Barney Miller

"Barney Miller" was a show that changed dramatically during the course of its run, despite the fact that its plot, setting, and basic cast remained the same.

The show dealt with a detective squad at a precinct house in New York City and the often strange people from the community who went in and out their door. At the beginning of the series, the pace was fast and the comedy a bit "loud," and the emphasis was on one-liners and quirkiness rather than on real characters. Barney was the captain of the precinct, very put-upon and overworked, but nevertheless always wise and friendly. Wojo was the well-meaning detective who was a bit lacking in smarts. Harris was funny, fashion-conscious, and cool, while Yemana was much more introverted, though he would also provide the occasional witty commentary. Fish was the old man on the verge of retirement who had more ailments than you could imagine. Chano was perhaps the most "normal" of the bunch after Barney, and always tried to have a positive outlook despite being constantly exposed to the less inspiring side of life.

The detectives were racially mixed, which, at the show's inception, would occasionally provide for some comedy, though ethnic humor was largely dispensed with after the first season. Other detectives came and went after an episode or two, especially during the very early years.

By the end of the run, the pace of the show had slowed down somewhat. The precinct house was now very leisurely for a police station in Manhattan. Conversations became more relaxed as well, and you got the idea that the directors were trying to show human interaction as it often was, with people thinking before they spoke. The dialog became wittier and the characterization much more subtle. Barney was now more of a real person, the pressures of life seemingly affecting him more, and he would even get a bit frustrated with his immediate underlings. Harris, with whom Barney now clashed from time to time, had become successful financially and was becoming more attuned to the cultural side of things. He had developed into something of a snob, and was also less and less interested in police work as the series went on. Chano had moved on early, Fish retired (and had briefly had his own show), and the actor who played Yemana died, inspiring a half-hour tribute to actor Jack Soo by the rest of the cast. Dietrich was Fish's replacement, and was the intellectual of the group (one Monday morning he chit-chatted about how he had gone to the Goethe Festival over the weekend). His (often in-depth) knowledge on every conceivable subject was an extreme nuisance to Harris, but proved helpful to Barney in official matters. Wojo, by the end of the run, was no longer the loud, sex-driven brute he had been before, but rather a soulful and sensitive person, prompting Harris, in one of the show's great inside jokes, to proclaim in the final episode: "He is so MUCH improved!"

Popping in occasionally was Inspector Luger, Barney's immediate superior, a man who yearned for the old days of police work, when men were men (and died like men) and there wasn't all this "concern" for the suspect. Though Luger never changed, Barney's reaction to him did: where he once considered him as an amusing relic from the past of the city's police force, he later saw him as dangerously out of touch and a potential threat to police-civilian relations. And he turned out to be just that: at a protest by Hasidic Jews at the station house, Luger suggested that they all disperse, go home and "take a shave." The protest immediately turned into a riot.

The obsequious Officer Carl Levitt became a regular after a few seasons, always trying to become a detective, but continually rejected, apparently because of his height. And every once in a while there was a visit from Lt. Scanlon of Internal Affairs, who delighted in the hunt and, especially, the smell of blood.

Almost all the action during the run of the show took place in the squad room (which contained a single jail cell) and Barney's adjoining office. Despite the fact that the squad seemed very small considering its location (not to mention not very busy!), the viewer got the feeling that he was really in a run-down precinct house. The office was cramped, and the furniture old and in dire need of replacement. Papers and files lay around for so long that you actually got used to them being where they were, and the advertisement for boxing posted on the wall next to the stairs seems never to have been updated in seven years.

"Barney Miller," during its run, became a literate, well-written show with interesting characters and story lines. In its later years it unfortunately suffered from "social-cause-of-the-week" syndrome, à la Lou Grant, but it also knew when it was taking itself just a little too seriously, and the episode would often allow a well-timed and witty remark by Dietrich to lighten the atmosphere a bit.

"Barney Miller" is highly recommended, especially in daily reruns, where you can see its steady development into a fine television series.

How come there are not more TV shows like Barny Miller? This was one of the best TV shows on TV. The writing and characters were fantastic and even though it has a 1970's feel and look to it, the show still packs a punch.

