39 reviews
Water Babies is a Victorian tale about a very young chimney sweep named Thomas (Tommy Pender) who becomes a fugitive from justice after being falsely accused of stealing the silver. Fearing the gallows (the punishment in those days for thievery), he jumps into a river, drowns, becomes a water baby and embarks on a series of adventures. For many people, this film was very childish, farcical and generally not good. Admittedly, it is not a great film by any means. Director Lionel Jeffries did far better with "The Runaway Children," but this film has its charms.
To begin with, Lionel Jeffries depicts life in Victorian England far more effectively than Franco Zefferelli ever did in Jane Eyre. It is one thing to dress actors in Victorian costumes, create sumptuous looking sets and have everyone speak in aristocratic accents, but quite another to bring the spirit of the Victorian age to the screen. Lionel Jeffries has a gift for doing that, whether it is with the scene in the pub where Tom is subjected to physical abuse and then given hard liquor by Mr. Grimes (James Mason) and Mr. Masterman (Bernard Cribbins) or in Hartover Hall, where we see the supreme pomposity and confidence exhibited by Sir John Hartover (played very well by David Tomlinson). The surreal touches are also very interesting.
Now the bulk of the film is animation. Many reviewers have criticized the animated part for its poor graphics. No doubt, they are right. But this is my point -- who cares? Maybe I am old fashioned, but I did not care when they improved the graphics for the Nintendo games or when they combined computer animation with the older animation for the movie Alladin. That apparently matters to some people -- usually the kind of people who complain about the texture of food. But for me, as long as I can see the pictures on the screen, I am content. The bigger problem was with the songs, which children will find enchanting, but which I (and probably many adults) found childish and a waste of time.
But with that said, this film has enough charming, good natured and funny characters to delight even adults. Characters like the lobster, the sea horse, the sword fish, the Krakon (whose bark is worse than his bite), the walrus, the polar bear and even some of the water babies (when they are not singing). Elly (Samantha Gates), the niece of Sir John, is also a delightful sweetheart.
To begin with, Lionel Jeffries depicts life in Victorian England far more effectively than Franco Zefferelli ever did in Jane Eyre. It is one thing to dress actors in Victorian costumes, create sumptuous looking sets and have everyone speak in aristocratic accents, but quite another to bring the spirit of the Victorian age to the screen. Lionel Jeffries has a gift for doing that, whether it is with the scene in the pub where Tom is subjected to physical abuse and then given hard liquor by Mr. Grimes (James Mason) and Mr. Masterman (Bernard Cribbins) or in Hartover Hall, where we see the supreme pomposity and confidence exhibited by Sir John Hartover (played very well by David Tomlinson). The surreal touches are also very interesting.
Now the bulk of the film is animation. Many reviewers have criticized the animated part for its poor graphics. No doubt, they are right. But this is my point -- who cares? Maybe I am old fashioned, but I did not care when they improved the graphics for the Nintendo games or when they combined computer animation with the older animation for the movie Alladin. That apparently matters to some people -- usually the kind of people who complain about the texture of food. But for me, as long as I can see the pictures on the screen, I am content. The bigger problem was with the songs, which children will find enchanting, but which I (and probably many adults) found childish and a waste of time.
But with that said, this film has enough charming, good natured and funny characters to delight even adults. Characters like the lobster, the sea horse, the sword fish, the Krakon (whose bark is worse than his bite), the walrus, the polar bear and even some of the water babies (when they are not singing). Elly (Samantha Gates), the niece of Sir John, is also a delightful sweetheart.
