IMDb RATING
6.1/10
5.5K
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A disillusioned TV-commercial director is guided by his friend through an LSD trip, during which he evaluates his identity and his relationships with women.A disillusioned TV-commercial director is guided by his friend through an LSD trip, during which he evaluates his identity and his relationships with women.A disillusioned TV-commercial director is guided by his friend through an LSD trip, during which he evaluates his identity and his relationships with women.
Bárbara Ransom
- Helena
- (as Barbara Ransom)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaPeter Fonda, Dennis Hopper, and Jack Nicholson engaged in a group LSD trip to prepare to be in the film.
- Crazy creditsThe film's original theatrical prints begin with the following disclaimer, which appears as onscreen text that is read aloud by Bret Morrison: "THE TRIP - FORWARD. You are about to be involved in a most unusual motion picture experience. It deals fictionally with the hallucinogenic drug, LSD. Today, the extensive use in black market production of this and other such "mind-bending" chemicals is of great concern to medical and civil authorities. The illegal manufacture and distribution of these drugs is dangerous and can have fatal consequences. Many have been hospitalized as a result. This picture represents a shocking commentary on a prevalent trend of our time and one that must be of great concern to us all." Because this disclaimer was imposed by the studio and went against Roger Corman's desire to have the film provide a balanced portrayal of drug use, it was removed from the 2011 director's cut.
- Alternate versionsIn 2011, the MGM HD Channel aired a restored and remastered director's cut of the film, which was later released on Blu-ray by Signal One Entertainment in the U.K. in 2015 and on DVD and Blu-ray by Olive Films in the U.S. in 2016. This version runs 82 minutes (three minutes longer than the original theatrical prints, which run 79 minutes) and includes the following changes:
- The opening disclaimer describing the dangers of LSD use has been removed.
- Paul's attempt to intercept Glenn at the go-go club contains more footage, including shots of a painted dancer being carried around on a party-goer's shoulders.
- The final close-up of Paul prior to the closing credits no longer shatters like glass (a studio-imposed symbolic suggestion that his LSD trip has "fractured" his mind).
- After the closing credits, "Synesthesia", the music cue heard at the beginning of Paul's trip, is reused as exit music.
- ConnectionsEdited from House of Usher (1960)
Featured review
I originally became interested in finding this film due to my introduction and interest in the soundtrack. The music is performed by the late 60's self-proclaimed "American Music Band" known most often as THE ELECTRIC FLAG... A life-long fan of the somewhat psychadelic (as heard in THE TRIP), but more over horn/blues/rock band, the recording of THE TRIP that I first heard on a roadtrip to California (how fitting) is what sparked my search for a copy of THE TRIP.
I must say that the backwards line of hearing the music first and THEN seeing the film, caused me to have vague (but passionate!) expectations of what would be contained in the film. Yes, a "typical" portrayal of the late 60's acid/drug scene some might say, but I beg to differ. The film is about a man (Peter Fonda) who is distrought with life and looks for an answer through acid. The trippy, psychadelic scenes to follow make for a colorful kaleidescope of imagery and that, if nothing else, is a treat for the eyes! But later - dark, bleak scenes of medieval death contrast with a looming carnival funhouse feel. Through ecstatic highs and eerie lows, Fonda manages to come out of the trip with a new perspective - what he had hoped
for in the first place. But here is where one may say there really was no plot and in the end there was no lesson either. But, once again, I beg to differ. I enjoy delving deep into what seems to be merely innocent and aesthetic on the outside, and searching for what seems hidden amongst clowns on the inside. In the end, I got more than one message from the film, but I will let you, the viewer, decide for yourself what (if anything) you got from it. There, of course, is no wrong answer.
Having never (unfortunately) gotten the chance to live during that era, my curiosity is peaked and sometimes calmed by exposing myself to all that surrounded or grew from that era - be it music, poetry, film, literature or what have you. And though I can't proclaim to tell you that you will like or dislike the film, I can really only recommend for you to check it out. Because it is entertaining. Because it is superb filming. Because it is an early music video. Because it has a great American soundtrack. Because it is history. Because it it another time we can now only remember. Because it is one man's tribute to the often misunderstood era of peace, drugs, and a more innocent way of life. Because it is America... and because it made me come away with a new thought, and new ideas in my head, and if thats not something, I don't know what is. Thanks for reading.
I must say that the backwards line of hearing the music first and THEN seeing the film, caused me to have vague (but passionate!) expectations of what would be contained in the film. Yes, a "typical" portrayal of the late 60's acid/drug scene some might say, but I beg to differ. The film is about a man (Peter Fonda) who is distrought with life and looks for an answer through acid. The trippy, psychadelic scenes to follow make for a colorful kaleidescope of imagery and that, if nothing else, is a treat for the eyes! But later - dark, bleak scenes of medieval death contrast with a looming carnival funhouse feel. Through ecstatic highs and eerie lows, Fonda manages to come out of the trip with a new perspective - what he had hoped
for in the first place. But here is where one may say there really was no plot and in the end there was no lesson either. But, once again, I beg to differ. I enjoy delving deep into what seems to be merely innocent and aesthetic on the outside, and searching for what seems hidden amongst clowns on the inside. In the end, I got more than one message from the film, but I will let you, the viewer, decide for yourself what (if anything) you got from it. There, of course, is no wrong answer.
Having never (unfortunately) gotten the chance to live during that era, my curiosity is peaked and sometimes calmed by exposing myself to all that surrounded or grew from that era - be it music, poetry, film, literature or what have you. And though I can't proclaim to tell you that you will like or dislike the film, I can really only recommend for you to check it out. Because it is entertaining. Because it is superb filming. Because it is an early music video. Because it has a great American soundtrack. Because it is history. Because it it another time we can now only remember. Because it is one man's tribute to the often misunderstood era of peace, drugs, and a more innocent way of life. Because it is America... and because it made me come away with a new thought, and new ideas in my head, and if thats not something, I don't know what is. Thanks for reading.
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Details
- Release date
- Country of origin
- Language
- Also known as
- A Lovely Sort of Death
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $450,000 (estimated)
- Runtime1 hour 22 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1
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