A small-time reporter tries to convince the police she saw a murder in the apartment across from hers.A small-time reporter tries to convince the police she saw a murder in the apartment across from hers.A small-time reporter tries to convince the police she saw a murder in the apartment across from hers.
- Awards
- 1 nomination
William Finley
- Emil Breton
- (as Bill Finley)
Cathy Berry
- Lobster child
- (uncredited)
Eddie Carmel
- Giant
- (uncredited)
Olympia Dukakis
- Louise Wilanski
- (uncredited)
Art Evans
- African Room Waiter
- (uncredited)
Catherine Gaffigan
- Arlene
- (uncredited)
Justine Johnston
- Elaine D'Anna
- (uncredited)
James Mapes
- Guard
- (uncredited)
Laun Maurer
- Druggist
- (uncredited)
Bob Melvin
- Extra
- (uncredited)
Burt Richards
- Hospital Attendant
- (uncredited)
Storyline
Did you know
- TriviaBrian De Palma said the film's producer doubted anyone could be stuffed into a sofa bed, but the director recalls, "I shot it in one shot to show that you can in fact fit somebody into the sofa bed."
- GoofsAfter leaving Danielle's apartment, Grace and her mother exit that building, and Grace's mother suggests she should change clothes. Grace then reenters the lobby of the same building, to go up to her own apartment.
Although it may not be apparent, Grace and Danielle live in the same apartment complex, in the same building. The former "Alexander Hamilton" - now 36 Hamilton Avenue - in Staten Island is an H-shaped building, meaning apartments on its inner courts face each other across two courtyards. Therefore, Grace has a view across one of the courtyards directly into Danielle's windows. In addition, the elevators that characters take to and from both apartments are identical.
- Alternate versionsFor the original 1973 UK cinema release cuts were made by the BBFC to edit the violent stabbing of Phillip Woode. All later releases were fully uncut.
- ConnectionsFeatured in Terror in the Aisles (1984)
Featured review
So, to begin, the twist ending isn't unpredictable in these days, but I don't blame Brian De Palma for that. Audiences in 1972 may very well have been wowed by it.
However, I still enjoyed this movie for it's homages to Hitchcock and the performances of Margot Kidder and Jennifer Salt. De Palma's obsession with voyeurism and split screen storytelling are also prominent here.
A great film to watch as a De Palma fan who seeks out the director's obsessions that he would use in better films like "Carrie" and "Blowout."
However, I still enjoyed this movie for it's homages to Hitchcock and the performances of Margot Kidder and Jennifer Salt. De Palma's obsession with voyeurism and split screen storytelling are also prominent here.
A great film to watch as a De Palma fan who seeks out the director's obsessions that he would use in better films like "Carrie" and "Blowout."
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Details
- Release date
- Country of origin
- Languages
- Also known as
- Siamesas diabólicas
- Filming locations
- 1757 Victory Boulevard, Staten Island, New York City, New York, USA(formerly Four Corners Bakery)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $500,000 (estimated)
- Gross worldwide
- $318,348
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