IMDb RATING
6.3/10
3.5K
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A British agent's son is kidnapped and held for ransom.A British agent's son is kidnapped and held for ransom.A British agent's son is kidnapped and held for ransom.
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Did you know
- TriviaThe windmills seen in the film are "The Clayton Windmills". Wikipedia states that they are "known locally as Jack and Jill, (and) stand on the South Downs above the village of Clayton, West Sussex, England. They comprise a post mill and a tower mill, and the roundhouse of a former post mill. All three are "Grade II listed buildings."
- GoofsAt the start of the film where the van is blown up on the motorway, it becomes clear that the scene is filmed on an incomplete stretch of motorway (possibly the M3, which was completed in 1974) as lane markings are missing from one carriageway.
- Quotes
Cedric Harper: He knew my name and he knew the name of this department. Both of these things imply serious breaches of security.
- Crazy creditsThe opening credits are formed from images of children's alphabet blocks.
- ConnectionsReferences The Sound of Music (1965)
- SoundtracksUnderneath the Spreading Chestnut Tree
(uncredited)
(trad.)
Featured review
For this work, scenes of "action", a Don Siegel specialty, are less significant than those that generate characterization and plot, functioning to release tension rather than keep it at bay, although the director's customary taut pacing and stoniness are here, within a twisty story largely faithful to its source, a Clive Egleton novel: "Seven Days to a Killing", strongly scripted by Leigh Vance to further define the character-focused film. A cleverly fresh storyline involves a kidnapping, the victim being son of MI-5 operative John Tarrant (Michael Caine), with a ransom demand for greater than one half million pounds worth of uncut diamonds that are resting within a Defence Ministry safe, as an unknown traitorous official has informed the abductors, with subsequent dual scenario devices of Tarrant's struggle to retrieve his son held by illicit arms syndicate villains, along with Ministry efforts to culpably link Tarrant with the conspiracy. The film benefits from attention to continuity, no loose ends rupturing one's concentration, with heed to detail perhaps its primary strength, yet telling contributions come from many, including players Caine, who adds a needed element of engagement to his Harry Palmer persona, Delphine Seyrig giving a splendidly nuanced performance as companion of the principal evildoer (played with effectual guile by John Vernon), and Donald Pleasence earning the acting laurels here as a dispassionate MI-5 security chief, along with Clive Revill, Joss Ackland, and ever intense Janet Suzman.
Siegel's hand is apparent in the spare deployment of music, with scoring and silence each appropriately employed; palette and filter for well-composed cinematography and montage (shooting is in London, Paris and the Sussex countryside); a symbolic use of clothing colours; and accomplished post-production efforts, all increasing the worth of a piece undervalued by some reviewers, indeed by Caine himself, unfortunate in the event as the film is one of Siegel's finest, his skill with improvisation mating well with capable workmanship.
Siegel's hand is apparent in the spare deployment of music, with scoring and silence each appropriately employed; palette and filter for well-composed cinematography and montage (shooting is in London, Paris and the Sussex countryside); a symbolic use of clothing colours; and accomplished post-production efforts, all increasing the worth of a piece undervalued by some reviewers, indeed by Caine himself, unfortunate in the event as the film is one of Siegel's finest, his skill with improvisation mating well with capable workmanship.
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Box office
- Budget
- $1,500,000 (estimated)
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