Terence Young directed the first two James Bond films and magnificently set the style of the series. He tries to bring some of that flamboyance to "Triple Cross", down to a title song which should have been sung by Shirley Bassey. But this wartime shaggy-dog espionage yarn resisted the 007 treatment and laid a big egg.
Compared with, say, "Five Fingers" or "I Was Monty's Double", "Triple Cross" is sluggish. It's a European co-production, always a difficult diplomatic problem, and the cast is a mini-United Nations: a Canadian as the secret agent, a British spy master, Germans, an Austrian love interest and Yul Brynner, whose origins (like those of the slab in "2001") were still a total mystery.
Christopher Plummer is sleek and sardonic as Eddie Chapman, a master safe cracker and in reality a working class charmer from North East England who had been a Guardsman; here he seems more of a toff, like Raffles or Bond. The bare bones of his story were true and incredible enough not to need polishing.
Eddie was in jail in the Channel Island of Jersey when the Germans occupied it in 1940 (by air, not as shown here from ships docked directly under Chapman's cell). He offered himself as a Nazi spy to get back to England. There he immediately re-ratted and got sent to Germany, where he trained other agents whom the British caught and turned. The unsuspecting Nazis were so pleased with his apparent perfidy that he was given the Iron Cross. Hence the film's title.
Brynner is a "good German" colonel, an anti-Nazi aristo who pays the price of involvement in the Hitler assassination plot. Among other heel-clickers who think they are controlling Chapman is Gert Frobe-- so that's what Goldfinger was up to before he became a card sharp in Miami. Trevor Howard sports an ugly little ginger beard. Romy Schneider, no longer the plump little ingenue of the Sissi trilogy, is sharp-jawed and wan as Eddie's aristocratic girlfriend.
Their lack of chemistry underscores Plummer's lack of sex appeal. He was losing the kudos he had gained as Baron von Trapp-- maybe he'd have felt more at ease in Brynner's part-- and his stellar status was as brief as Julie Andrews's. Eddie Chapman fared better. Given a blanket amnesty at the war's end, he married and lived long, prosperously and respectably.
