Directed by
Michael Pressman |
Writing Credits
Paul Brickman | ... | (written by) |
Bill Lancaster | ... | (characters) |
Cast (in credits order) verified as complete
Produced by
Fred T. Gallo | ... | associate producer |
Leonard Goldberg | ... | producer |
Music by
Craig Safan |
Cinematography by
Fred J. Koenekamp | ... | director of photography |
Editing by
John W. Wheeler |
Casting By
Marion Dougherty | ... | (uncredited) |
Art Direction by
Stephen Myles Berger | ... | (as Steve Berger) |
Set Decoration by
Fred Price | ... | (as Fred R. Price) |
Costume Design by
Jack Martell |
Makeup Department
John Inzerella | ... | makeup artist |
Joan Phillips | ... | hair stylist |
Production Management
Fred T. Gallo | ... | unit production manager |
Lindsley Parsons Jr. | ... | executive production manager: Paramount (uncredited) |
Wally Samson | ... | production manager: studio features (uncredited) |
Second Unit Director or Assistant Director
Michael Daves | ... | assistant director |
Kim Kurumada | ... | second assistant director |
David Nicksay | ... | second assistant director (as Dave Nicksay) |
Alain Silver | ... | dga trainee |
Art Department
Matt Springman | ... | property master |
Olesley Cole | ... | leadman (uncredited) |
Ken Criswell | ... | swing gang (uncredited) |
George Hamilton | ... | assistant props (uncredited) |
Nikita Knatz | ... | illustrator (uncredited) |
Sound Department
Howard Beals | ... | sound effects editor |
Dominick Gaffey | ... | sound mixer (as Nick Gaffey) |
Frank Meadows | ... | boom operator |
John Wilkinson | ... | re-recording mixer (as John K. Wilkinson) |
Ron Collins | ... | boom operator (uncredited) |
Jim Osburn | ... | cableman (uncredited) |
Camera and Electrical Department
Richard Barth | ... | first assistant camera (uncredited) |
Mike Benson | ... | camera operator (as Michael Benson) |
Ralph Gerling | ... | camera operator |
Norman Lang | ... | electrician |
John Murray | ... | key grip (as John J. Murray) |
Gene Stout | ... | gaffer (as Eugene W. Stout) |
Bob Apger | ... | second assistant camera (uncredited) |
Jim Coe | ... | still photographer: Houston (uncredited) |
Angelo de Young | ... | grip (uncredited) |
Ron Housiaux | ... | best boy (uncredited) |
Edward Morey III | ... | first assistant camera (uncredited) |
Lawrence E. Peets | ... | best boy (uncredited) |
Peter Sorel | ... | still photographer: Los Angeles (uncredited) |
Joel Stout | ... | electrician (uncredited) |
Bill Young | ... | dolly grip (uncredited) |
Casting Department
Liz Keigley | ... | location casting |
Costume and Wardrobe Department
Ed Fincher | ... | assistant costumes (uncredited) |
Editorial Department
Robert Souders | ... | assistant editor (uncredited) |
Music Department
Jack Hayes | ... | orchestrator |
Milton Lustig | ... | music editor |
Craig Safan | ... | music adaptor / music producer: "Lookin' Good" |
Louise Di Tullio | ... | musician: flute (uncredited) |
Script and Continuity Department
Hope Williams | ... | script supervisor |
Transportation Department
Joel Marrow | ... | driver captain (uncredited) |
John Reade | ... | transportation coordinator (uncredited) |
Additional Crew
Douglas D. Anderson | ... | dialogue coach |
Wayne Fitzgerald | ... | titles |
Elise Ganz | ... | studio teacher |
Don Henry | ... | production auditor |
Adria Later | ... | studio teacher (as Adria Licklider) |
Michael Lehman | ... | unit publicist |
Louis Smallwood | ... | studio teacher |
Betty Atkinson | ... | production secretary (uncredited) |
Ron Eisenman | ... | first aid (uncredited) |
Marty P. Ewing | ... | assistant to producer (uncredited) |
Janice Lisalda | ... | secretary to producer and director (uncredited) |
Freeman Packard | ... | production support (uncredited) |
Dominic Jack Pizzo Sr. | ... | production assistant (uncredited) |
John Sanders | ... | craft service (uncredited) |
Glen Sanford | ... | production assistant (uncredited) |