- jonathanruano
- Feb 19, 2009
- Permalink
- boisenewbie
- Sep 3, 2006
- Permalink
The 1978 adaptation had all the ingredients of a potentially wonderful film. It is based on an absolutely charming book by Charles Kingsley. It has a truly talented cast from the likes of James Mason, Bernard Cribbons and David Tomblinson, not to mention the vocal talents of David Jason and Jon Pertwee. There is also Lionel Jeffries, the director of wonderful classics such as The Railway Children and the Amazing Mr Blunden, and while the film is good on the most part, it was also a little disappointing. I had no problem with the performances, particularly those of Mason and Tomblinson as Grimes and Sir John Harriet respectively, and Tommy Pender and Samantha Gates are believable as Tom and Ellie. Billie Whitelaw is also intriguing in numerous roles, even if one or two of them are quite bizarre. The voice cast is also commendable, especially Jon Pertwee, voicing charming characters in their own right. I also liked the incidental music it is so haunting and beautiful, and the script was fairly faithful and in general well-written, particularly at the beginning. The characters, especially the Water Babies are very charming, and the villains are sinister and funny at the same time, I loved the part when Tom and his friends help the Water Babies escape, seeing the shark chasing the electric eel with an axe was very funny. However, I will say the film does look dated, especially the animation sequences, the live action parts weren't so bad, if you forgive the rather dark camera-work. The character animation was rather flat, and the backgrounds sometimes were a little dull, though there were some nice moments, like the scene with the Krakon and of course the first meeting with the Water Babies. I also had mixed feelings about the songs, the Water Babies's song was beautiful, but I found the first song forgettable, when Tom ends up underwater. Hi-Cockallorum is an example of a song, that is like marmite, you either love it or hate it. I personally don't know what to make of this song, it was fun to listen to at first, but once it's in your head, it is perhaps annoying. As much as I like Lionel Jeffries and his films, his direction just lacked the wonder and the magic it usually does. All in all, certainly not a terrible film, but could have been better artistically. 7/10 Bethany Cox.
- TheLittleSongbird
- Jun 28, 2009
- Permalink
I remember the first time I saw this movie I fell in love. My parents taped it for me so that I could watch it over and over again. I actually still have a copy of it on an old BETA tape. Unfortunately, I watched it so much that I ended up pretty much wearing the tape out. Okay, so compared to the animation and acting of today, it can't compare but it was made in '78, what do you expect? Animation and film have come a long way since then it's not going to be like the films of today. All I have to say is that it's a good family movie that I will always enjoy. If you like classic movies, I would recommend this one.
- tiburon0134
- Apr 17, 2004
- Permalink
- ShootingShark
- Aug 20, 2005
- Permalink
Very resistible but ultimately harmless film version of the children's literary classic which incorporates an animated portion in the style of MARY POPPINS (1964) and BEDKNOBS AND BROOMSTICKS (1971). The human cast is very distinguished - James Mason, Billie Whitelaw, David Tomlinson, Joan Greenwood, Bernard Cribbins - but their roles range from the miscast (a 69 year-old Mason as a thieving chimney-sweep!) to the inconsequential (Greenwood as a befuddled aristocrat) to the bizarre (Whitelaw plays several 'exotic' characters - including a circus performer, an old hag, a maid and a fairy - for no apparent reason).
The animated segment of the film, handled by a group of East-European animators, is hardly inspired but mildly enjoyable in itself and, as usual, with this type of thing, there is an assortment of songs one has to put up with, one of which in particular is reprised far too often for its own good. The film was directed by noted character actor Jeffries who had previously directed (far more successfully) other children's films namely THE RAILWAY CHILDREN (1970) and THE AMAZING MR. BLUNDEN (1972; which I've yet to watch myself but which was released some time ago on R2 DVD by Anchor Bay UK).
The animated segment of the film, handled by a group of East-European animators, is hardly inspired but mildly enjoyable in itself and, as usual, with this type of thing, there is an assortment of songs one has to put up with, one of which in particular is reprised far too often for its own good. The film was directed by noted character actor Jeffries who had previously directed (far more successfully) other children's films namely THE RAILWAY CHILDREN (1970) and THE AMAZING MR. BLUNDEN (1972; which I've yet to watch myself but which was released some time ago on R2 DVD by Anchor Bay UK).
- Bunuel1976
- Jan 1, 2007
- Permalink
I absolutely LOVED this movie as a child. I can't seem to find it anywhere! I was mentioning it to some friends just the other day, and not a single one of them remembers it! Can anyone help me out? My older sister vaguely remembers it. There was also another movie I remember that was half live action and half animation, but I can't remember the name of it. The characters were animated and the background was real...I seem to remember it being about a kangaroo, and I believe the setting of the film was in Australia. I'm going out of my mind trying to obtain copies of these films that were such a memorable part of my very enjoyable childhood. Edit: I searched IMDb for this other movie and found out it's called Dot and the Kangaroo! All I had to do was type in "kangaroo" in the search bar under characters, and the name of the movie in the list was like a bell going off! MAN, I love IMDb! Thanks!
