"Les Rendez-vous d'Anna" is the only film of Chantal Akerman's which I've seen. It is seemingly a highly personal film about a few days in the life of a female Belgian filmmaker who is traveling around Europe showing her latest work. There are long shots of traveling, whether by train, car or taxi, during which...well,nothing really happens. Kind of like real life. The Europe which is observed all looks the same, pretty much - sterile and dispiriting, rather like the Anna's life. Hardly a tree is seen in the whole movie and Anna actually tells her German lover that she doesn't much care for flowers - nature seems to have been blotted out. She has encounters on her travels with a sensitive, handsome German whom she rejects, a long-time friend of her mother's who wants Anna to settle down and marry her son, a German man who has travelled the world and is now decided on living in France which he declares the land of freedom, her mother in Brussels and her Parisian lover. Through all the encounters, Anna remains detached and pretty much a blank slate. She doesn't really seem to know what she is looking for, but it doesn't seem to be commitment of any kind. Clement is purposefully reserved and detached in the lead role, but the people she meets offer opportunities for several sharp well-turned performances, namely from Magali Noel, Lea Massari and Hans Zischler who is great as the rootless traveler searching for "freedom". "Anna" is an interesting, moody film but definitely not for those looking for action or entertainment. If that is your thing, avoid this film like the plague - but if you are a patient viewer who likes to be immersed in a mood and read between the lines, so to speak, this film may appeal to you.
