A stage-play producer devises a plan to make money by producing a sure-fire flop.A stage-play producer devises a plan to make money by producing a sure-fire flop.A stage-play producer devises a plan to make money by producing a sure-fire flop.
- Won 1 Oscar
- 4 wins & 5 nominations total
Andréas Voutsinas
- Carmen Ghia
- (as Andreas Voutsinas)
Renée Taylor
- Eva Braun
- (as Renee Taylor)
Madelyn Cates
- Concierge
- (as Madlyn Cates)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaMel Brooks cannot read music. "Springtime for Hitler" and "Prisoners of Love" (as were all the songs Brooks writes for his films) were hummed into a tape recorder and transcribed by an expert. When Brooks adapted the movie into a stage musical, he wrote the entire score by himself using the same method.
- GoofsIn LSD's number "Love Power", his musical ensemble consists of a guitarist, keyboardist, and sax player; however, the music heard clearly has flute, bass guitar, drums, and other instruments not represented, but no saxophone.
- Quotes
Leo Bloom: I'm hysterical! I'm having hysterics. I'm hysterical. I can't stop when I get like this. I can't stop. I'm hysterical.
[Max throws a glass of water on him]
Leo Bloom: I'm wet! I'm wet! I'm hysterical, and I'm wet!
[Max slaps him]
Leo Bloom: I'm in pain! And I'm wet! And I'm still hysterical!
- Crazy creditsThe closing credits are in reverse order, acting like curtain calls, which lead up to the star actor.
- Alternate versionsSome prints eliminate the opening "Embassy Pictures" logo, as well as a few seconds of footage in the bar scene, including the drunk's dialogue "Let's have a toast...to toast! I love toast..." and the beginning of the song "By the Light of the Silvery Moon". Most prints just cut into the scene in the middle of the song verse.
Featured review
This is a marvellous piece - a combination of utter farce, black humour, Jewish schtick and high camp, "The Producers" remains a truly wonderful film.
From the opening sequences, where Theatre agent Max is a despairing old fool trying to avoid tax, through the "little old lady seduction" scenes, to the gorgeous rooftop scene where a mad German pigeon fancier tries to remain within the bounds of sanity and fails, via the meeting with "top" Hollywood director Roger" we're not alone" de Bris, the film traces the hapless and eponymous producers who devise a foolproof scheme to make money out of a flop. They employ a Nazi writer to script the musical "Springtime for Hitler", which is guaranteed to be a flopperoony. Of course, they manage to totally miss the mood of the day and the projected flop is a huge hit - whereupon they have to pay back the 16,000 percent of the cost that they acquired....
Wild, manic, joyous and deeply perceptive, this is Mel Brooks at his finest - Jewish gags abound, but never alienate, accountants get the mickey taken (cheers all round!) and the final production - well, if you haven't seen this film, where have you been living? One of the greats.
From the opening sequences, where Theatre agent Max is a despairing old fool trying to avoid tax, through the "little old lady seduction" scenes, to the gorgeous rooftop scene where a mad German pigeon fancier tries to remain within the bounds of sanity and fails, via the meeting with "top" Hollywood director Roger" we're not alone" de Bris, the film traces the hapless and eponymous producers who devise a foolproof scheme to make money out of a flop. They employ a Nazi writer to script the musical "Springtime for Hitler", which is guaranteed to be a flopperoony. Of course, they manage to totally miss the mood of the day and the projected flop is a huge hit - whereupon they have to pay back the 16,000 percent of the cost that they acquired....
Wild, manic, joyous and deeply perceptive, this is Mel Brooks at his finest - Jewish gags abound, but never alienate, accountants get the mickey taken (cheers all round!) and the final production - well, if you haven't seen this film, where have you been living? One of the greats.
- nigel-bourne
- Sep 16, 2002
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Details
- Release date
- Country of origin
- Languages
- Also known as
- Mel Brooks' The Producers
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $941,000 (estimated)
- Gross US & Canada
- $328,673
- Opening weekend US & Canada
- $6,091
- Jun 9, 2002
- Gross worldwide
- $375,524
- Runtime1 hour 28 minutes
- Sound mix
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