'The Water Babies (1978)' is really weird because it's basically just two different films awkwardly stuck together. After about half an hour, the piece transitions from a period drama to an animated musical; it then swaps back again for its final moments. The problem isn't that these two elements are mutually exclusive (which they aren't necessarily), it's that neither of them are all that compelling. In fact, they're often fairly boring. Besides, who exactly is the target audience? The movie's two sides almost seem to be aimed at totally different audiences. The animated musical moments are what most people seem to fondly remember. Sadly, though, there are only a couple of songs and they aren't exactly great. The main number is repeated so often and so many times that it becomes straight-up annoying. Also, the animation is pretty janky and the character designs aren't all that appealing. In general, the film just sort of washes over you. It has its highlights - Bernard Cribbins and David Tomlinson included - and it isn't aggressively 'bad'. Still, it isn't exactly an entertaining experience. 4/10
- Pjtaylor-96-138044
- Feb 20, 2021
- Permalink
I saw this movie as a child and fell in love with it. It has a sweet sensitive story. Something children can appreciate. I loved so much as a child I had to find it for my daughter. It is definitely a movie I would watch with kids. It reminds me a great deal of story's of a Disney nature like Pete's Dragon and Mary Poppins. Both because of the live action and cartoon features but on its premise. It is also a good story to show kids that if they tell the truth they can be trusted and adults will listen to them. I think all kids should see it and would enjoy it. It is such a break from the violent movies of bad taste so many kids watch these days. It has all the charming qualities so many of today's movies don't have.
My childhood was never the same. He was but a simple chimney sweep and then these whistles kept going off & women kept winking at him until it all got to much for him & he jumped in a river & became a cartoon.& things got even more wavy.
- tarasharif-01951
- Sep 5, 2020
- Permalink
I was 12 when this film was released and adored it. The song's were inspiring and it made me feel good, watching it several time's at the cinema. I actually had the soundtrack album and played the song's over and over.
26 years later...I'm ashamed. Just sat and watched it with my 2 daughters who enjoyed it lot's but my cynical older grown up eyes hated it. It's very poorly directed in many places and considering it was Lionel Jeffries directing I really wanted to enjoy it. The character animation was so rough yet the backgrounds were quite good. I remember the critics at the time saying that it was a poor film and was horrified but now I agree.
It is an old film yes, compared to what can be achieved now, maybe that's why I thought it was good then. But that does not excuse it for it's poor acting, directing and sloppiness. The main child actor's voice seem's dubbed which is very distracting too. Can't quite see what they were trying achieve when it was being made, all that it become was a weak film.
26 years later...I'm ashamed. Just sat and watched it with my 2 daughters who enjoyed it lot's but my cynical older grown up eyes hated it. It's very poorly directed in many places and considering it was Lionel Jeffries directing I really wanted to enjoy it. The character animation was so rough yet the backgrounds were quite good. I remember the critics at the time saying that it was a poor film and was horrified but now I agree.
It is an old film yes, compared to what can be achieved now, maybe that's why I thought it was good then. But that does not excuse it for it's poor acting, directing and sloppiness. The main child actor's voice seem's dubbed which is very distracting too. Can't quite see what they were trying achieve when it was being made, all that it become was a weak film.
- cinema-louise
- Dec 27, 2004
- Permalink
I was wandering through my local library, browsing VHS tapes, when I saw a movie that made my mouth drop--Waterbabies. I have been hoping to see this movie again--it's been over 22 years since I saw it (cable-movie channel around 78-79). I had recalled a good many of the details--Grimes in particular. My son, who is 4, and I watched it.
He agreed with me that Grimes was "Not nice", and the best way for me to describe it was that he didn't love Tom. He accepted that. It was amazing that I still recalled some of the songs, too! They had stuck in my head for 22 years--which means they had to have some memorable-ness, eh?
It's a good child's movie, with parental guidance in case of questions about what children had to go through that were not nobility/society in the time-frame. This is what all the children faced daily (except for a few lucky ones), and while we try to Disney-coat movies, making them more pc for children these days, it doesn't mean that cruelty didn't exist--or even still doesn't. I enjoyed the animation. It wasn't Disney, no. I don't think Don Bluth touched a paintbrush on this movie.
