Private eye Philip Marlowe helps friend Terry Lennox out of a jam and is implicated in his wife Sylvia's murder. He also is hired by Eileen Wade to locate her dipsomaniac husband Roger, who ... Read allPrivate eye Philip Marlowe helps friend Terry Lennox out of a jam and is implicated in his wife Sylvia's murder. He also is hired by Eileen Wade to locate her dipsomaniac husband Roger, who frequently disappears when he wants to dry out.Private eye Philip Marlowe helps friend Terry Lennox out of a jam and is implicated in his wife Sylvia's murder. He also is hired by Eileen Wade to locate her dipsomaniac husband Roger, who frequently disappears when he wants to dry out.
- Awards
- 2 wins & 1 nomination total
- Detective Farmer
- (as Steve Coit)
- Vince
- (as Vince Palmieri)
- Doctor
- (as Pancho Cordoba)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe location for Roger Wade - Sterling Hayden's home was actually Robert Altman's home at the time.
- GoofsMarlowe's initial line following Dr. Verringer's demand of $4400 from Roger Wade (in the hospital) appears to be dubbed. Marlowe lights a cigarette and does not move his mouth as the line is heard.
- Quotes
Philip Marlowe: Nobody cares but me.
Terry Lennox: Well that's you, Marlowe. You'll never learn, you're a born loser.
Philip Marlowe: Yeah, I even lost my cat.
- ConnectionsEdited into El adios largos (2013)
- SoundtracksThe Long Goodbye
by John Williams and Johnny Mercer
Performed by The Dave Grusin Trio, Jack Sheldon, Clydie King, Jack Riley, Morgan Ames, Aluminum Band, The Tepoztlan Municipal Band
Hailed as a classic, this film is actually a bit of hard work crossed with cool style in a plot that gets somewhere but seems to take a long time and a million back roads to get there. It won't be to everyone's tastes as a result because, even though I quite liked it, I must confess that the narrative is hard to follow and hard to particularly care much about. The wit of it is watching Marlowe updated a device that will annoy as many as it pleases. In Gould's laidback and shabby detective we have the opposite of the tough and snappy detectives of the genre, but it sits well within the modern setting of the modern generation (as was) with its hedonism and fads. This is interesting but not the same as a good detective story, which sadly this isn't. If you're not won over by the overall approach then it is unlikely that you will find a lot more to fill the time.
Altman's direction is focused on the style and, although he is fairly respectful to the material in regards what happens, he doesn't go out of his way to make it engaging. Gould fits the role well and enjoys his character. I would have liked more of the complexity underneath to come through to contrast with this surface. He is the film but he is well supported by a hammy show from Sterling and solid turns from Rydell, Pallandt, Gibson and Bouton.
Overall then a difficult film to really like. It has enough of its own style to be interesting but not enough of a hook in the narrative to please a mass audience. Altman's hands are all over the film and I understand why some viewers don't like it for that reason. Not one for those looking for a gripping detective story, but still interesting.
- bob the moo
- Feb 16, 2007
- Permalink
Details
- Release date
- Country of origin
- Languages
- Also known as
- Der Tod kennt keine Wiederkehr
- Filming locations
- High Tower Drive, Hollywood, Los Angeles, California, USA(Marlowe's residence)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $1,700,000 (estimated)
- Gross worldwide
- $23,191