American private-eye Harry Kilmer returns to Japan to rescue a friend's kidnapped daughter from the clutches of the Yakuza.American private-eye Harry Kilmer returns to Japan to rescue a friend's kidnapped daughter from the clutches of the Yakuza.American private-eye Harry Kilmer returns to Japan to rescue a friend's kidnapped daughter from the clutches of the Yakuza.
Ken Takakura
- Ken Tanaka
- (as Takakura Ken)
Eiji Okada
- Toshiro Tono
- (as Okada Eiji)
Keiko Kishi
- Eiko Tanaka
- (as Kishi Keiko)
Kyôsuke Machida
- Jiro Kato
- (as Kyosuke Machida)
Eiji Gô
- Shiro 'Spider' Tanaka
- (as Go Eiji)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaMartin Scorsese wanted to direct after Mean Streets (1973) but the producers wanted Sydney Pollack. Scorsese has gone on record that he would very much have liked to direct the film and was disappointed that he was passed over. However, he got to direct Alice Doesn't Live Here Anymore (1974) instead after being sought out by Ellen Burstyn. Alice Doesn't Live Here Anymore ended up making more than 20 times it's budget and won Burstyn an academy award while The Yakuza became a box office bomb.
- GoofsThe plane that Kilmer is boarding at the end of the film is a Boeing 707, the one shown taking off in the last scene is a 727.
- Alternate versionsFor the Spanish Castilian version all the dialogues were dubbed to Spanish, even the Japanese lines.
- ConnectionsFeatured in ...Promises to Keep (1974)
Featured review
I have to agree with the preponderance of viewers here who rate this as a neglected classic of the 70's. All aspects of the film - performances, script, and direction - raise this to the level of greatness. This is certainly among Mitchum's greatest performances - his subdued, world-weary toughness undergirds the movie. The story as has been noted, is a rich and multilayered one with a sadness that aspires to and quite nearly reaches the level of tragedy. It also must be noted that this is one of the most effective portrayals of Japanese culture on celluloid. The movie does not shrink from violence; the various scenes of assassination and slaughter could have been done by Peckinpah. The movie deserves a restoration and should be brought to tv in letterbox mode. (Are you listening, Turner Classic Movies?)
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Box office
- Budget
- $5,000,000 (estimated)
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