There's a lot going for it, though. David T plays two roles! (I really like him!) James M does too. The waterbabies themselves are cute. You feel sorry for Tom, and root for him. Then Billie herself is extraordinary in the multi-role part she's playing--it's as if her eyes ARE magickal! I'm a huge fan of WoO, TLW&TW, and company (AND LOOKING FORWARD TO HP!), and I filed this along with those kind of movies. Yes, he jumps in the water, but not because of suicide. He jumped because he trusted the lady in black--she'd been appearing to him all along.
I think it's a good movie! If you have kids, pick up a rental copy. If you happen to locate a buy-able copy, let me know where! Ian liked it! :)
Dee
He agreed with me that Grimes was "Not nice", and the best way for me to describe it was that he didn't love Tom. He accepted that. It was amazing that I still recalled some of the songs, too! They had stuck in my head for 22 years--which means they had to have some memorable-ness, eh?
It's a good child's movie, with parental guidance in case of questions about what children had to go through that were not nobility/society in the time-frame. This is what all the children faced daily (except for a few lucky ones), and while we try to Disney-coat movies, making them more pc for children these days, it doesn't mean that cruelty didn't exist--or even still doesn't. I enjoyed the animation. It wasn't Disney, no. I don't think Don Bluth touched a paintbrush on this movie.
There's a lot going for it, though. David T plays two roles! (I really like him!) James M does too. The waterbabies themselves are cute. You feel sorry for Tom, and root for him. Then Billie herself is extraordinary in the multi-role part she's playing--it's as if her eyes ARE magickal! I'm a huge fan of WoO, TLW&TW, and company (AND LOOKING FORWARD TO HP!), and I filed this along with those kind of movies. Yes, he jumps in the water, but not because of suicide. He jumped because he trusted the lady in black--she'd been appearing to him all along.
I think it's a good movie! If you have kids, pick up a rental copy. If you happen to locate a buy-able copy, let me know where! Ian liked it! :)
Dee
- gypsycaine
- Aug 4, 2001
- Permalink
Like many, I first saw The Water Babies as a child/young teen in the late seventies/early eighties. It has remained with me since then with its catchy tunes, memorable portrayals, less-then-successful animation, and a story full of heart, coldness, and ultimately good vanquishing evil. Recently I sat down and saw it again after at least two decades passing, and I noticed THIS time around its striking similarities to The Wizard of Oz. No, these aren't blatant likenesses but hear me out. In this one we have a boy and his dog - having personal problems at "home," running away from something and in the scene right after they run away, changing the substance of their appearance. In This one, the boy and dog become animated. In The Wizard of Oz, Dorothy and Toto are in color. In this one, the boy and dog are told they must find the Water Babies for answers and then ultimately the Kracken for guidance and he has the ability to let Tom go home if he shows he has courage, etc... In The Wizard of Oz, Dorothy must also find an authoritative figure that tests her before he will allow her to return home. In the Water Babies, Tom meets three characters that will help him on his journey to the Water Babies - Dorothy has three helpers as well. When each helper is met, we are entertained with a rendering of "Hi, Hi, Hi, Hi, HI Cockallorum...We're on our way." In the Wizard it is "We're off to see the wizard." Dorothy has a good witch sort of look after her; Tom has a woman with many roles(Billie Whitelaw) do the same. If you look closely at the two, there are many other likenesses. That being said, The Water Babies is not a knockoff in any way, I was just commenting on the eerie likes between the two. This film has some solid performances from bad guys Bernard Cribbins and the always fascinating James Mason. The kids playing Tom and Ella are good. The supporting cast of Joan Greenwood(love her voice!), David Tomlinson, and the vocal talents of John Pertwee and Lance Percival add greatly to the mix. I must confess that the animation is less than sterling even for its time but is adequate enough to the challenge. The three animated characters that help Tom get home are all likable. I always have trouble picking my favorite between the French swordfish and the John Inman/Mr. Humphries like seahorse. The scene where we hear this guttural, maniacal laugh from a shipwrecked vessel only to see a seahorse with a huge polka-dotted bow-tie bob out always has me rolling! The Water Babies is a lot of fun. Sure, it is more of a children's film, but it has and always shall have a fond place in my heart. The bulk of the credit for what successes the film does have must go to director Lionel Jeffries. Jeffries is a wonderful comedic actor and his sense of humor is clearly evident throughout.
