User reviews

The history of the background music may be of interest to those interested in the production of this film. I worked with Carl Davis on the music for this movie at his home in south London to rushes sent by ITV in 1980 as well as doing the final recording in the studio and he didn't give me any credit for my Indian musical input as Carl knew nothing about Indian Ragas. There was a lot of controversy and dispute over this issue and a great deal of acrimony which led to the film being aired only once . Shame really as it was a good film based on a good story with good actors. I also worked on the other Scott novel'The Jewel in The Crown' for which George Fenton did give me credits for my Indian musical input.

The film was made in the hill city of Simla in northern India (although the story is set in another hill retreat. The scenery is beautiful, and the atmosphere is quite exotic. The acting of all characters is brilliant: Celia Johnston was exceptional.

The novel Staying On was written as a coda to the Raj Quartet but this film was made 4 years before The Jewel in the Crown (1984), apparently partly as a trial run to see if Granada could handle the complexities of Jewel. Thank goodness they didn't do it the other way round.

Jewel was a memorable rendition of an excellent series of books. This film is not memorable. Having read the Quartet but not Staying On I can't say for certain how much this film's shortcomings are down to the book and how much to the rendition but I strongly suspect the latter is the more culpable. In any case the outcome is a pretty depressing 90 minutes.

It is a near contentless story, set in 1972, about a couple of the Raj who stayed on in India after independence and are now having to face the consequences. The picture of several unhappy lives is clear in the first 10 minutes and from then on it is pretty much padding to drag out the film and lay on the point with a trowel. There is none of the complexity, subtlety, politics, or variety of characters to be found in Jewel.

Trevor Howard pretty much rolls out his tried and tested Trevor-Howard-retired-colonel routine while Celia Johnson draws on years of experience of playing frustrated and miserable women.

Saeed Jaffrey livens things up a bit, as he usually does, with his own stock-in-trade convivial Indian, and Zia Mohyeddin gives a well-run-in lovable loyal Indian rogue performance but it isn't enough to dispel the feeling that there is less here than meets the eye. Whether true to the book or not this is not a great piece of TV. It is remarkable that Granada still felt able to go on and do the Jewel and do it so well.

If you enjoyed Jewel, be prepared for a let down with this.