Kill, Baby... Kill!

The people of a late 19th century European village are beginning to perish in incidents that could be accidents, suicides...or murders. A dedicated police inspector, Kruger (Piero Lulli), investigates the case, while calling in a doctor from out of town. Dr. Paul Eswai (Giacomo Rossi Stuart) arrives to find a community full of frightened and deeply superstitious citizens, which frustrates the practical man of medicine. Dr. Paul even goes so far as to perform an autopsy on a young woman, a practice that these locals find to be abhorrent. In an odd touch, victims are found with gold coins placed inside their hearts.

The relatively simple story actually isn't hard to follow at all, and in fact much crucial plot information is conveyed through pure exposition. Still, when this exposition is so vividly delivered by such an eclectic cast, it's hard to complain too much. Master of the macabre Mario Bava does go overboard with his frequent zooming in on people and then zooming back out. Other than that, this is an engaging example of the whole Gothic horror genre, with Bava working at the peak of his abilities. As he demonstrated so stylishly in previous efforts such as "Black Sunday" and "Black Sabbath", Bava was expert at creating an otherworldly atmosphere. He's capably assisted by his set decorator, Alessandro Dell'Orco, and cinematographer, Antonio Rinaldi. Bava also helped with the lighting, uncredited. Carlo Rustichellis' music is excellent, and the sound design is another plus, with that infernal giggling helping to put us on edge.

The handsome Rossi Stuart is a jut jawed, stoic hero. Erika Blanc is beautiful and appealing as Monica Schuftan, who assists him with the autopsy. Gorgeous raven haired Fabienne Dali is intoxicating as Ruth, the local sorceress. Lulli, Luciano Catenacci, and Giovanna Galletti round out our interesting primary cast. One key casting decision is crucial in keeping the film somewhat off kilter.

The finale is over awfully quickly, but there's still a fair bit to recommend here. The sequence that takes place about a quarter hour from the end is the most striking of all.

Seven out of 10.