Barney Miller dealt with important topics as gay police officers and the fact that even though they are gay, they are still valuable members of society.

There are not really and funny shows anymore. What is a TV viewer suppose to watch? Friends?? Paris Hilton washing a cow. Please give me something!!!

Of the thousands of American TV sitcoms ever produced, only a small portion of them are genuinely enjoyable and funny 40 years after their production. Barney Miller is one of those shows. More interesting than this fact, however, is that this show has many features atypical of its genre and time period:

1. Virtually all of the action (excepting a handful of scenes and the strange and mostly unenjoyable 'Wojo's Girl' 2-parter) takes place at a single location, the police station. In this way, the show is like a stage play, and of course, stunningly similar to the classic Kirk Douglas play & film 'Detective Story.'

2. There is almost no slapstick, no catchphrases, and no toilet humor.

3. Unlike the most popular sitcoms of the mid-1970's, such as 'All In the Family', 'Good Times', etc. none of the recurring cast play their characters broadly. None of them are shouting tyrants, cartoonish buffoons, dingy housewives, etc. Most of the regular cast played their characters toward the deadpan end of the comedic spectrum. (The recurring Inspector Luger, played by the great James Gregory, is gently buffoonish, but nothing like Ted Baxter or George Jefferson.) One episode is an exception to this rule, 'The Brownies,' which is one of the 10 funniest sitcom episodes ever produced. If you have seen this episode, you know why the characters were played differently this time around, and you know that the essence of the story is seeing the characters behaving different than usual.

4. With the exception of Barbara Barrie as the intermittent presence of the titular character's wife in the early episodes, there are no recurring female characters. (Just an observation, not saying this is a good thing for every sitcom.)

These facts argue in favor of the theory that artists who seek to create something of quality and durability should not always try to imitate. Doing something different can be good.

The writing and the performances are the essence of why this show is good. But also there is the faded paint and rumpled clothes, and the varying degrees of world-weariness in faces of Yamana, Fish, Capt. Miller, and Inspector Luger, which evoke the gritty, working class realities of old New York before a series of quasi-fascist mayors tried to reboot the city as a kind of fantasyland for rich people and tourists.

A final point of interest to which I will draw your attention is gentle and matter-of-fact way in which the cops interact with both 'criminals' and 'victims.' You won't see them trying to intimidate or torture criminals into confessions. There is an implicit message of compassion in this, along with the related notion that when the total circumstances of life are taken into account, the moral differences between people don't seem all that huge.

This show was one of the funniest in the history of television. The various characters that came in and out of the station made this show what it was. I really think the show was at its peak during the period when Abe Vigoda, Jack Soo and Steve Landesberg were all on the show together. However, once Vigoda and Soo were gone, the show seemed to shift to a more dramatic direction. This was especially evident in the memorial episode for Jack Soo. However, this was a highly influential show and if you look at Night Court, which was produced by pretty much the same team as this one, you will see some of the same qualities on that show that made this one great.

This show was one of the reasons why the ABC would dethrone the CBS, as the number one network in prime time in the latter 1970's.

Barney Miller depicted the day to day workings of a typical New York City detectives unit. Void of overly melodramatic urban drama, and the now all too over played "tough guy" act, Barney Miller was touted as being a fair portrayal of the life of a detective (with much more levity of-course).

Even though it was first and foremost a comedy series, the writers gave us a much needed balance by injecting a bit of drama into the plot and characters themselves. This dramatic element was so well done, that it added to character development, and provided for more laughter. Their witty dialog rarely left the viewer disappointed, or without a laugh, and with entertainment being the key factor of any Television production, the cast of Barney Miller delivered in episode after episode.

However, the show was produced during a time when crime in NY City was being managed with a overly diplomatic approach. An experiment that would prove it self to be disastrous, effectuated lectures by some of the shows characters, demonstrating an endorsement of this new more "liberal" approach to fighting crime.

There is not much out there today that even comes close to what we had in Barney Miller. It seems that todays Television lacks respect for their audience, as cheap sexual gags, and one liners dominate the sitcom landscape, and leave us with vacuous and cloddish jocularity.

Barney Miller will however, be an example of what Television once was. A time when mature, plot driven humor was demanded, and the crude and immature was rejected.