- BaronBl00d
- Aug 19, 2006
- Permalink
this is a dreadful adaption of Charles Kingsley's story. The animation is, to put it bluntly, awful. And the songs are a disgrace to film songs, epsecially the "high cockororim" song, which they keep repeating. I feel sorry for Jon Pertwee and David Jason, 2 of Britain's finest talents, providing the voice for the depressing animation sequence. Bernerd Cirbbins tries his best to perform in this awful production ,but fails.
Avoid this film at all costs, even if it is the last film on this planet!
Avoid this film at all costs, even if it is the last film on this planet!
- andynortonuk
- Aug 19, 2002
- Permalink
How times have changed. When this film was made in 1978 its content was deemed perfectly acceptable for children.
Set in the Victorian age, it features a young child, Tom, who is beaten and forced into slavery by his two masters, most notably Bernard Cribbins as Masterman, and is often to be heard uttering exclamations such as the one above. His life is so horrific that as he passes through a town square (with a bare-knuckle fist-fight in full flow), his only escape is to drown himself. That's right, a children's film where suicide is seen as an acceptable form of salvation.
Once underwater things get a little less entertaining, as the voices of David Jason, Una Stubbs and Jon Pertwee combine with an unconvincing animation to tell the story of Tom's destiny as a "water baby". There are four or five songs throughout this segment, though they are chiefly forgettable, with only "Hicocalorum" managing - just - to remain in the cerebrum a day after viewing.
Tom emerges from the lake and it all comes to an end, with the revelation that a deformed old bag woman was his guardian angel. Well, at least it didn't adhere to traditional stereotypes and managed a PC characterisation ahead of its time. And the film? Hopelessly dated, and with vastly inappropriate elements for a family movie, it contains a perverse sort of enjoyment.
Set in the Victorian age, it features a young child, Tom, who is beaten and forced into slavery by his two masters, most notably Bernard Cribbins as Masterman, and is often to be heard uttering exclamations such as the one above. His life is so horrific that as he passes through a town square (with a bare-knuckle fist-fight in full flow), his only escape is to drown himself. That's right, a children's film where suicide is seen as an acceptable form of salvation.
Once underwater things get a little less entertaining, as the voices of David Jason, Una Stubbs and Jon Pertwee combine with an unconvincing animation to tell the story of Tom's destiny as a "water baby". There are four or five songs throughout this segment, though they are chiefly forgettable, with only "Hicocalorum" managing - just - to remain in the cerebrum a day after viewing.
Tom emerges from the lake and it all comes to an end, with the revelation that a deformed old bag woman was his guardian angel. Well, at least it didn't adhere to traditional stereotypes and managed a PC characterisation ahead of its time. And the film? Hopelessly dated, and with vastly inappropriate elements for a family movie, it contains a perverse sort of enjoyment.
- The_Movie_Cat
- Dec 17, 1999
- Permalink
- Leofwine_draca
- Aug 24, 2018
- Permalink
I watched this film from childhood - perhaps one of the first I ever saw (released when I was born)...
I'm surprised it's marketed as a children's film, there are many aspects of this film to which children should be ignorant. The best actor by far is David Tomlinson, never failing to bring a smile to my face. As for the rest of the cast - Very odd indeed.
I would not recommend this film personally. It looks dated, and the songs are pretty repetitive. I suggest Mary Poppins or Bedknobs and Broomsticks for children. Also, it would be difficult to locate this film nowadays, it never was released on DVD to my knowledge. The above films present a far more relaxed environment: With this film, it's hard to tell. I can tell that I am not the only one that feels this way about the film, but I still respect it, as I watched it at childhood and it was the first "scary" film I ever saw!
Five out of Ten.
I'm surprised it's marketed as a children's film, there are many aspects of this film to which children should be ignorant. The best actor by far is David Tomlinson, never failing to bring a smile to my face. As for the rest of the cast - Very odd indeed.
I would not recommend this film personally. It looks dated, and the songs are pretty repetitive. I suggest Mary Poppins or Bedknobs and Broomsticks for children. Also, it would be difficult to locate this film nowadays, it never was released on DVD to my knowledge. The above films present a far more relaxed environment: With this film, it's hard to tell. I can tell that I am not the only one that feels this way about the film, but I still respect it, as I watched it at childhood and it was the first "scary" film I ever saw!
