User reviews

This offbeat little film tells the story of a team at the tail-end of the Negro Leagues and their struggle to fight the corrupt ownership of the league. It is similar in tone to "A League of Their Own" but came earlier and is less glossy and, in my opinion, more fun. There are some good points made in it about racism and the athlete as commodity, but the film doesn't take itself too seriously and is never preachy or heavy-handed. It's an easy-going film which is great fun to watch. The cast is fantastic--Billy Dee Williams was never smoother or more charming, James Earl Jones appears to be having the time of his life, and the supporting cast is full of young versions of actors who went on on to bigger things. If you are used to seeing Jones only as a grand elder statesman of acting, check out this film where he plays his role with a lot of humor and energy and a sexy twinkle in his eye.

This spry baseball comedy, inspired by some actual history, is great fun, especially when seen as a vehicle for its talented stars. Billy Dee Williams plays Bingo Long (based on the real-life Satchel Paige), a charismatic pitcher for the Negro League in 1939, who gets VERY tired of having to deal with sleazy team owners such as Sallie Potter (Ted Ross). So he recruits fellow baseball player Leon Carter (James Earl Jones) (based on Josh Gibson), and various others, to join him in a quest to start their OWN flashy, barnstorming baseball team. Naturally, they will have many roadblocks in their path to success

Charming, irresistible entertainment, and you don't have to necessarily be a baseball fan in order to enjoy it. Granted, it gets nasty at one point (for a PG rated film), and gets somewhat serious as well, but it never becomes so ugly that you can't still stick with it. It gets most of its juice from the dazzling performances of its stars, Williams and Jones. Jones appears to be having a grand old time, and co-star Richard Pryor unsurprisingly steals many of his scenes as a ballplayer who thinks that his key to success is passing himself off as Cuban and joining the white league. (There's a hilarious payoff for him near the end.) There's some more than respectable recreations of the period, a jaunty score (by William Goldstein), and wonderful old-time songs (belted out by Thelma Houston). The fair amount of familiar faces in the cast also includes stuntman Jophery C. Brown, Tony Burton of the "Rocky" franchise, Stan Shaw ("Snake Eyes"), DeWayne "Otis Day" Jessie ("National Lampoon's Animal House"), Mabel King ('What's Happening!!'), Sam Laws ("Hit Man"), Ahna Capri ("Enter the Dragon"), Joel Fluellen ("Porgy and Bess"), and Jester Hairston (John Wayne's version of "The Alamo").

Although it has a rather lengthy running time (at 111 minutes), this movie never feels that long, due to an entertaining narrative and characters, and many scenes that hold ones' attention. It's intelligent, making some points about race relations and the way that athletes are treated, but never gets heavy-handed about it, while remaining engrossing both comedically and dramatically. It doesn't seem to be remembered by many nowadays, which is just too bad.

Ken Foree of future "Dawn of the Dead" fame makes his film debut as a muscle man.

Eight out of 10.

Highly entertaining film about a renegade black baseball team that breaks through barriers in 1939, when black ball players where shunned out of white controlled leagues. Williams stands out as their razzle-dazzle leader. The almost black cast that also features Jones, Pryor and Tony Burton are superb.

Sorry, Charlie, but comparing "Bad News Bears" with "Bingo Long Traveling Allstars and Motor Kings" is like comparing "Hogans Heroes" and "Stalag 17"!! One is STRICTLY a bit of fun, and the other, while there are some laughs, explores a much more serious matter, albeit with the tongue planted firmly in cheek. Sure, you probably had a "Bad News Bears" lunch box, and Walter Matthau, Jodie Foster, and Jackie Earle Haley were just great in BNB, and there were some funny bits, but Bingo Long had much of its basis in fact, and it was one of the first films to explore a much too ignored historical fact, namely the Negro Leagues. James Earl Jones, as usual, is wonderful, and Richard Pryor didn't have to totally play his role for laughs as much as he was required to at this time in his career. Billy Dee Williams, who I feel didn't get nearly as many good roles as he deserved, was just great as Bingo Long. He was much better than in the terminally overrated "Lady Sings The Blues", also with Richard Pryor, but unfortunately up against Diana Ross' massive ego. I especially enjoyed spotting DeWayne Jessie(aka "Otis Day" of Animal House) as Rainbow. "Bingo Long" made me want to learn more about the Negro Leagues and barnstorming teams of the '30's like the House Of David.

This movie doesn't get much attention at all (I didn't hear about it until 2021); but the movie is OK. The visuals are gorgeous, especially the baseball scenes: the players uniforms and ballparks will amaze any baseball fans. I also love the acting by Billy Dee Williams and James Earl Jones.

My one criticism is that I feel the movie's comedy was flat, and I just found myself dozing off at times. A big part of me feels that the movie might have been better served as a full-on drama, depicting the struggles of early African-American ballplayers.

Overall, this movie is not on the same level as Bull Durham, Field of Dreams, A League of their Own, The Natural, or Major League; but it's on the same level as Rookie of the Year, Angels in the Outfield, For Love of the Game, and Talent for the Game. A solid (though not great)baseball movie.

