Documentary covering Bob Dylan's 1965 tour of England, which includes appearances by Joan Baez and Donovan.Documentary covering Bob Dylan's 1965 tour of England, which includes appearances by Joan Baez and Donovan.Documentary covering Bob Dylan's 1965 tour of England, which includes appearances by Joan Baez and Donovan.
- Awards
- 4 wins
- Self
- (uncredited)
- Self - science student
- (uncredited)
- Self
- (uncredited)
- Self
- (uncredited)
- Self
- (uncredited)
- Self
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe scene where Donovan visits Dylan in his hotel was generally viewed as Dylan putting the young singer-songwriter in his place when he grabs the guitar and performs "It's All Over Now, Baby Blue." But a 2015 Criterion Collection remaster, with improved sound, revealed that Donovan actually requested Dylan play that song for him. That gave the entire scene a new meaning and revealed Dylan and Donovan as more friends than rivals.
- Quotes
Albert Grossman: They've started calling you an anarchist.
Bob Dylan: Who?
Albert Grossman: The papers. That's the word now.
Bob Dylan: Anarchist?
Albert Grossman: Right. Yeah.
Bob Dylan: The newspaper's say I'm an anarchist?
Albert Grossman: Two or three. Just because you don't offer any solutions.
Bob Dylan: You're kidding!
Albert Grossman: Of course.
Bob Dylan: Anarchist? Huh? Give me a cigarette. Give the anarchist a cigarette. Anarchist? A singer such as I.
- ConnectionsFeatured in Precious Images (1986)
Right from the start you can tell Dylan is sick of being on tour, either that ir he's sick of people(note how he rolls his eyes in the very beginning when he explains to a woman why he's carrying a lightbulb) so we become accustomed to the way he answers questions; sometimes rude but always originally, many times hilariously. He was afterall, still a very young guy in a foreign country. It didn't matter how he spoke with people, though, because he communicated enough-as we can see in Don't Look Back through his music.
When you watch him play, it's amazing to see the stillness in the audience, the entranced eyes, fixed in concentration, minds in fear that they may miss a word of one of Dylan's songs. I love how, right at the beginning when he gets asked "When did you know you wanted to become a performer?" and he seems to think for a minute...and it cuts to: Dylan about 6-8 years prior..playing in a field surrounded by a bunch of African Americans...seemingly singing about (an)African-American...and when the camera pans close to his face, you can see tears rolling down his cheeks! It made me cry...........
The good thing about it is you see a little bit of everything...Dylan on stage in his element, Dylan f*ked up;), w/his pals, p***ed off, and Englanders...
We also get to see a very young Joan Baez( whose voice I had never even heard before watching this)- an innocent, beautiful woman who despite this had morals and a voice that would also be heard....like Dylan she was way ahead of her time.
In short, I cannot say enough about this documentary-it gets better everytime I see it, and I don't say that about a lot. I still cannot hear enough of his music or his lyrics...
Long live Dylan and Baez... -Heidi
- renaldo and clara
- Mar 30, 2002
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Details
Box office
- Gross US & Canada
- $27,158
- Runtime1 hour 36 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1