Five out of Ten.
This is an old favourite which I watched so many times as a child, but I think this was my first time revisiting it since I've grown up.
It's an eerie fantasy about a little chimney sweep who, after being accused of a crime he didn't commit, jumps into a river where he finds he can survive underwater and then befriends an Orcadian lobster, a French swordfish and a delightfully camp seahorse.
Throughout the film it continually switches between entirely live action and entirely animated scenes and I think this works really well in differentiating between the real world and the magical underwater one. The animation is so charming. I love the style and the character design.
The pacing is amazing with the 90 minute runtime just flying by. It's helped by some simple but catchy little songs that have stuck with me all my life. They'll often pop into my head even though I hadn't watched this in years.
This movie contains many elements that may remind you of an aquatic Wizard of Oz, but while it was made after The Wizard of Oz movie, the original book actually predates L. Frank Baum's famous work by almost forty years.
While I may be biased due to nostalgia I still think this strange but very fun movie is worth checking out if you're into animation and/or children's movies with an unsettling edge to them.
It's an eerie fantasy about a little chimney sweep who, after being accused of a crime he didn't commit, jumps into a river where he finds he can survive underwater and then befriends an Orcadian lobster, a French swordfish and a delightfully camp seahorse.
Throughout the film it continually switches between entirely live action and entirely animated scenes and I think this works really well in differentiating between the real world and the magical underwater one. The animation is so charming. I love the style and the character design.
The pacing is amazing with the 90 minute runtime just flying by. It's helped by some simple but catchy little songs that have stuck with me all my life. They'll often pop into my head even though I hadn't watched this in years.
This movie contains many elements that may remind you of an aquatic Wizard of Oz, but while it was made after The Wizard of Oz movie, the original book actually predates L. Frank Baum's famous work by almost forty years.
While I may be biased due to nostalgia I still think this strange but very fun movie is worth checking out if you're into animation and/or children's movies with an unsettling edge to them.
- TreasureHunterGirl
- Mar 6, 2022
- Permalink
I loathe, despise, and hate this film with a passion that makes the red hot gates of hell look cold by comparison. it's nothing but a campy, frightening, and completly shoddy trip down memory lane to that oh-so-nasty time, the 70's, a decade im glad i wasnt a part of if this absolute trite is all that was on offer!
the animation is sickeningly dated, not least of all with it's tacky, missing frames, and characters with huge, bulbous heads, this film is an eye-sore. from the knowing, snide nod to the parents with the freakily gay sea horse, and it's camp hand motions and kenneth williams-esque voice, to the overtly, unsubtly druggy anthem, High Cockalorum, this film, im sad to say, is one that was forced upon me as a child and i have never fully recovered from the terror it caused me....
This ghastly display of complete terribleness should carry an R rated certificate, so disturbing it is in it's contents!
the animation is sickeningly dated, not least of all with it's tacky, missing frames, and characters with huge, bulbous heads, this film is an eye-sore. from the knowing, snide nod to the parents with the freakily gay sea horse, and it's camp hand motions and kenneth williams-esque voice, to the overtly, unsubtly druggy anthem, High Cockalorum, this film, im sad to say, is one that was forced upon me as a child and i have never fully recovered from the terror it caused me....
This ghastly display of complete terribleness should carry an R rated certificate, so disturbing it is in it's contents!
- Catscanfly
- Feb 28, 2004
- Permalink
I read the above comment and cannot believe it! Of course its a children's movie, its an adaptation of a children's book!! This film IS easy to get a hold of, try play.com or amazon and its very easy to gain a copy! The jokes are hilarious for kids and adults alike, and the adventure is clean with no violence! Its completely suitable for children of all ages! The songs are fab, and yes, a little repetitive but thats what children need and whilst watching it my little ones were heard singing "hi hi cocalorum" all night! They loved it, a story of innocence and friendship! Very lovely and well worth watching for kids and adults of all ages!
