User reviews

As others have mentioned this at once, obscure, perverse and rather slow. I'm not sure I'd go along with 'silly', but there are some moments more inept than others which, possibly just as well, help one treat this less than wholeheartedly seriously. On the other hand, such is the lead's obsession, to the extent that we cannot see why he even foes these things or what he gets out of them, we are drawn onto his side. There are no repercussions after his forays into graveyards and mortuaries, no evident police investigations and left with the awful night activities and the merciless teasing he gets in the office, we tend to see things from his point of view. The very 'nonsense' element regarding the bloodlust means that we are unable to detach ourselves as easily from the protagonist and his activities. Interesting and gory and certainly a very different take on obsession.

"Mosquito the Rapist" aka "Bloodlust" is a disturbing necrophilia-shocker about a deaf and dumb who suffers from a childhood-trauma and his hostile surroundings. After a while insanity takes control over his mind and he starts to break into a sanatorium and to rape dead bodies. As his secret love dies because of an accident the young guy becomes a sadistic murderer... I was seeking for trash, but what I found was a truly underrated gem of European horror cinema! Maybe the organ-score can be quite pesky after a while and the ending is too simple, but who really cares if the rest of the film is stunning at all?!? The most fascinating thing about "Mosquito" is probably his symbolic language like the childhood-trauma or the dream-sequences, which include some quite bizarre and surreal impressions to this film. German actor Werner Pocharth, who has got some really worse trash-movies in his filmography, is nearly excellent in the role of the sick and bloodsucking madman! So give this film a fair chance and don´t matter about some unconscious humor and little camp here and there! A truly good movie!!

Poor old Mosquito (Werner Pochath) should sue for defamation of character: he might have a weird fetish for dolls, drink the blood of dead women through a glass straw, gouge out their eyeballs, hack off their heads, and eventually become a fully fledged psycho killer, but he's definitely not a rapist. Such malicious slander could seriously ruin a person's reputation!

An obscure horror offering from, of all places, Switzerland, director Marijan David Vajda's Mosquito the Rapist has garnered generally positive reviews here on IMDb for being a bold, surreal and lurid piece of sleaze that isn't afraid to push the boundaries of taste; while I cannot deny that the film is both groundbreaking and extremely exploitative, I just didn't enjoy it that much myself, finding it incredibly dreary for the most part despite all the nastiness. Even with a bit of gratuitous lesbian action from a couple of hookers thrown in for good measure, the slow as molasses pace throughout had me struggling to keep my eyes open (the only exception being the kiddie fiddling scene, which is a real eye-opener and genuinely unsettling—considering the tender age of the girl involved, I'm surprised this shocking moment has been allowed to remain intact!

Abused clerk with a doll fetish tries to cope with memories of his abusive father develops a weird fascination for drinking the blood from corpses before amping it up toward murder.

Disturbing, but in many ways not very good little horror film that is more than likely going to curl your toes. As with many of these films its the acts that disturb but not the whole package, since our "hero" is too crazy and too much of a milk toast to amount to much. And give it points for a non sensational, realistic ending.

Worth a look only for horror fans.

6 out of 10

This movie was very interesting and bizarre in the first half, but the second half was pretty boring and anticlimatic. The conclusion to this was not impressive at all. It is pretty unique and disturbing though. The acting was decent, the soundtrack was nice and overall this wasn't a bad movie. Mosquito the Rapist is very perverse and weird, and it has a few scenes of gore (not very brutal gore,though). I would recommend this to fans of exploitation cinema and to people who are looking for obscure and old horror films.

Apparently there are more export products coming from Switzerland than just fancy watches, pocketknives and cuckoo clocks! For instance this harrowing and severely devastating exploitation gem, which undoubtedly WILL affect you in some way. Superficially, "Mosquito The Rapist" appears to be another load of sick-spirited & extreme 70's trash, but if you make the effort to observe the film closer, you'll discover that it's actually an intense and tragic drama rather than just euro-smut. Werner Pochath portrays an anonymous deaf-mute man in his early twenties, working as an accountant and living in a ramshackle studio that he decorated with uncanny dolls. Flashbacks show that his father was very abusive and he regularly witnessed how his little sister was sexually assaulted, so naturally he carries a truckload of childhood traumas with him. He keeps his perverted "desires" under control by regularly breaking into morgues and mutilating girls' corpses as well as slurping their blood through a homemade glass straw. This particular device has two little points at the end, which makes it look like vampire's teeth. When his secret love-interest (a hippie-girl that lives in his building) tragically dies, the mutilations become far more sadistic and he eventually turns to brutal murder. The scenes showing "Mosquito" inside the morgues are quite repulsive. He pokes out the eyes of corpses, cuts open their torsos and sucks their blood while lying on top of them. Yet, even more impressive is the constantly grim & disturbing atmosphere director Marijan Vadja manages to sustain! This boy's entire existence is so sad and so depressing that you simply can't bring yourself to fully abominate him. It's probably the only film I've seen in my whole life where I felt compassionate for a depraved pervert. There's a minimum of dialogue, but tons of saddening music and unpleasant images of a pauperized society. These are all aspects that emphasize the dramatic themes of the film and NOT the exploitative sleaze & violence. "Mosquito The Rapist" is also a shockingly well-made and even stylish film! The camera-work and editing are competently handled and even the acting performances are adequate. Those who're expecting a cheap, bottom-of-the-barrel exploitation flick will surely be (pleasantly?) surprised. You can always raise questions regarding what's the point of making such a movie and/or what the added cinematic value is. Of course, there's none… But still this shouldn't keep fans of cult films from purchasing this obscure baby! It's at least a dozen times better than it looks!

