A nightclub singer is haunted by the ghost of her late father. The dead man summons her through a mirror, forcing her to commit a series of violent crimes.A nightclub singer is haunted by the ghost of her late father. The dead man summons her through a mirror, forcing her to commit a series of violent crimes.A nightclub singer is haunted by the ghost of her late father. The dead man summons her through a mirror, forcing her to commit a series of violent crimes.
- Awards
- 1 win
Robert Woods
- Bill
- (as Robert Wood)
Françoise Brion
- Carla
- (as Francoise Brion)
Alice Arno
- Tina
- (as Alice Arnó)
María Bassó
- Elvira
- (as Maria Bassó)
Ada Tauler
- Stefania
- (as Adela Tauler)
Chantal Broquet
- Angela
- (uncredited)
Carmen Carbonell
- Tante
- (uncredited)
Jesús Franco
- Roger
- (uncredited)
Nicole Guettard
- Gloria
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- GoofsIn the end credits of the Spanish version, Françoise Brion is credited as Carla and Alice Arno is credited as Tina but in the film, it's the other way around.
- ConnectionsReferenced in Franco Noir (2021)
Featured review
For years and years, I fanatically defended the work of writer/director Jess Franco, but with every film of his that I watch, I wonder why I ever bothered. Maybe I should accept the fact Franco only made a handful of influential and genuine exploitation classics ("The Awful Dr. Orloff", "The Diabolical Dr. Z", "Faceless"), whereas the vast majority of his excessively large repertoire is just utter garbage.
And yet, for a good 15-20 minutes, it really seemed as if "The Obscene Mirror" would become another Franco-winner! The first quarter is definitely promising, with the introduction of a widower (Franco-regular Howard Vernon) and his two beautiful daughters Annette and Marie. Annette is head over heels in love with archeology student Arthur, but Marie is so jealous of her sister's happiness that she commits suicide by ramming a sword in her stomach one day before the wedding. Following the tragedy, Annette is so confused that she abruptly calls off her wedding and starts a new life as piano player in a raunchy bar. From this moment on, Annette hears and sees her sister appearing in an antique mirror, and Marie's vengeful spirit commands her to brutally slaughter every man she's sexually attracted to.
At least, this is the plot of the version I watched, because - apparently - there also exists a version in which it's Annette's father who commits suicide and commands her to kill. Oh well, just another typical flick in Jess Franco's bizarre universe.
With the exception of the compelling first 15 minutes, "The Obscene Mirror" is a dreadfully boring and frustrating film. Franco reverts to his bad habit of inserting overlong (and very un-sexy) hardcore footage, which absolutely doesn't have any added value. During countless of times during the film, you'll find yourself staring at extreme close-ups of a vagina (probably Lina Romay's), and listening to the sounds of either monotonous moaning or jazzy musical tunes. I don't know which of the two was more irritating.
For some strange reason I will never comprehend, "The Obscene Mirror" - in whatever version - is regarded as one of Franco's finest films, and this also gets confirmed by most of the user-comments on this website. Maybe it's fanstastic if endless close-ups of female genitalia are your thing, but it seems to me there are more effective channels for that.
And yet, for a good 15-20 minutes, it really seemed as if "The Obscene Mirror" would become another Franco-winner! The first quarter is definitely promising, with the introduction of a widower (Franco-regular Howard Vernon) and his two beautiful daughters Annette and Marie. Annette is head over heels in love with archeology student Arthur, but Marie is so jealous of her sister's happiness that she commits suicide by ramming a sword in her stomach one day before the wedding. Following the tragedy, Annette is so confused that she abruptly calls off her wedding and starts a new life as piano player in a raunchy bar. From this moment on, Annette hears and sees her sister appearing in an antique mirror, and Marie's vengeful spirit commands her to brutally slaughter every man she's sexually attracted to.
At least, this is the plot of the version I watched, because - apparently - there also exists a version in which it's Annette's father who commits suicide and commands her to kill. Oh well, just another typical flick in Jess Franco's bizarre universe.
With the exception of the compelling first 15 minutes, "The Obscene Mirror" is a dreadfully boring and frustrating film. Franco reverts to his bad habit of inserting overlong (and very un-sexy) hardcore footage, which absolutely doesn't have any added value. During countless of times during the film, you'll find yourself staring at extreme close-ups of a vagina (probably Lina Romay's), and listening to the sounds of either monotonous moaning or jazzy musical tunes. I don't know which of the two was more irritating.
For some strange reason I will never comprehend, "The Obscene Mirror" - in whatever version - is regarded as one of Franco's finest films, and this also gets confirmed by most of the user-comments on this website. Maybe it's fanstastic if endless close-ups of female genitalia are your thing, but it seems to me there are more effective channels for that.
- How long is Al otro lado del espejo?Powered by Alexa
Details
- Runtime1 hour 22 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content
Top Gap
By what name was Al otro lado del espejo (1973) officially released in India in English?
Answer