In crime-ridden 1970s New York City, cops Willie and Cy have had enough. Along with other disgruntled people, they decide to take matters into their own hands - only to realize too late that... Read allIn crime-ridden 1970s New York City, cops Willie and Cy have had enough. Along with other disgruntled people, they decide to take matters into their own hands - only to realize too late that they're in over their heads.In crime-ridden 1970s New York City, cops Willie and Cy have had enough. Along with other disgruntled people, they decide to take matters into their own hands - only to realize too late that they're in over their heads.
Joseph Ragno
- Peter
- (as Joe Ragno)
Edward Grover
- Capt. Malloy
- (as Ed Grover)
William Richert
- Desk Sergeant
- (as Bill Richert)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaCo-stars Carroll O'Connor and Ernest Borgnine would eventually have the shared distinction that for each, one of their most popular roles had been originated by Rod Steiger. In the live TV anthology series The Philco Television Playhouse (1948), Steiger had first played the role of Marty Pilletti in Marty (1953), later played by Borgnine winning the Best Actor Academy Award for Marty (1955). Steiger would later win his own Best Actor Academy Award for playing Chief Bill Gillespie in In the Heat of the Night (1967), a role that--when the movie was adapted as the long-running TV series In the Heat of the Night (1988), starting its run more than two decades after the original film--would be played by O'Connor, that casting occurring 14 years after this film, at a time when O'Connor was already at his peak of popularity with another iconic television role, that of Archie Bunker on All in the Family (1971).
- Alternate versionsIn the Anchor Bay DVD/VHS release, the scene where Cy shows Willie the hot police car he bought is cut a bit. In the original theatrical version, after Cy shows Willie the siren, Cy then shows Willie some stickers he is going to put on the car to make it look like an authentic police car, this part is missing in the home versions.
- ConnectionsFeatured in Trailer Trauma V: 70s Action Attack! (2020)
Featured review
It's a weird thing about this comedy-drama. I first saw it as a kid back in 1975 where it played almost constantly on HBO and was one of the first movies I ever recall seeing on cable TV. At the time I thought it was damn funny and ever since it became somewhat of a lost film until Anchor Bay released it to DVD several years ago. I couldn't wait to see it again. But when I finally revisited it on disc, I'd found that much of the magic had gone and I didn't think it held up quite as well. It's worth watching for sure if you're a fan of Carroll O'Connor or Ernest Borgnine, but still stacks up as kind of a slightly lost opportunity.
In this movie, O'Connor is a cab driver (and doing his usual Archie Bunker routine even though I think he was trying to prove he wasn't typecast) and Borgnine is his longtime best friend and a struggling hairdresser who owns his own salon (how's that for bizarre casting?). Karen Black is cast as Ernie's ditzy and belligerent employee, the best hair stylist he's able to find. Dwelling with their heads just barely above water in a typical '70s crime-infested New York City, the men become fed up with it all and decide to become auxiliary cops in order to help straighten the neighborhood out from the wrath of drug dealers, burglars and street scum. They get more than they bargained for in the end, which is the best part of the film, and a very strong climax.
While this team-up would seem to be a sure-fire winning combination and set-up, the "story" as it's presented is practically non-existent and all over the place, which is kind of a shame. Golden moments and funnies do show up in odd places, but these share the screen time with all sorts of plot holes and different, undeveloped ideas. Worth a watch anyway if you can see it, but this could have been a lot better. **1/2 out of ****
In this movie, O'Connor is a cab driver (and doing his usual Archie Bunker routine even though I think he was trying to prove he wasn't typecast) and Borgnine is his longtime best friend and a struggling hairdresser who owns his own salon (how's that for bizarre casting?). Karen Black is cast as Ernie's ditzy and belligerent employee, the best hair stylist he's able to find. Dwelling with their heads just barely above water in a typical '70s crime-infested New York City, the men become fed up with it all and decide to become auxiliary cops in order to help straighten the neighborhood out from the wrath of drug dealers, burglars and street scum. They get more than they bargained for in the end, which is the best part of the film, and a very strong climax.
While this team-up would seem to be a sure-fire winning combination and set-up, the "story" as it's presented is practically non-existent and all over the place, which is kind of a shame. Golden moments and funnies do show up in odd places, but these share the screen time with all sorts of plot holes and different, undeveloped ideas. Worth a watch anyway if you can see it, but this could have been a lot better. **1/2 out of ****
- JoeKarlosi
- Nov 25, 2006
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Details
- Release date
- Country of origin
- Language
- Also known as
- Grand Street
- Filming locations
- Delancey Street, Manhattan, New York, USA(Willie's argument with bus driver, at Suffolk Street intersection)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,597,866
- Runtime1 hour 41 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1
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