furthermore, the final third is simply phenomenal, with one of the most intense and impressive final fights I can recall. It's satisfyingly fast-paced, masterfully filmed and surprisingly violent. It's genuinely fantastic in every way. Ultiamtely, this is a somewhat uneven but mostly successful martial arts movie with a fairly bleak tone and some amazing action scenes. Its strong opening and closing movements more than make up for its weaker middle portion (even though its second act does dampen its overall impact somewhat and prevents it from being quite as strong as something like the aforementioned 'The 36 Chambers Of Shaolin (1978)'). It's a really solid effort that will keep you entertained from start to finish, and occasionally knock your socks clean off.

Without a doubt, one of my favourite Shaw Brothers movies, and one of my all-time favourite kung-fu films overall, the classic 8 Diagram Pole Fighters finally gets a release it deserves from 88 Films in the cleanest, crispest print I've seen yet, and more stunning artwork by Kung Fu Bob!

Infamously known as superstar Alexander Fu Sheng's last movie, due to his untimely death in a car crash during production, the script was quickly rewritten to have Gordon Liu's character go on Fu Sheng's journey making him the hero, and in my opinion, the better man for the job. While I like Fu Sheng, and more-so in his comedy roles, this to me is definitely a role made for Gordon Liu. He is outstanding in his performance and pulls off some of his best on-screen fighting in many different fight scenes.

Loosely based on historical Yang Family, the film opens with an impressive battle scene where the Yang brothers and their father have been ambushed by the enemy due to a set-up by a jealous General. The line-up of the sons is pretty damn good, leading you to believe you're in for a big named cast throughout. Unfortunately, due to the high numbers and powerful weapons of the enemy, Shaw Brothers stars such as Lau Kar Wing, Wong Yu, Robert Mak, Hsiao Ho and others, don't get to stick around for long...

Surviving the attack is Fu Sheng and Gordon Liu, with the latter disappearing mid-battle and Fu Sheng returning home to his kick-ass mum, played by Lily Lee, and sisters Kara Hui and Yeung Jing Jing, only to have lost his mind after seeing the tragic loss of his father and brothers!

Lost and injured, Liu stumbles upon an old shack in the mountains and soon meets a hunter, played by director Lau Kar Leung. It doesn't take long for the enemy to catch up though, so Lau helps the injured Yang member escape as he takes them on, sacrificing himself in battle. Alone, Liu makes his way to the nearest Shaolin Temple - putting him back in familiar territory (ala the hit 36th Chamber Of Shaolin) where he must convince the monks to let him in.

Of course, from there, we all know its about training him in heart, mind and moves so that when the time comes, he can take revenge for the murder of his family...

8 Diagram Pole Fighter is quite simply, astounding! One of Lau Kar Leung's final films for the mighty Shaw Brothers, we are treated to a fantastically dark tale packed with beautiful sets and costumes, incredible kung-fu battles, and emotional performances from all involved, especially Gordon Liu who quite clearly shows his pain at the loss of his good friend Fu Sheng in the second half of the film.

I just love this movie! It is quite possibly Lau Kar Leung's finest moment as a director and choreographer with many incredible battles, one-to-one fights, both with weapons and hand-to-hand. Everyone looks amazing during their fights, including the great Philip Ko as a monk, Kara Hui as Sister Eight, and even Yuen Tak gets to show off a few moves as he tries to help the Yang's. As usual, Shaw Brothers have an amazing array of villains and one of their best is Johnny Wang Lung Wei, who as usual, kicks ass and shows why he is one of Hong Kong cinema's best bad guys.

It all leads to an amazing finale, with some incredible weapons work, stunt work, and acrobatics that show all involved at the top of their game. Amazing!

More recently adapted in the fantastic Ronny Yu epic, Saving General Yang...

Overall: One of Hong Kong cinema's finest!

There is a god. His name is Gordon Liu. And his sisters 8th and 9th Yang are pretty foxy. This is a classic betrayed family eventually gets revenge story, and has some of the best pole fighting scenes I've ever seen.

The fight with the abbott when Gordon goes to save his sister has got to be up there with the best of them. True the acting is over the top, and the dubbing is rubbish, but this is what we expect from good martial arts films. It all adds to the experience. The end fight is mental, with Gordon taking on half the Mongol army before his monk buddies turn up with wooden wolves(?) to save the day. The last strike when Gordon whacks the bad guy head first into a coffin gives me a rush no matter how many times I see it. Awesome.

Only one thing confuses me - when he kills off the last Mongol, he walks off saying he `has no home now' leaving his sister standing there a bit bemused. Like me. Why the hell hasn't he got a home now? His family are waiting for him.

I can count the number of martial arts movies I've seen on one hand, so I wasn't coming at this movie as a genre fan, just a film fan and I came away loving it! I should note that I viewed an original language version with English subtitles.

The story is just timeless, and although based on Chinese lore transcends all nations. There's something Shakespearean about it: the noble family that is betrayed in battle with one surviving son going mad and the other disguising himself and biding his time before taking revenge. And what satisfying revenge! The culminating battle is incredibly entertaining, imaginative, violent, funny and offers beautiful poetic justice.

Along the way we are treated to some wonderfully stylized sets, costumes and characters and some impressively choreographed fight sequences, the best of which had the grace and beauty of classical dance.

This is a stylish and colourful film, bursting with memorable characters, scenes and sequences and buzzing with energy. Highly recommended and you don't have to be a kung-fu fan to get a kick out of this!

First of all, to the people that think that martial arts movies need a spectacular plot that doesn't quite add up, and spectacular visuals like omg the entire scene is RED or no wait now it's GREEN, that's a huge misconception. In a martial arts movie its essential to have amazing fights between characters.

Anyway, this movie is originally called 7 brothers in china, and if you remember Pai Mei, or "really good fighter of the crazy 88" from "Kill Bill" that, is Gordan Liu. The plot is actually pretty good for a action movie, he's ambushed and how to defeat his family is given away before they begin to fight, so his martial arts are now worthless. So with Gordan Liu minus his brothers he goes to find an improved method of fighting, but the shaolin monks he seeks don't take him in since he'll inevitably kill again once he learns the martial art. He actually has to change his mentality to be accepted and learn the art of pole fighting.

Fights are great in this movie, Gordan liu is amazing when he's not fighting anyone, i.e. moving his pole around at the pond, try moving with that kind of power and precision on your own and see how good Mr. Liu is. Also, I really enjoyed the final fight scene, very fluid and well choreographed, most martial arts movies now have maybe one good fight sequence at the beginning and then... well... CGI plays a larger and larger role throughout the movie and the "martial" part of "martial arts" disappears and you're left with an art show.