I first saw this film when I was about 6 ish - my grandma thought it'd be a nice kiddies film to entertain me and keep me occupied....however, every time I watched it I had nightmares the same night. Yes it masquerades as a kids' film, but even now I find it really dark in places, particularly the haunting music that is played each time the guardian angel woman is on the screen, and her rather hypnotic eyes and voice. The actual "baddies" of the film, ie the sharks, Mr Grimes etc didn't scare me at all, I just always found the whole film rather creepy and dark. This is obviously something I can appreciate now that I'm 21 years old, but speaking from experience there is no way I would show it to my kids!
You are unlikely to see this on Netflix - for one there isn't room on the screen for all the trigger warnings needed.
In the first three minutes you get breast feeding, domestic violence, child cruelty, animal cruelty, underage drinking, bare knuckle boxing and a severed pig's head.
If your child can handle that (and the tortiously long credit sequence that has the charm and pomp of a death march to a gulag) they will need to be patient for another 30 minutes before they get some cartoon.
The animation is quaint and simple - or, if you like, just plain bad. The acting is quite hammy too.
The songs are the stars of the show (and the leads hilarious cockney voice over) High-Cockylorum is especially catchy and gets the blood pumping.
The story is very basic but fun enough and effort is made to match cartoon to live action.
I watched this as a child in the 80s and I was enthralled by this - the songs still linger with me.
Watching it again in 2022 was probably a mistake.
It has an 80s charm about it that modern audiences might find fascinating for a short period, but the pacing is too slow (Tom's chase scene goes on for so long I expected him to traverse deserts and tundra - I think he at least made it to Scotland) and is so nonsensical (it even rains under water)
With such huge catalogues of cartoons on offer now it may be best to leave this one sink in to the depths.
In the first three minutes you get breast feeding, domestic violence, child cruelty, animal cruelty, underage drinking, bare knuckle boxing and a severed pig's head.
If your child can handle that (and the tortiously long credit sequence that has the charm and pomp of a death march to a gulag) they will need to be patient for another 30 minutes before they get some cartoon.
The animation is quaint and simple - or, if you like, just plain bad. The acting is quite hammy too.
The songs are the stars of the show (and the leads hilarious cockney voice over) High-Cockylorum is especially catchy and gets the blood pumping.
The story is very basic but fun enough and effort is made to match cartoon to live action.
I watched this as a child in the 80s and I was enthralled by this - the songs still linger with me.
Watching it again in 2022 was probably a mistake.
It has an 80s charm about it that modern audiences might find fascinating for a short period, but the pacing is too slow (Tom's chase scene goes on for so long I expected him to traverse deserts and tundra - I think he at least made it to Scotland) and is so nonsensical (it even rains under water)
With such huge catalogues of cartoons on offer now it may be best to leave this one sink in to the depths.
- thekarmicnomad
- Oct 22, 2022
- Permalink
Wonderful songs, sprightly animation and authentic live action make this a classic adaptation of a classic tale. A nice British feel which sets it apart and above from the standard, saccharine sweet Disney cartoons.
- johnstonjames
- May 18, 2010
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Classic author C.S. Lewis once wrote an essay stating that no children's story is worth the reading, viewing etcetera if it can only be enjoyed by children. I'd say this film is an easy one to hold up as a defence of his argument.
Around the age of five or six, I loved it, tracked it down only three or four years later and found it to be wet, poorly animated, dully and confusingly written, and with distressingly repetitive and awful songs (I'm looking t you, hi-cockalorum), showing a production aiming at joyful silliness and whimsy, but resulting with an ugly, twee, frustrating mess.
By all means, show this to your infant, but I would heartily recommend that you don't buy a copy or attempt to sit in on the viewing. If you want something set in the same era but with genuine charm and wit, go after 'Oliver Twist' or the BBC's brilliant adaptation of 'The Box of Delights'.
Around the age of five or six, I loved it, tracked it down only three or four years later and found it to be wet, poorly animated, dully and confusingly written, and with distressingly repetitive and awful songs (I'm looking t you, hi-cockalorum), showing a production aiming at joyful silliness and whimsy, but resulting with an ugly, twee, frustrating mess.
By all means, show this to your infant, but I would heartily recommend that you don't buy a copy or attempt to sit in on the viewing. If you want something set in the same era but with genuine charm and wit, go after 'Oliver Twist' or the BBC's brilliant adaptation of 'The Box of Delights'.