It's a baseball comedy set around 1940 and later and follows an all-star team of former Negro League baseball players.

"Sallie" Porter (Ted Ross) is a stingy owner of a Negro League baseball team. His best player, pitcher Bingo Long (Billy Dee Williams), quits and forms a team of all-stars drawn from various Negro League players to barnstorm from town to town. The other big star is catcher Leon Carter (James Earl Jones). Lesser known players include Charlie Snow (Richard Pryor) and center fielder "Esquire Joe" Calloway (Stan Shaw).

The film shows the team utilizing comedy and trick plays in addition to playing serious baseball. In addition, it shows the All-Stars playing teams of all backgrounds, including the House of David. Conflict with the players' former owners is pre-eminent, but inter-racial tensions are also present.

There are entertaining moments in the movie, but it falls well short of what it could have been. It's pretty dated, and some references are no longer funny. Three of the players are loosely based on real Negro League players. Bingo Long imitates Satchel Paige, Leon Carter resembles Josh Gibson, and Esquire Joe Calloway is patterned on Jackie Robinson, who played briefly in the Negro Leagues.

This film got great reviews when it came out, but I had to go to a African-American neighborhood theater to see it. That was only where it was being shown. It was not marketed for a general (prodominently white) audience. I believe that it has been overlooked since for the same reason: it is believed to be a movie about African-Americans which can be appreciated only by African-Americans.

This is far from the case. It is a movie about individuals trying to do the work they love while being frustrated by irrational human attitudes and biases. It is a movie about adapting to the perception that your world is changing and the change will be good for others, but not be good for you. It is as good a movie ever made about finding your goals and persisting in reaching them, even as the value of the goal recedes before you.

And it is hilarious. It is done with sly humor as well as laugh-out-loud wild humor.

It's 1938. Pitcher Bingo Long (Billy Dee Williams) and catcher Leon Carter (James Earl Jones) are in the Negro League. Charlie Snow (Richard Pryor) schemes to get into the major leagues as a Cuban. They are tired of being mistreated by their owners and go on a barnstorming tour of the mid-west. The tour becomes a rival to the existing Negro League. When the black owners conspire to stop them, they play white folks.

It's a fun slice of baseball history that isn't done much in pale Hollywood. The story is pretty thin until they get to forty five minutes. Adding an overt racial component really amps up the drama. The evil owners start doing stuff. The story is a little messy like the team itself, but there is good compelling material.

Having once stumbled onto this movie on TV years ago but not watching past the opening credits, I finally got to see the whole thing on YouTube right now. A fictional account of one Negro League baseball team during the late '30s, this is quite a fun picture despite some occasionally serious issues permeating some of the narrative. Billy Dee Williams plays the title character, James Earl Jones is his charismatic buddy who's also good at batting as seen in the early scenes when Billy pitches at him. And Richard Pryor does a funny turn pretending to be Cuban in order to break in the white national teams. Unfortunately, the YT upload skipped on some of his lines and maybe scenes. Still, this was quite a fun movie to watch especially near the end which I won't reveal. So on that note, I highly recommend The Bing Long Traveling All-Stars & Motor Kings.

Considering the cast and the talent involved with this, a terrible disappointment, could have been so much better if only the director had gotten control of james earl, made him act instead of ham it up, and fire whoever cut it and put someone in who understood continuity. Generally a sorry excuse for a production-and for that there is no excuse.

I love this movie! Bet I've seen it 15 times and its always fun and a chance to see some great stars in unusual roles. Billie Dee Wiliams as Bingo Long is a great inspiration for "sticktuitiveness"; James Earl Jones appears here in a totally new light - who knew he could be a comedian as well as one of our best serious actors. What to say about Richard Pryor in all his multiple guises here? Just terrific! The supporting cast is strong - no weak links!

I grew up in a segregated South so I really get what this movie is all about. Its replicates a piece of history not covered in the social studies books. The costuming and musical score is worth it even if you decide you don't like to movie.

in response to 'blaploitation', motown's magnate produces a great 'hilariblax'film. great chance to see the godfathers of black comedy (r.pryor), black leading men (b.d.williams) and high black drama (j.e. jones). as an educator it's good to find films that can speak on the life and times of America's pastime in a darker light.As important as k.burns baseball series, could have even been used to more vividly illustrate the 2nd part of his work 'shadowball'. A film the whole family can enjoy--as well as my whole class.Every semester I show this excellent film to my students. it never fails to prompt kids to ask more questions about the '20's & 3o's in America and also questions about race relations. mr.ford calls it my favorite baseball movie of all times.

They just don't make `em like this anymore. James Earl Jones, Billy Dewilliams, Richard Prior and Stan Shaw play their parts to perfection. The music is excellent, capturing the flavor of the times. There are some huge belly-laughs and the plot keeps one interested throughout. Great sports movie.

The hilarious Richard Pryor doesn't generate very many laughs in this very slow story about a group of black baseball players who have defected from their own national league and go around challenging white baseball teams (the setting is 1939). Released around the same time as another baseball comedy, "The Bad News Bears" but nowhere near as good as that one.