* Note: this user comment is dedicated to IMDb-user Scott-from-Modesto. Without his help, I probably never would have found this movie.

A funny thing happened to me while watching "Mosquito": on the one hand, the hero is a deaf-mute and the director is totally unable to make us understand why he does what he does (mutilating mannequins...er, excuse me, corpses) through his images. On the other hand, the English version at least is very badly dubbed. So I found myself wishing there had been both more AND less dialogue at the same time! This film is stupid (funny how this guy has access to every graveyard and mortuary in his town) and lurid (where would we be in a 70s exploitationer without our gratuitous lesbian scene?). Not to mention the "romantic" aspect (oh, how sweet!)...Miss it. (*)

Pochtath is excellent in this incredible,spooky feature with similarities to the more famous MARTIN (made around the same time).The image of him sucking blood from a corpse with a glass straw is unforgettable.It doesn't matter that some of the FX look hokey and the english dubbed version has awkward dialogue,this is one of a kind and should be required viewing for all horror fans.Incidentally,Pochtath can also be spotted briefly in Dario Argento's THE CAT O' NINE TAILS.

A deaf and dump clerk is an excellent employee and is bullied by his envious co-workers. In his private life, he is a man with a childhood trauma since his abusive father caused his disability with his beatings. He collects dolls and has a crush on his neighbor that loves to dance. Out of the blue, he feels attraction for blood and necrophilia. He goes to the morgue in the cemetery to drink blood from fresh corpses, mutilating the bodies and writing "Mosquito" on the wall. When his neighbor dies, he murders living people to drink their blood.

"Mosquito der Schänder", a.k.a. "Bloodlust", is a weird and bizarre movie with the sick story of a disturbed deaf and dumb man. The characters do not have names and the screenplay is strange since there is basically a storyline. In Brazil, this film was released only on VHS. My vote is four.

Title (Brazil): "O Maldito" ("The Damned")

Completely forgettable film: extremely bad sound effects from creaking drawers, footsteps, etc. Added to this are all too funny noises from Werner Pochath, who admittedly acts okay. Stay away, nonsense.

"Mosquito the Rapist" is a gross,creepy and disturbing horror film that truly has to be seen to be believed.This strange necrophilia shocker offers few haunting moments and contains truly eerie mood throughout.Werner Pochath plays a nameless deaf mute accountant,who is still recovering from horrific child abuse.He has a weird fixation with blood spilling across his skin.One night he breaks into the local mortuary and ravages really pretty female corpse.Now addicted,he raids the tombs of the dead and drinks blood from their throats via a glass straw.This seriously twisted and perverse piece of sleazy horror was apparently a major influence on Jorg Buttgereit's "Nekromantik".There is some gore and plenty of sleaze,so fans of exploitation cinema won't be disappointed.Unfortunately this obscure gem is rather hard to find,but if you get a chance watch it.9 out of 10.

"Mosquito" is one of the most original horror films from the seventies. Quite possibly the most disturbing romantic horror film you'll come across from this period.

Loosely based on a real case, this film deals with a traumatized young man (Werner Pochath), who in his childhood became deaf and dumb after having been beaten by his own father. Excluded from close human contact, he seeks company in the local graveyard. Still, he has secret feelings for the girl (Birgit Zamulo) next door, who also seems to live inside her own different world.

With gorgeous photography, an "out of this world" soundtrack by maestro Dafydd Llywelyn, and exceptional acting by Werner Pochath - this is a film to remember. Still, we need a better commercial release of it, than what's out on the market (the German DVD was OK, but could have been a lot better, and it's out of print anyway).

The enigmatic, visually striking Austrian actor, Werner Pochath, makes for quite a jarring anti-hero in, Marijan Vajda's controversial, blood-suckingly bonkers 70s Euro-shocker, 'Bloodlust' aka 'Mosquito der Schänder' (1977), and his vividly macabre machinations as the maniacal, perversely plasma-purloining, deaf-mute necrophiliac,'Mosquito', queasily makes for a malevolent, memorably morbid, furtively death defiling, stomach-churningly strange persona you shall not soon forget!!!

Unmatched in its depravity!!! Dare you behold beautiful, macabrely morgue-laid females being so blasphemously violated by an ungodly fiend's twisted peccadilloes! Not once in the bloodthirstier annals of psychotronic Cinema have sinisterly supine sirens been exsanguinated with such despicable intent, as never before in living memory have all vestiges of humanity been suspended so disgracefully in order to luridly appease the degenerated delectations of depraved 70s horror gourmands! Vajda's infamously grim horror film was said to have provided the inspiration for bravura, boundary transgressing Teutonic troublemaker, Jörg Buttgereit's very own morbid masterpiece of grievous grave violation, 'Nekromantik'. It is quite fair to say that the rapaciously perverse appetites of Bloodlust's insanely introverted, doll fetishising, eerily eyeball extracting, corpse coveting creep has lost none of its darkly sensual, squirm-inducing appeal!