Contemporary horror flicks coming out of Hong Kong, including from such esteemed studios as The Shaw Brothers and Golden Harvest, tended to draw significantly on black magic for their material. In what could have been and were intended to be gnarly effects extravaganzas, however, it didn't always feel like the full potential was being met. Thankfully, the same is not true of this Indonesian classic. It comes across in no small part that filmmaker Liliek Sudjio and/or screenwriter Imam Tantowi conjured the scenario particularly with a mind for filling it with as much striking imagery and as many effects sequences as they reasonably could. Working from the premise of a woman who was horribly mistreated, and who is taught black magic to exact revenge, 'Ratu ilmu hitam' ("Queen of black magic") is flush with imaginative, wild visions to keep us entertained. It isn't necessarily absolutely perfect, yet there is superb, enduring value here that shows Indonesia isn't to be counted out as a source of terrific genre cinema.
The practical effects and stunts are uniformly outstanding, from blood and gore to wire work, fire, explosions, and more. Even setting aside such specific, twisted violence, however, we're given an array of splendid, creative sights that lend tremendous dark flavor to the tale. From art direction to props, even the costume design, and not least the casting of spells, in the spectacle is represented a bounty of vibrant, colorful delights, all equally fantastic. Everyone working behind the scenes is to be congratulated for conjuring such a great treasure, to say nothing of the filmmaker and writer who give the proceedings such obvious, welcome focus. There's a point to be made that just as like-minded fare out of Europe or the United States leans on opposition to Christianity, this is a tad heavy-handed in how it weaves in Islam as a panacea for the ills facing the village, though as far as that goes it's not as gawky about it as some other Indonesian horror. One might also argue that the picture isn't as dark as it could have been, and maybe in turn not as satisfying, but as far as I'm concerned 'Ratu ilmu hitam' is so strong that any such questions are resolved for me.
With the film being given such a strong center, everyone involved is able to gladly do their part to bring it to vivid life. The cast are to be commended for their admirable performances of nuance and range, with Suzzanna obviously standing out most as beleaguered protagonist Murni. From editing and cinematography to Sudjio's direction, the title is shaped in every manner to let the story play out meaningfully, but more so to elevate the intended spectacle - to superb results! The filming locations are gorgeous, the hair and makeup are lovely, the sets in general are swell, and in every regard this is well made and enjoyable. We're all here for one thing, though, and the participants knew it, and 'Ratu ilmu hitam' does not disappoint. As a matter of personal preference this won't appeal to all comers, but I'm inclined to believe anyone who appreciates the genre will find something to like here, even if they're not as wholly taken with it as I am. In my opinion this meets or surpasses the standards set by some similar works, and it's a pity that it's not more well known. This is one horror classic that's well worth seeking out, and I'm pleased to give it my heart recommendation!